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Author: Philip Whalen Publisher: Bloomsbury Publishing ISBN: 1780938225 Category : History Languages : en Pages : 263
Book Description
Place and Locality in Modern France analyses the significance and changing constructions of local place in modern France. Drawing on the expertise of a range of scholars from around the world, this book provides a timely overview of the cross-disciplinary thinking that is currently taking place over a central issue in French history. The contributed chapters address a range of subjects that include: the politics of administrative reform, decentralization, regionalism and local advocacy; the role of commerce in engendering narratives and experience of local place; the importance of ethnic, class, gender and race distinctions in shaping local connection and identity; the generation and transmission of knowledge about local place and culture through academia, civic heritage and popular memory. As a reconsideration of the 'local' in French history, Place and Locality in Modern France bridges the divide between micro- and macro-history for all those interested in ideas of locality and culture in modern French and European history.
Author: Philip Whalen Publisher: Bloomsbury Publishing ISBN: 1780938225 Category : History Languages : en Pages : 263
Book Description
Place and Locality in Modern France analyses the significance and changing constructions of local place in modern France. Drawing on the expertise of a range of scholars from around the world, this book provides a timely overview of the cross-disciplinary thinking that is currently taking place over a central issue in French history. The contributed chapters address a range of subjects that include: the politics of administrative reform, decentralization, regionalism and local advocacy; the role of commerce in engendering narratives and experience of local place; the importance of ethnic, class, gender and race distinctions in shaping local connection and identity; the generation and transmission of knowledge about local place and culture through academia, civic heritage and popular memory. As a reconsideration of the 'local' in French history, Place and Locality in Modern France bridges the divide between micro- and macro-history for all those interested in ideas of locality and culture in modern French and European history.
Author: Ari J. Blatt Publisher: Liverpool University Press ISBN: 1800855567 Category : Photography Languages : en Pages : 256
Book Description
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated village shopfronts, images that signal the emergence of a “topographic turn” in contemporary French photography constitute new ways of seeing and sensing France’s diverse national territory. As Blatt suggests, they also represent a visual laboratory through which to investigate how landscape “scapes” our understanding of French culture. In their efforts to reimagine a more traditional and time-worn idea of France’s shared common space, topographic photographs animate conversations about capital and class; cities and their peripheries; the politics and impact of development; migration and borders; memory, history, and affect; empire and postcolonialism; national identity; and the changing environment. The Topographic Imaginary thus reveals how attending to place in pictures provides valuable insight into the disposition of a nation in flux.
Author: Catherine Tatiana Dunlop Publisher: University of Chicago Press ISBN: 022617302X Category : History Languages : en Pages : 282
Book Description
The period between the French Revolution and the Second World War saw an unprecedented proliferation of mapmaking and map reading across modern European society. This book explores the age of cartophilia through the story of mapmaking in the disputed French-German borderland of Alsace-Lorraine. During the nineteenth and twentieth centuries, both French and Germans claimed Alsace-Lorraine as part of their national territories, fighting several bloody wars with each other that resulted in four changes to the borderland s nationality. In the process, the contested territory became a mapmaker s laboratory, a place subjected to multiple visual interpretations and competing topographies. And the mapmakers were not just professional border surveyors but rather people from all walks of life, including linguists, ethnographers, historians, priests, and schoolteachers. Empowered by their access to affordable new printing technologies and motivated by patriotic ideals, these popular mapmakers redefined the meaning and purpose of European borders during the age of nationalism."
Author: Jessica M. Dandona Publisher: Taylor & Francis ISBN: 1351708783 Category : Art Languages : en Pages : 237
Book Description
This book represents the first book-length, critical study of the art of Emile Gallé. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created.
Author: Jennifer Burns Publisher: Liverpool University Press ISBN: 1800345569 Category : Language Arts & Disciplines Languages : en Pages : 352
Book Description
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. In a world increasingly defined by the transnational and translingual, and by the pressures of globalization, it has become difficult to study culture as primarily a national phenomenon. A Handbook offers students across Modern Languages an introduction to the kind of methodological questions they need to look at culture transnationally. Each of the short essays takes a key concept in cultural study and suggests how it might be used to explore and illuminate some aspect of identity, mobility, translation, and cultural exchange across borders. The authors range over different language areas and their wide chronological reach provides broad coverage, as well as a flexible and practical methodology for studying cultures in a transnational framework. The essays show that an inclusive, transnational vision and practice of Modern Languages is central to understanding human interaction in an inclusive, globalized society. A Handbook stands as an effective and necessary theoretical and thematically diverse glossary and companion to the ‘national’ volumes in the series.
