Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Piano Concerto No. 23 in A, K. 488
Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Piano Concerto No. 23 in A, K. 488
Author: Publisher: Alfred Music Publishing
ISBN: 9780769240329
Category : Music
Languages : en
Pages : 0
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Concerto for Piano No. 23 in A, K488, by Mozart
Author: Wolfgang Amadeus MozartConcerto for Piano No. 23 in A, K.488, Mozart (m.sc) Edited by F. Blume
Author: Wolfgang Amadeus MozartPiano Concerto No. 23, in A Major. K. 488
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 68
Book Description
Horowitz plays Mozart
Author: Carlo Maria GiuliniConcerto No. 23 in A, K. 488
Author: F. YorkPublisher: G Schirmer, Incorporated
ISBN: 9780793564996
Category : Music
Languages : en
Pages : 0
Book Description
(Piano). Two Pianos, Four Hands. 2 Copies needed to perform. To see other NFMC selections, click here.
A Basic Classical and Operatic Recordings Collection for Libraries
Author: Kenyon C. RosenbergPublisher: Scarecrow Press
ISBN: 9780810820418
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
No descriptive material is available for this title.
Listen
Author: Joseph KermanPublisher: Macmillan
ISBN: 0312593473
Category : Music
Languages : en
Pages : 475
Book Description
DVD contains 30 minutes of video excerpts and 16 audio tracks, keyed to the text.
Elements of Sonata Theory
Author: James Arnold HepokoskiPublisher: Oxford University Press, USA
ISBN: 0199773912
Category : Music
Languages : en
Pages : 1172
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.