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Author: Anonymous Publisher: BoD – Books on Demand ISBN: 3382140942 Category : Fiction Languages : en Pages : 329
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Anonymous Publisher: BoD – Books on Demand ISBN: 3382140942 Category : Fiction Languages : en Pages : 329
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Publisher: Turner Publishing Company ISBN: 1618586661 Category : History Languages : en Pages : 352
Book Description
Paris, the capital of France, is one of the most popular destinations in the world. The "City of Lights" is renowned for many things. Its history, beauty, high quality of life, cosmopolitanism, art, fashion, cuisine, cultural diversity, romance, architecture, museums, theaters, and intellectual life. For these and countless other reasons, Paris immediately evokes strong sentiment, whether or not one is lucky enough to have been there. This book, Historic Photos of Paris, explores the rise of this seductive city, through a collection of extraordinary historic photographs from international archives. The book follows the people, places, and historic events that shaped the development of modern Paris in the nineteenth and twentieth centuries. Iconic landmarks, scenes of daily life, and unique and rare moments are presented in hundreds of historic photographs, revealing a rich portrait of the urban masterpiece that is Paris.
Author: Gay L. Gullickson Publisher: Cornell University Press ISBN: 1501725297 Category : History Languages : en Pages : 300
Book Description
In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal, for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.
Author: Michèle Martin Publisher: University of Toronto Press ISBN: 0802037577 Category : Social Science Languages : en Pages : 313
Book Description
Using the press coverage of the Franco-Prussian war as a starting point, Michèle Martin's Images at War examines nineteenth-century illustrated periodicals published in France, Germany, England, and Canada (with references also to Italy and the United States), and argues that periodicals during this period worked to reinforce particular national identities. Images in periodicals played an essential role in how the concept of nationalism was expressed and reproduced, usually by pitting cultures and countries against one another. These illustrated periodicals helped to shape nations where nations had not previously existed - such as with Germany, Italy, and Canada, which were only just coming into their own as states. In war, Martin observes, these documents also represented a non-verbal method of communicating emotionally trying, politically challenging, and oftentimes contradictory information to the public, literate and non-literate alike. The history of nineteenth-century illustrated papers underscores their legitimacy as a form of journalism. They were more than a commodity produced for profit; they offered serious reflection and commentary on the times designed by editors to have specific effects on the readers. Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.
Author: Philip Mark Katz Publisher: Harvard University Press ISBN: 9780674323483 Category : History Languages : en Pages : 300
Book Description
The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event. The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States). By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.
Author: John Hannavy Publisher: Routledge ISBN: 1135873267 Category : Photography Languages : en Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Jason E. Hill Publisher: Routledge ISBN: 1000211320 Category : Photography Languages : en Pages : 320
Book Description
Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
Author: Anonymous
Author: Anonymous
Author: John Palgrave Simpson
Author: 
Author: Gay L. Gullickson
Author: Michèle Martin
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Author: Philip Mark Katz
Author: John Hannavy
Author: Leeds (England). Public Libraries, Art Gallery and Museum
Author: Jason E. Hill