Author: Maarten van Ginderachter Publisher: Routledge ISBN: 1351382764 Category : History Languages : en Pages : 400
Book Description
National indifference is one of the most innovative notions historians have brought to the study of nationalism in recent years. The concept questions the mass character of nationalism in East Central Europe at the turn of the nineteenth and twentieth century. Ordinary people were not in thrall to the nation; they were often indifferent, ambivalent or opportunistic when dealing with issues of nationhood. As with all ground-breaking research, the literature on national indifference has not only revolutionized how we understand nationalism, over time, it has also revealed a new set of challenges. This volume brings together experienced scholars with the next generation, in a collaborative effort to push the geographic, historical, and conceptual boundaries of national indifference 2.0.
Author: Fae Brauer Publisher: Cambridge Scholars Publishing ISBN: 1443884375 Category : Art Languages : en Pages : 302
Book Description
With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.
Author: Stephane Gerson Publisher: Cornell University Press ISBN: 1501724312 Category : History Languages : en Pages : 341
Book Description
Nineteenth-century France grew fascinated with the local past. Thousands of citizens embraced local archaeology, penned historical vignettes and monographs, staged historical pageants, and created museums and pantheons of celebrities. Stéphane Gerson's rich, elegantly written, and timely book provides the first cultural and political history of what contemporaries called the "cult of local memories," an unprecedented effort to resuscitate the past, instill affection for one's locality, and hence create a sense of place. A wide range of archival and printed sources (some of them untapped until now) inform the author's engaging portrait of a little-known realm of Parisian entrepreneurs and middling provincials, of obscure historians and intellectual luminaries. Arguing that the "local" and modernity were interlaced, rather than inimical, between the 1820s and 1890s, Gerson explores the diverse uses of local memories in modern France—from their theatricality and commercialization to their political and pedagogical applications. The Pride of Place shows that, contrary to our received ideas about French nationhood and centralism, the "local" buttressed the nation while seducing Parisian and local officials. The state cautiously supported the cult of local memories even as it sought to co-opt them and grappled with their cultural and political implications. The current enthusiasm for local memories, Gerson thus finds, is neither new nor a threat to Republican unity. More broadly yet, this book illuminates the predicament of countries that, like France, are now caught between supranational forces and a revival of local sentiments.
Author: Joseph Tendler Publisher: CRC Press ISBN: 0429939833 Category : History Languages : en Pages : 124
Book Description
Febvre asked this core question in The Problem of Unbelief: “Could sixteenth-century people hold religious views that were not those of official, Church-sanctioned Christianity, or could they simply not believe at all?” The answer informed a wider debate on modern history, particularly modern French history. Did the religious attitudes of the Enlightenment and the twentieth century—notably secularism and atheism—first take root in the sixteenth century? Could the spirit of scientific and rational inquiry of the twentieth century have begun with the rejection of God and Christianity by men such as Rabelais, writing in his allegorical novel Gargantua and Pantagruel – the work most often cited as a proto-"atheist" text prior to Febvre's study? The debate hinged on some key differences of interpretation. Was Rabelais mocking the structures of the Christian Church (in which case he might be anticlerical)? Was he mocking the Bible scriptures or Church doctrines (in which case he might be anti-Christian)? Or was he mocking the very idea of God’s existence (in which case he might be an atheist)? The other great contribution that Febvre made to the study of history can be found not so much in the fine detail of this work as in the additions that he made to the historian's toolkit. In this sense, Febvre was highly creative; indeed it can be argued that he ranks among the most creative of all historians. He sought to move the study of history itself beyond its traditional focus on documentary records, arguing instead that close analysis of language could open up a gateway into the ways in which people actually thought, and to their subconscious minds. This concept, the focus on "mentalities," is core to the hugely influential approach of the Annales group of historians, and it enabled a switch in the focus of much historical inquiry, away from the study of elites and their deeds and towards new forms of broader social history. Febvre also used techniques and models drawn from anthropology and sociology to create new ways of framing and answering questions, further extending the range of problems that could be addressed by historians. Working together with colleagues such as Marc Bloch, his understanding of what constituted evidence and of the meanings that could be attributed to it, radically redefined what history is – and what it should aspire to be.
Author: Philip Whalen
Author: Philip Whalen
Author: Philip Whalen
Author: Ari J. Blatt
Author: Catherine Tatiana Dunlop
Author: Jessica M. Dandona
Author: Jennifer Burns
Author: Maarten van Ginderachter
Author: Fae Brauer
Author: Stephane Gerson
Author: Joseph Tendler