Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 68
Book Description
Piano Trio in G Minor, Op. 8: Piano, Violin, & Cello
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769291406
Category : Music
Languages : en
Pages : 0
Book Description
Composed by Frédréric Chopin, this trio is written for Violin, Cello, and Piano.
Publisher: Alfred Music Publishing
ISBN: 9780769291406
Category : Music
Languages : en
Pages : 0
Book Description
Composed by Frédréric Chopin, this trio is written for Violin, Cello, and Piano.
Piano Trio in G Minor Op. 8
Piano Trio in G Minor, Opus 8
Author: Frédéric Chopin
Publisher: Alfred Music
ISBN: 9781457487477
Category : Music
Languages : en
Pages : 68
Book Description
Composed by Frédréric Chopin, this trio is written for Violin, Cello, and Piano.
Publisher: Alfred Music
ISBN: 9781457487477
Category : Music
Languages : en
Pages : 68
Book Description
Composed by Frédréric Chopin, this trio is written for Violin, Cello, and Piano.
Trio in G Minor, Op. 8
Author: Frédéric Chopin
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages :
Book Description
The Music Sound
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Six Sonatas
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Clara Schumann Studies
Author: Joe Davies
Publisher: Cambridge University Press
ISBN: 1108489842
Category : Music
Languages : en
Pages : 329
Book Description
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Publisher: Cambridge University Press
ISBN: 1108489842
Category : Music
Languages : en
Pages : 329
Book Description
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Trio in D Minor, Op. 32
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769259109
Category : Piano trios
Languages : en
Pages : 0
Book Description
Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.
Publisher: Alfred Music Publishing
ISBN: 9780769259109
Category : Piano trios
Languages : en
Pages : 0
Book Description
Expertly arranged String Trio by Anton Arensky from the Kalmus Edition series. This Trio is from the Romantic era.
Orchestral Repertoire: Complete Parts for Violin from the Classic Masterpieces, Volume III
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457470394
Category : Music
Languages : en
Pages : 68
Book Description
Advancing violinists will be thrilled at this series of violin parts from the orchestral masterworks. Great for audition preparation or just to become familiar with the repertoire. Titles: * The Carnival of the Animals (Saint-Saëns) * Fantasie on a Theme of Tallis (Vaughn Williams) * The Planets (Holst) * Serenade in E Major (Dvorak) * The Three-Cornered Hat (de Falla).
Publisher: Alfred Music
ISBN: 9781457470394
Category : Music
Languages : en
Pages : 68
Book Description
Advancing violinists will be thrilled at this series of violin parts from the orchestral masterworks. Great for audition preparation or just to become familiar with the repertoire. Titles: * The Carnival of the Animals (Saint-Saëns) * Fantasie on a Theme of Tallis (Vaughn Williams) * The Planets (Holst) * Serenade in E Major (Dvorak) * The Three-Cornered Hat (de Falla).
In the Process of Becoming
Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350
Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350
Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.