Plaything of the Great God Kafka PDF Download

Author: Roger Hudson
Publisher: Lapwing Publications
ISBN: 1909252344
Category : Poetry
Languages : en
Pages : 86

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Author: Espen Hammer
Publisher: Oxford University Press
ISBN: 0190461489
Category : Philosophy
Languages : en
Pages : 313

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Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity (whether about himself, or the anonymous system he is facing), only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique.

Author: Ritchie Robertson
Publisher: Oxford University Press, USA
ISBN: 0192804553
Category : Literary Criticism
Languages : en
Pages : 150

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Franz Kafka is one of the most intriguing writers of the 20th century. In this text the author provides an up-to-date introduction to Kafka, beginning with an examination of his life and then discussing some of the major themes that emerge in Kafka's work.

Author: Reimund Mink
Publisher: Springer Nature
ISBN: 3031046242
Category : Business & Economics
Languages : en
Pages : 394

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This book describes official statistics as a tool to hold up a mirror to society – but also as an instrument for those who can manipulate this mirror. It addresses the precarious interaction of politics, official statistics, and ethical principles. Three sets of themes can be derived from this relationship, which are the focus of this book: Political systems and guiding principles, official statistics as a science of the state, and ethical issues arising from them. Ultimately, the determining factor is the political system that exists in each case. The book contains eleven chapters. The first three focus on the key concepts of the book: power and morality, official statistics and policy making, and ethical principles for statistical work. Three further chapters focus on episodes that illustrate, as "drastic" examples, the misuse of official statistics over the past hundred years, covering the situation in the Soviet Union, the Third Reich and Greece. The remaining five chapters take up current topics that pose particular challenges to official statistics. These are the phenomena paraphrased by digitalisation, globalisation, happiness research, overpopulation, migration, the Covid-19 pandemic and climate change. The book is primarily aimed at statisticians working in national and international statistical institutions, but also at readers interested in statistics, national accounts, economic and statistics history, and ethical issues.

Author: Max Brod
Publisher: New York : Schocken Books
ISBN:
Category : Authors, Austrian
Languages : en
Pages : 304

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Author: Brian Edwards
Publisher: Routledge
ISBN: 113482565X
Category : Literary Criticism
Languages : en
Pages : 332

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Drawing on developments in critical theory and postmodernist fiction, this study makes an important contribution to the appreciation of playforms in language, texts, and cultural practices. Tracing trajectories in theories of play and game, and with particular attention to the writings of Nietzsche, Wittgenstein, Bakhtin, and Derrida, the author argues that the concept of play provides perspectives on language and communication processes useful both for analysis of literary texts and also for understanding the interactive nature of constructions of knowledge Exploring manifestations of game and play throughout the history of Western culture, from Plato to Pynchon, this study traces developments in 20th-century cultural and literary theory of ideas about play in the writings of Johan Huizinga, Roger Caillois, Jacques Ehrmann, Bernard Suits, James Hans, Mihai Spariosu and Robert Rawdon Wilson. The author emphasizes post-structuralist developments with specific attention to deconstruction and reception theory and argues that deconstruction makes the most significant recent contribution to play theory in its application to language and to literature The work also explores the modes and effects of playforms in particular examples of postmodernist fiction. With attention to major works from Thomas Pynchon (Gravity's Rainbow), John Barth (LETTERS , Robert Kroetsch (What the Crow Said ), Angela Carter (Nights at the Circus ) and Peter Carey (Illywhacker ), Edwards acknowledges and deconstructs such basic oppositions as play and seriousness, fiction and truth, difference and identity to explore the literature's cultural/political significance. Seeking to affirm the fiction's continuing social relevance, the readings presented in this book place play irresistibly at the heartland of language, meaning and culture.

