Author: Gregor H. Mews
Publisher: Routledge
ISBN: 1000579395
Category : Architecture
Languages : en
Pages : 192
Book Description
This book provides an empirical analysis of the concept of play as a form of spatial practice in urban public spaces. The introduced City–Play–Framework (CPF) is a practical urban analysis tool that allows urban designers, landscape architects and researchers to develop a shared awareness when opening up this window of possibility for adventure. Two case studies substantiate and illustrate the development process and testing of the framework in Canberra, Australia, and Potsdam, Germany. The appropriation of public spaces that transcend boundaries can facilitate an intrinsic connection between people and their immediate environment, towards a more joyful ontological state of human existence in which imagination, co-creation and a sense of agency are key elements of the design approach. The framework presents an alternative understanding of public spaces and public life, reflecting on theory and its implications for practice in a post-pandemic world in dense urban centres. A bridge between theory and practice, this book explores possibilities on what future design ought to be when openness and ambiguity are consciously integrated parts of practice and process. The book presents a valuable discussion on public space and play for academic audiences across a wide range of disciplines such as landscape architecture, urban design, planning, architecture and urban sociology, which is informative for future practice.
The Chinese Lady
Author: Lloyd Suh
Publisher: Dramatists Play Service, Inc.
ISBN: 0822239906
Category : Performing Arts
Languages : en
Pages : 48
Book Description
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Publisher: Dramatists Play Service, Inc.
ISBN: 0822239906
Category : Performing Arts
Languages : en
Pages : 48
Book Description
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Plays for The Public
Author: Richard Foreman
Publisher: Theatre Communications Group
ISBN: 1559368756
Category : Drama
Languages : en
Pages : 78
Book Description
“There’s an irresistible joy to reading these plays…examining them at leisure without the urgent propulsive forward movement of the theater, reveals beauties and resonances uniquely literary.” —Oskar Eustis, Artistic Director, The Public Theater, from his foreword Plays for The Public includes: The Gods Are Pounding My Head! (AKA Lumberjack Messiah) “Richard Foreman is the ultimate theater auteur and mind-roiling warlock of avant-garde drama… Gods is an extravaganza of tightly orchestrated hallucinogenic visual effects, bruising slapstick and intense, cryptic lines… It is majestically mad and funny.” —New York Times Idiot Savant “Vintage Foreman: ravishing, perplexing, scary, a sensual and intellectual message for those weary of causality and psychology.” —Time Out New York Old-Fashioned Prostitutes “What makes Mr. Foreman’s work so entertaining is his ability to turn these classic, head-scratching concerns into phantasmagorical vaudevilles in which all the world’s a stage that keeps changing shape on you… Mr. Foreman is a grandmaster.” —New York Times This volume features the two plays sumptuously produced at The Public Theater in New York City that mark the culmination of Richard Foreman’s unstintingly inventive, astonishing career in theater, just as he was beginning to devote his creative energies entirely to filmmaking.
Publisher: Theatre Communications Group
ISBN: 1559368756
Category : Drama
Languages : en
Pages : 78
Book Description
“There’s an irresistible joy to reading these plays…examining them at leisure without the urgent propulsive forward movement of the theater, reveals beauties and resonances uniquely literary.” —Oskar Eustis, Artistic Director, The Public Theater, from his foreword Plays for The Public includes: The Gods Are Pounding My Head! (AKA Lumberjack Messiah) “Richard Foreman is the ultimate theater auteur and mind-roiling warlock of avant-garde drama… Gods is an extravaganza of tightly orchestrated hallucinogenic visual effects, bruising slapstick and intense, cryptic lines… It is majestically mad and funny.” —New York Times Idiot Savant “Vintage Foreman: ravishing, perplexing, scary, a sensual and intellectual message for those weary of causality and psychology.” —Time Out New York Old-Fashioned Prostitutes “What makes Mr. Foreman’s work so entertaining is his ability to turn these classic, head-scratching concerns into phantasmagorical vaudevilles in which all the world’s a stage that keeps changing shape on you… Mr. Foreman is a grandmaster.” —New York Times This volume features the two plays sumptuously produced at The Public Theater in New York City that mark the culmination of Richard Foreman’s unstintingly inventive, astonishing career in theater, just as he was beginning to devote his creative energies entirely to filmmaking.
