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Author: Pocholo Peralta Publisher: BookRix ISBN: 395500306X Category : Fiction Languages : en Pages : 83
Book Description
I'm Joe Picasso, a retired private eye and I've just moved from Spain to Bisset, a small town in France. I chose this town because my research said that it's virtually crimeless and peaceful.
Author: Pocholo Peralta Publisher: BookRix ISBN: 395500306X Category : Fiction Languages : en Pages : 83
Book Description
I'm Joe Picasso, a retired private eye and I've just moved from Spain to Bisset, a small town in France. I chose this town because my research said that it's virtually crimeless and peaceful.
Author: Victoria Charles Publisher: Parkstone International ISBN: 1783105011 Category : Art Languages : en Pages : 607
Book Description
Few people discuss the fact that Pablo Picasso (1881-1973) was the most important artist of the 20th century. Born in Malaga, Spain, Picasso revealed his genius at a very early age and was quick to make contact with the most advanced art circles of his time, first in Barcelona and later in Paris. In the modernist quest for novelty, Picasso turned to pre-Modern history and ‘primitive’ art for inspiration. We owe him and his colleague Georges Braque the invention of Cubism, not just one of many avant-garde movements but the aesthetic that would change the art of painting forever. Once free from traditional values, Picasso produced an outstanding oeuvre, both in terms of variety and quality. Victoria Charles received her PhD in art history. She has published extensively on art history and has contributed to Art Information, an international guide to contemporary art. She is a regular contributor to journals and magazines, Victoria Charles recently contributed to a collective work, World History of Art.
Author: Deborah Wye Publisher: The Museum of Modern Art ISBN: 9780870707803 Category : Art Languages : en Pages : 204
Book Description
Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.
Author: Gertje Utley Publisher: Yale University Press ISBN: 0300082517 Category : Biography & Autobiography Languages : en Pages : 292
Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Author: Victoria Charles Publisher: Parkstone International ISBN: 1780422997 Category : Art Languages : en Pages : 160
Book Description
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences. Between 1905 and 1907, Picasso entered a new phase, called “Rose Period” characterised by a more cheerful style with orange and pink colours. In Gosol, in the summer of 1906 the nude female form assumed an extraordinary importance for Picasso; he equated a depersonalised, aboriginal, simple nakedness with the concept of “woman”. The importance that female nudes were to assume as subjects for Picasso in the next few months (in the winter and spring of 1907) came when he developed the composition of the large painting, Les Demoiselles d’Avignon. Just as African art is usually considered the factor leading to the development of Picasso’s classic aesthetics in 1907, the lessons of Cézanne are perceived as the cornerstone of this new progression. This relates, first of all, to a spatial conception of the canvas as a composed entity, subjected to a certain constructive system. Georges Braque, with whom Picasso became friends in the autumn of 1908 and together with whom he led Cubism during the six years of its apogee, was amazed by the similarity of Picasso’s pictorial experiments to his own. He explained that: “Cubism’s main direction was the materialisation of space.” After his Cubist period, in the 1920s, Picasso returned to a more figurative style and got closer to the surrealist movement. He represented distorted and monstrous bodies but in a very personal style. After the bombing of Guernica during 1937, Picasso made one of his most famous works which starkly symbolises the horrors of that war and, indeed, all wars. In the 1960s, his art changed again and Picasso began looking at the art of great masters and based his paintings on ones by Velázquez, Poussin, Goya, Manet, Courbet and Delacroix. Picasso’s final works were a mixture of style, becoming more colourful, expressive and optimistic. Picasso died in 1973, in his villa in Mougins. The Russian Symbolist Georgy Chulkov wrote: “Picasso’s death is tragic. Yet how blind and naïve are those who believe in imitating Picasso and learning from him. Learning what? For these forms have no corresponding emotions outside of Hell. But to be in Hell means to anticipate death. The Cubists are hardly privy to such unlimited knowledge”.
Author: Miles J. Unger Publisher: Simon & Schuster ISBN: 1476794227 Category : Biography & Autobiography Languages : en Pages : 480
Book Description
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
Author: Peter Stepan Publisher: Prestel Publishing ISBN: Category : Antiques & Collectibles Languages : en Pages : 160
Book Description
Although he never set foot in Africa, Picasso had a passion for African art. Throughout the course of his life, he assembled a unique collection of statues and masks. Comprising more than 120 objects, Picasso's private collection can now be found in museums in Paris such as the Louvre, Musee Quai Branly and the Musee Picasso, as well as in the private collections of members of Picasso's family. This beautiful book documents the entire collection and examines it as a whole. It features documentary photographs, a section of stunning colour plates, and detailed ethnographic descriptions of each piece, providing a full account of Picasso's relationship with African and Oceanic art. This important publication sheds new light on the fascination non-Western art held for one of twentieth century's most important artists. Review: '...an illuminating and handsome book, copiously illustrated with fascinating original documents and excellent colour reproductions...''... a convenient and also essential reference tool for anyone interested in this important subject.''... an invaluable and also entertaining guide.''... this book not only investigates Picasso's response to tribal art with unusual thoroughness, but also reopens the larger question of the artist's 'primitivism'.'The Burlington Magazine, June 2007
Author: Victoria Charles Publisher: Parkstone International ISBN: 1785257056 Category : Art Languages : en Pages : 421
Book Description
For many people, Pablo Picasso (1881-1973) was undoubtedly the most important artist of the 20th century. Born in Málaga, Spain, Picasso revealed his genius at a very early age and was quick to make contact with the most advanced art circles of his time, first in Barcelona and later in Paris. In the modernist quest for novelty, Picasso turned to pre-modern history and ÂprimitiveÊ art for inspiration. We owe him and his colleague Georges Braque the invention of Cubism, not just one of many avant-garde movements but the aesthetic that would change the art of painting forever. Once free from traditional values, Picasso produced an outstanding oeuvre, both in terms of variety and quality.
Author: Pocholo Peralta
Author: Pocholo Peralta
Author: Victoria Charles
Author: Pablo Picasso
Author: Deborah Wye
Author: Neil Cox
Author: Gertje Utley
Author: Victoria Charles
Author: Miles J. Unger
Author: Peter Stepan
Author: Victoria Charles