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Author: Marco Faini Publisher: Renaissance Society of America ISBN: 9789004348059 Category : Art Languages : en Pages : 624
Book Description
"A Companion to Pietro Aretino offers exhaustive yet accessible essays aimed at understanding this complex and fascinating author. Its scope extends beyond the field of Italian studies, and includes references to other European literatures, visual arts, music, performance studies, gender studies, and social and religious history. It explores previously neglected areas of Aretino's literary and biographical identity: in particular, his religious writings and their fortune, his relationships to visual arts and music and his fashioning of a public persona. The essays here included support the current scholarly trend that no longer considers Aretino merely as a pornographer, but interpret his work in the light of the contemporary religious debate and cultural crisis"--
Author: Marco Faini Publisher: Renaissance Society of America ISBN: 9789004348059 Category : Art Languages : en Pages : 624
Book Description
"A Companion to Pietro Aretino offers exhaustive yet accessible essays aimed at understanding this complex and fascinating author. Its scope extends beyond the field of Italian studies, and includes references to other European literatures, visual arts, music, performance studies, gender studies, and social and religious history. It explores previously neglected areas of Aretino's literary and biographical identity: in particular, his religious writings and their fortune, his relationships to visual arts and music and his fashioning of a public persona. The essays here included support the current scholarly trend that no longer considers Aretino merely as a pornographer, but interpret his work in the light of the contemporary religious debate and cultural crisis"--
Author: Robert Hellenga Publisher: Soho Press ISBN: 1569478112 Category : Fiction Languages : en Pages : 327
Book Description
Art and poetry, mystery and desire collide in this sensual and “elegantly moving” literary romance set in the cobbled streets and painted halls of Florence, Italy (New Yorker). Margot Harrington, an American volunteer in Florence, is an expert at book conservancy. While struggling to save a waterlogged convent library, she comes across a fabulous volume of 16 erotic drawings by Giulio Romano, accompanying 16 steamy sonnets by Pietro Aretino. When first published over 4 centuries ago, the Vatican ordered all copies destroyed. This one—now unique—volume has survived. The abbess prevails upon Margot to save the order’s finances by selling the magnificently illustrated erotica discreetly—meaning without the bishop’s knowledge. Margot’s other clandestine project is a middle-aged Italian who is boldly attempting radical measures to save endangered frescoes. She is 29 and available; he, older and married. He shares her sense of mission and soon her bed in this daring story of spiritual longing and earthly desire.
Author: Raymond B. Waddington Publisher: University of Toronto Press ISBN: 9780802088147 Category : Literary Criticism Languages : en Pages : 372
Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Author: Francine Prose Publisher: Frick Diptych ISBN: 9781911282716 Category : Art Languages : en Pages : 72
Book Description
An essay by Xavier F. Salomon, Frick Curator, paired with a contribution by author Francine Prose bring to life one of Titian's most personal and revealing portraits. Author of lives of saints, scurrilous verses, comedies, tragedies, and innumerable letters, Pietro Aretino (1492-1556) attained considerable wealth and influence, in part through literary flattery and blackmail. Little is known of his early years, but by 1527 he had settled permanently in Venice. Among Aretino's friends and patrons were some of the most prominent figures of his time, several of whom gave him gold chains such as the one he wears in this portrait. He was on intimate terms with Titian, who painted at least three portraits of him. Here the artist conveys his friend's intellectual power through the keen, forceful head and his worldliness through the solid, weighty mass of the richly robed figure.
Author: Mark Lamonica Publisher: Createspace Independent Publishing Platform ISBN: 9781456598792 Category : Authors, Italian Languages : en Pages : 0
Book Description
ADVANCE PRAISE FOR RENAISSANCE PORN STAR THE SAGA OF PIETRO ARETINO: THE WORLD'S GREATEST HUSTLER Sex, drugs, and the Medicis. A story of murder, revenge, art, pornography, and celebration with an all-star cast of characters: Dante, Boccaccio, Machiavelli, Michelangelo, a klatch of mafi a-don-style popes, and Shakespeare. A tale that turns deep, deep erudition into exquisite sweets for the heart and mind. -Howard Bloom, author of The Genius of the Beast: A Radical Re-Vision of Capitalism If Jan Wenner had given Hunter S. Thompson an assignment to write a historical essay of Renaissance sexuality and literature, the resulting pages might have looked something like Renaissance Porn Star raw, uncensored, clearly mad, and quite brilliant. -Jess Winfi eld, author of My name is Will Like a buried treasure unearthed, Renaissance Porn Star sheds new light on how the Italian icon of the Renaissance, Pietro Aretino, helped shape an awakened world. Mark Lamonica mixes his amazing attention to historical detail and breathes new life into Shakespeare. -Thelma Reyna, Ph.D. author of The Heavens Weep for Us What art restoration has done for paintings, Mark Lamonica has done through a historical account of Pietro Aretino that wipes clean the whitewash of our puritanical perspective on the Renaissance over the past several hundred years. Not unlike a newly restored masterpiece, Renaissance Porn Star is both beautiful and shocking. -Adam Hall, Shakespeare scholar Mark Lamonica is an accomplished photographer and author of three highly acclaimed books: Junkyard Dogs and William Shakespeare (1997); co-author of Rio LA: Tales from the Los Angeles River (2001); named "a best book of the year" by the Los Angeles Times Book Review. Whacking Buddha: The Mysterious World of Shakespeare and Zen Buddhism (2005); hailed as a work of "spiritual literary dynamite." He is at work on a new book about the Devil.
Author: Pietro Aretino Publisher: Published for the Carleton University Centre for Renaissance Studies and Research by Doverhouse Editions ISBN: Category : Drama Languages : en Pages : 160
Author: Raymond B. Waddington Publisher: Taylor & Francis ISBN: 1040245765 Category : Literary Criticism Languages : en Pages : 224
Book Description
The essays gathered together in this volume follow the career of the sixteenth-century courtier-poet Pietro Aretino. Part One introduces the author during the 1520s in Rome with his remarkable first comedy, La Cortigiana. With Aretino’s move to Venice (1527), he found a congenial life-long home in which he could flourish. Yet the transition from courtier poet to poligrafo, vernacular writer for the popular press, was slow and difficult before he adopted a new career model derived from Erasmus; even then, he contemplated abandoning Italy for the Ottoman Empire. Part Two examines his work as a satirist in the mid-thirties with the Ragionamenti, the dialogues that branded him a pornographer when the satiric targets lost their immediacy. He augmented the satiric writings by creating the visual persona of a satirist in various media - woodcut author portraits in books, engravings, and particularly portrait medals. The complementary, verbal-visual relationship is the subject of this pairing. Aretino’s religious writings have not been taken seriously until quite recently. The two essays presented here trace Aretino’s associations with Erasmians, spirituali, heretics, and apostates, arguing that his own convictions were sincere, suggesting that he became a Nicodemite during the gathering Counter-Reformation repression of the 1540s. The concluding essays consider two examples of Aretino’s continuing influence in different media, visual arts and literature: on the brilliant, eccentric artist, Giuseppe Arcimboldo, and on a great English comedy, Ben Jonson’s Volpone.
Author: Marco Faini
Author: Marco Faini
Author: Robert Hellenga
Author: Pietro Aretino
Author: Pietro Aretino
Author: Raymond B. Waddington
Author: Edward Hutton
Author: Francine Prose
Author: Mark Lamonica
Author: Pietro Aretino
Author: Raymond B. Waddington