She Kills Monsters
Author: Qui Nguyen
Publisher: Concord Theatricals
ISBN: 057370564X
Category : Drama
Languages : en
Pages : 84
Book Description
Revised 2016 Edition. She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
Publisher: Concord Theatricals
ISBN: 057370564X
Category : Drama
Languages : en
Pages : 84
Book Description
Revised 2016 Edition. She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.
Transforming Public Space through Play
Author: Gregor H. Mews
Publisher: Routledge
ISBN: 1000579395
Category : Architecture
Languages : en
Pages : 192
Book Description
This book provides an empirical analysis of the concept of play as a form of spatial practice in urban public spaces. The introduced City–Play–Framework (CPF) is a practical urban analysis tool that allows urban designers, landscape architects and researchers to develop a shared awareness when opening up this window of possibility for adventure. Two case studies substantiate and illustrate the development process and testing of the framework in Canberra, Australia, and Potsdam, Germany. The appropriation of public spaces that transcend boundaries can facilitate an intrinsic connection between people and their immediate environment, towards a more joyful ontological state of human existence in which imagination, co-creation and a sense of agency are key elements of the design approach. The framework presents an alternative understanding of public spaces and public life, reflecting on theory and its implications for practice in a post-pandemic world in dense urban centres. A bridge between theory and practice, this book explores possibilities on what future design ought to be when openness and ambiguity are consciously integrated parts of practice and process. The book presents a valuable discussion on public space and play for academic audiences across a wide range of disciplines such as landscape architecture, urban design, planning, architecture and urban sociology, which is informative for future practice.
Publisher: Routledge
ISBN: 1000579395
Category : Architecture
Languages : en
Pages : 192
Book Description
This book provides an empirical analysis of the concept of play as a form of spatial practice in urban public spaces. The introduced City–Play–Framework (CPF) is a practical urban analysis tool that allows urban designers, landscape architects and researchers to develop a shared awareness when opening up this window of possibility for adventure. Two case studies substantiate and illustrate the development process and testing of the framework in Canberra, Australia, and Potsdam, Germany. The appropriation of public spaces that transcend boundaries can facilitate an intrinsic connection between people and their immediate environment, towards a more joyful ontological state of human existence in which imagination, co-creation and a sense of agency are key elements of the design approach. The framework presents an alternative understanding of public spaces and public life, reflecting on theory and its implications for practice in a post-pandemic world in dense urban centres. A bridge between theory and practice, this book explores possibilities on what future design ought to be when openness and ambiguity are consciously integrated parts of practice and process. The book presents a valuable discussion on public space and play for academic audiences across a wide range of disciplines such as landscape architecture, urban design, planning, architecture and urban sociology, which is informative for future practice.
Theatre of the Book, 1480-1880
Author: Julie Stone Peters
Publisher: Oxford University Press
ISBN: 0191541923
Category : Literary Criticism
Languages : en
Pages :
Book Description
Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.
Publisher: Oxford University Press
ISBN: 0191541923
Category : Literary Criticism
Languages : en
Pages :
Book Description
Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.
American Magazine
Theater of the People
Author: David Kawalko Roselli
Publisher: University of Texas Press
ISBN: 0292744773
Category : Performing Arts
Languages : en
Pages : 303
Book Description
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Publisher: University of Texas Press
ISBN: 0292744773
Category : Performing Arts
Languages : en
Pages : 303
Book Description
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Catalogue ...
Author: Illinois State University
Publisher:
ISBN:
Category : College catalogs
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : College catalogs
Languages : en
Pages : 732
Book Description
The Theatre
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 342
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 342
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
The Harvard Classics
Author: Charles William Eliot
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 508
Book Description