Author: Ludwig van Beethoven
Publisher: Eulenburg
ISBN: 3795714117
Category : Music
Languages : en
Pages : 139
Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Piano Concerto No. 4 G major
Author: Ludwig van Beethoven
Publisher: Eulenburg
ISBN: 3795714117
Category : Music
Languages : en
Pages : 139
Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Publisher: Eulenburg
ISBN: 3795714117
Category : Music
Languages : en
Pages : 139
Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
The Cambridge Companion to the Concerto
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Piano Sonata No. 2, Op. 36
Author: Sergei Rachmaninoff
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 46
Book Description
This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 46
Book Description
This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.
Six Moments Musicaux, Op. 16
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769240985
Category : Music
Languages : en
Pages : 48
Book Description
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
Publisher: Alfred Music Publishing
ISBN: 9780769240985
Category : Music
Languages : en
Pages : 48
Book Description
The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.
Cataloging and Classification
Author: Lois Mai Chan
Publisher: Rowman & Littlefield
ISBN: 1442232501
Category : Language Arts & Disciplines
Languages : en
Pages : 803
Book Description
The fourth edition of the late Lois Mai Chan's classic Cataloging and Classification covers the analysis and representation of methods used in describing, organizing, and providing access to resources made available in or through libraries. Since the last edition published in 2007, there have been dramatic changes in cataloging systems from the Library of Congress. The most notable being the shift from AACR2 to Resource Description and Access (RDA) as the new standard developed by the Library of Congress. With the help of the coauthor, Athena Salaba, this text is modified throughout to conform to the new standard. Retaining the overall outline of the previous edition, this text presents the essence of library cataloging and classification in terms of three basic functions: descriptive cataloging, subject access, and classification. Within this framework, all chapters have been rewritten to incorporate the changes that have occurred during the interval between the third and fourth editions. In each part, the historical development and underlying principles of the retrieval mechanism at issue are treated first, because these are considered essential to an understanding of cataloging and classification. Discussion and examples of provisions in the standards and tools are then presented in order to illustrate the operations covered in each chapter. Divided into five parts—a general overview; record production and structure, encoding formats, and metadata records; RDA; subject access and controlled vocabularies; and the organization of library resources—each part of the book begins with a list of the standards and tools used in the preparation and processing of that part of the cataloging record covered, followed by suggested background readings selected to help the reader gain an overview of the subject to be presented. This book is the standard text for the teaching and understanding of cataloging and classification.
Publisher: Rowman & Littlefield
ISBN: 1442232501
Category : Language Arts & Disciplines
Languages : en
Pages : 803
Book Description
The fourth edition of the late Lois Mai Chan's classic Cataloging and Classification covers the analysis and representation of methods used in describing, organizing, and providing access to resources made available in or through libraries. Since the last edition published in 2007, there have been dramatic changes in cataloging systems from the Library of Congress. The most notable being the shift from AACR2 to Resource Description and Access (RDA) as the new standard developed by the Library of Congress. With the help of the coauthor, Athena Salaba, this text is modified throughout to conform to the new standard. Retaining the overall outline of the previous edition, this text presents the essence of library cataloging and classification in terms of three basic functions: descriptive cataloging, subject access, and classification. Within this framework, all chapters have been rewritten to incorporate the changes that have occurred during the interval between the third and fourth editions. In each part, the historical development and underlying principles of the retrieval mechanism at issue are treated first, because these are considered essential to an understanding of cataloging and classification. Discussion and examples of provisions in the standards and tools are then presented in order to illustrate the operations covered in each chapter. Divided into five parts—a general overview; record production and structure, encoding formats, and metadata records; RDA; subject access and controlled vocabularies; and the organization of library resources—each part of the book begins with a list of the standards and tools used in the preparation and processing of that part of the cataloging record covered, followed by suggested background readings selected to help the reader gain an overview of the subject to be presented. This book is the standard text for the teaching and understanding of cataloging and classification.
A History of the Concerto
Author: Michael Thomas Roeder
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Beethoven
Author: Barry Cooper
Publisher: Oxford University Press
ISBN: 019046349X
Category : Music
Languages : en
Pages : 465
Book Description
The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
Publisher: Oxford University Press
ISBN: 019046349X
Category : Music
Languages : en
Pages : 465
Book Description
The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000
Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Beethoven: Violin Concerto
Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 0521451590
Category : Music
Languages : en
Pages : 142
Book Description
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
Publisher: Cambridge University Press
ISBN: 0521451590
Category : Music
Languages : en
Pages : 142
Book Description
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
Capriccio brillante, op. 22, for piano and orchestra; ...
Author: Felix Mendelssohn-Bartholdy
Publisher:
ISBN:
Category : Piano with orchestra
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Piano with orchestra
Languages : en
Pages : 44
Book Description