Author: Kenneth Gross
Publisher: New York Review of Books
ISBN: 1912559617
Category : Literary Collections
Languages : en
Pages : 126

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Some of the greatest thinkers and writers of our age meditate on play and the mysteries of inanimate life. This unusual literary collection contains writings from Baudelaire, Kleist, Rilke, Freud, Kafka, Walter Benjamin, Bruno Schulz, Elizabeth Bishop, Dennis Silk, and Marina Warner. The essays and reflections explore the seriousness of play and the mysteries of inanimate life - 'the unknown, spaces, dust, lost objects, and small animals that fill any house' - which have provoked many writers to take the side of these dead or non-human things, resulting in some of the most profound passages in literature. The collection is introduced and edited by Kenneth Gross. On Dolls includes contributions from: Heinrich Von Kleist 'On the Marionette Theatre', Charles Baudelaire 'The Philosophy of Toys', Sigmund Freud 'The Uncanny', Rainer Maria Rilke 'On the Dolls of Lotte Pritzel', Frank Kafka 'The Cares of a Family Man', Bruno Schulz 'Tailor's Dummies', Walter Benjamin 'Old Toys: The Toy Exhibition at the Markisches Museum', Elizabeth Bishop, 'Cirque d'Hiver', Dennis Silk 'The Marionette Theatre', and Marina Warner 'On the Threshold: Sleeping Beauties'.

Author: Walther Ziegler
Publisher: BoD – Books on Demand
ISBN: 3756872041
Category : Philosophy
Languages : en
Pages : 702

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"Great Thinkers in 60 Minutes Volume 4" comprises the five Books "Schopenhauer in 60 Minutes", "Nietzsche in 60 Minutes", "Wittgenstein in 60 Minutes", "Kafka in 60 Minutes", and "Arendt in 60 Minutes". Each short study sums up the key idea at the heart of each respective thinker and asks the question: "Of what use is this key idea to us today?" But above all the philosophers get to speak for themselves. Their most important statements are prominently presented, as direct quotations, in speech balloons with appropriate graphics, with exact indication of the source of each quote in the author's works. This light-hearted but nonetheless scholarly precise rendering of the ideas of each thinker makes it easy for the reader to acquaint him- or herself with the great questions of our lives. Because every philosopher who has achieved global fame has posed the "question of meaning": what is it that holds, at the most essential level, the world together? For Schopenhauer it is the "blind will" that drives on every entity in the world. For Nietzsche it is "will to power" that urges human beings to a radical individual realization of the self. Wittgenstein, for his part, sees in language and our day-to-day "language games" the central element that marks our existence and society as a whole. Kafka, by contrast, discovered a very secret and fragile dimension of our lives: the dimension of inter-human relations and this relation's dark side. Arendt, finally, provides us, with her thesis of "the banality of evil", a marvellous insight into the morality - and amorality - of entire societies. In other words, the meaning of the world and thus of our own lives remains, among philosophers, a topic of great controversy. One thing, though, is sure: each of these five thinkers struck, from his own perspective, one brilliant spark out of that complex crystal that is the truth.

Author: Reiner Stach
Publisher: Princeton University Press
ISBN: 1400884470
Category : Biography & Autobiography
Languages : en
Pages : 613

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The eagerly anticipated final volume of the award-winning, definitive biography of Franz Kafka How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.

Author: Gustav Janouch
Publisher: New Directions Publishing
ISBN: 0811221024
Category : Biography & Autobiography
Languages : en
Pages : 297

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A literary gem – a portrait from life of Franz Kafka – now with an ardent preface by Francine Prose, avowed “fan of Janouch’s odd and beautiful book.” Gustav Janouch met Franz Kafka, the celebrated author of The Metamorphosis, as a seventeen-year-old fledgling poet. As Francine Prose notes in her wonderful preface, “they fell into the habit of taking long strolls through the city, strolls on which Kafka seems to have said many amazing, incisive, literary, and per- things to his companion and interlocutor, the teenage Boswell of Prague. Crossing a windswept square, apropos of something or other, Kafka tells Janouch, ‘Life is infinitely great and profound as the immensity of the stars above us. One can only look at it through the narrow keyhole of one’s personal experience. But through it one perceives more than one can see. So above all one must keep the keyhole clean.’” They talk about writing (Kafka’s own, but also that of his favorite writers: Poe, Kleist, and Rimbaud, who “transforms vowels into colors”) as well as technology, film, crime, Darwinism, Chinese philosophy, carpentry, insomnia, street fights, Hindu scripture, art, suicide, and prayer. “Prayer,” Kafka notes, brings “its infinite radiance to bed in the frail little cradle of one’s own existence.”