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Author: Andrew M Feldherr Publisher: Princeton University Press ISBN: 1400836549 Category : Literary Criticism Languages : en Pages : 390
Book Description
This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.
Author: Andrew M Feldherr Publisher: Princeton University Press ISBN: 1400836549 Category : Literary Criticism Languages : en Pages : 390
Book Description
This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.
Author: Peter Rader Publisher: Simon and Schuster ISBN: 1476738394 Category : Biography & Autobiography Languages : en Pages : 304
Book Description
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).
Author: Tom Callahan Publisher: National Geographic Books ISBN: 1324021977 Category : Sports & Recreation Languages : en Pages : 0
Book Description
A beautifully observed narrative of American sport: character, grit, tragedy, unremarked heroism, and, always, the illuminating story behind the story. As a columnist for Time magazine, among many other publications, Tom Callahan witnessed an extraordinary number of defining moments in American sport across four decades. He takes us from Roberto Clemente clinching his 3,000th, and final, regular-season hit in Pittsburgh; to ringside for the Muhammad Ali–George Foreman fight in Zaire; and to Arthur Ashe announcing, at a news conference, that he’d tested positive for HIV. There are also little-known private moments: Joe Morgan whispering thank you to a virtually blind Jackie Robinson on the field at the 1972 World Series, or Kareem Abdul-Jabbar saying he was more interested in being a good man than in being the greatest basketball player. Brimming with colorful vignettes and enlivened by Callahan’s eye for detail, Gods at Play offers surprising portraits of the most celebrated names in sports. Roger Rosenblatt calls Callahan “the most complete sportswriter in America. He knows the most and writes the best."
Author: Kristiaan Aercke Publisher: State University of New York Press ISBN: 0791494314 Category : Language Arts & Disciplines Languages : en Pages : 300
Book Description
This book studies the close connections between politics, culture, art, and philosophy in seventeenth-century Europe. As an emblem of this interrelationship, the author has chosen the phenomenon of the "splendid festive performance" of spectacular plays and operas given at absolutist courts in Rome, Madrid, Paris, Versailles, and Vienna between 1631 and 1668. Gods of Play fills voids in the scholarly literature on the seventeenth-century, on absolutism, on courtly theatricality, and on the philosophy of play. Aercke demonstrates that such splendid performances were not just frivolous entertainment for the courtly class but were serious activities with far-ranging political consequences.
Author: Sergio Aragonés Publisher: Dark Horse Comics ISBN: 1506702384 Category : Comics & Graphic Novels Languages : en Pages : 112
Book Description
We had the Fray of the Gods. Now we have the Play of the Gods - a tale of lust for gold, lust for power, and lust for cheese dip. The Gods themselves watch this story from the above so it must be good enough for you. This handsome paperback volume collects all four issues of the series: in one package, you get a lot of Groo doing real stupid things and causing mass destruction. Just what you wanted!
Author: Andy Crouch Publisher: InterVarsity Press ISBN: 0830837655 Category : Religion Languages : en Pages : 289
Book Description
With Playing God, Andy Crouch opens the subject of power, elucidating its subtle activity in our relationships and institutions. He gives us much more than a warning against abuse, though. Turning the notion of "playing God" on its head, Crouch celebrates power as the gift by which we join in God's creative, redeeming work in the world.
Author: John R. Elliott Jr. Publisher: University of Toronto Press ISBN: 1442655356 Category : Drama Languages : en Pages : 180
Book Description
Religious drama was one of the most vital art forms of the medieval era. In medieval mystery plays, God appeared as one of the characters, along with angels, saints, the devil, and others. Until very recently however, the revival of interest in medieval culture has not included drama, beacuse of a lingering fear of blasphemy associated with the representation of God on the stage. In Britain this fear was the legacy of a theatrical censorship which has been exercised by the Lord Chamberlain's office for hundreds of years. Since that power was abolished in 1968, medieval religious, or mystery, plays are once again appearing on the stages of many countries. John R. Elliott Jr. studies the modern context of this important medieval genre. He begins by describing general attitudes towards religious drama from the time of the reformation, the popularity of the Oberammergaru Passion Play in Victorian times, and specific attempts by producers to overcome official hostility to religious plays. He traces the history of the major modern productions of the mystery cycles, such as the York Festival and the Bristol University performance of the Cornish Ordinalia, and provides information about the careers of the two leading pioneers of modern mystery-play production. The concluding chapter discusses the chief practical and aethetic problems involved in staging mystery plays for modern audiences, and assesses the overall importance of their revival in the larger context of British there today.
Author: Henry Carl Bial Publisher: University of Michigan Press ISBN: 0472121510 Category : Performing Arts Languages : en Pages : 261
Book Description
Biblical texts have inspired more than 100 Broadway plays and musicals, ranging from early spectacles like Ben-Hur (1899) to more familiar works such as Godspell and Jesus Christ Superstar. What happens when a culture’s most sacred text enters its most commercial performance venue? Playing God focuses on eleven successful productions, as well as a few notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage. The book is informed by both performance studies and theater history, combining analysis of play scripts with archival research into the actual circumstances of production and reception. Biblical plays, Henry Bial argues, balance religious and commercial considerations through a complex blend of spectacle, authenticity, sincerity, and irony. Though there is no magic formula for a successful adaptation, these four analytical lenses help explain why some biblical plays thrive while others have not.
Author: Andrew M Feldherr
Author: Andrew M Feldherr
Author: Peter Rader
Author: Tom Callahan
Author: Kristiaan Aercke
Author: Sergio Aragonés
Author: T.C. Stallings
Author: Jenny Schwartz
Author: Andy Crouch
Author: John R. Elliott Jr.
Author: Henry Carl Bial