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Author: Denis Skopin Publisher: Routledge ISBN: 1000547221 Category : Art Languages : en Pages : 222
Book Description
This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.
Author: Denis Skopin Publisher: Routledge ISBN: 1000547221 Category : Art Languages : en Pages : 222
Book Description
This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.
Author: David King Publisher: Holt Paperbacks ISBN: 9780805052954 Category : History Languages : en Pages : 192
Book Description
A New York Times Notable Book, 1997 The lavishly illustrated and often darkly hilarious retelling of Soviet history through the doctored photographs under Stalin. The Commissar Vanishes has been hailed as a brilliant, indispensable record of an era. The Commissar Vanishes offers a unique and chilling look at how one man--Joseph Stalin--manipulated the science of photography to advance his own political career and erase the memory of his victims. Over the past thirty years David King has assembled the world's largest archive of doctored Soviet photographs, the best of which appear here, in a book Tatyana Tolstaya, in The New York Review of Books, called "an extraordinary, incomparable volume."
Author: David King Publisher: Tate ISBN: 9781849762519 Category : History Languages : en Pages : 0
Book Description
This brand new edition of David King’s lauded visual history is a unique and brilliant study into the doctoring and propogandising of Soviet photographs by Stalin’s regime. From the creator of the award-winning ‘Red Star Over Russia’ 'The Commissar Vanishes' offers a chilling look at how Joseph Stalin manipulated the science of photography to advance his own political career and to erase the memory of his victims. On Stalin’s orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. For example, a 1919 photograph showing a large crowd of Bolsheviks clustered around Lenin, became, with the aid of the retoucher, an intimate portrait of Lenin and Stalin sitting alone, and then, in a later version, of Stalin by himself. In each case, the juxtaposition of the original and the doctored images yields a fascinating, terrifying and tragic insight into one of the darkest chapters of modern history. -- Publisher's description
Author: Andreĭ Mikhalkov-Konchalovskiĭ Publisher: William Morrow Paperbacks ISBN: Category : History Languages : en Pages : 168
Book Description
The official movie tie-in to the Columbia Pictures film, The Inner circle; includes the story of Alexander Ganshin, Stalin's personal projectionist. Includes bibliographical references (p. 145) and index.
Author: Peter Julicher Publisher: McFarland ISBN: 1476618550 Category : History Languages : en Pages : 284
Book Description
The Soviet era was a time of social and economic upheaval in Russia's history as the Bolsheviks strove to build a socialist utopia based on the theories of Karl Marx. Central to this endeavor was the 25-year dictatorship of Josef Stalin, whose determination to make the Soviet Union a dominant industrial and military power created misery on a grand scale and caused the deaths of millions of people. Stalin arbitrarily invoked the specter of "enemies of the people" to destroy anyone who opposed the new socialist order. Millions of Soviet citizens were executed in continuous purges, and millions more perished in the slave labor camps of the Gulag. This book describes the fate of those citizens who were declared enemies of the people not because of what they had done but because of who they were. Stalin's repression not only destroyed the best and brightest, it prevented the development of a civil society in the Soviet Union which would have promoted economic justice, the rule of law and basic human rights for all.
Author: B. McLoughlin Publisher: Springer ISBN: 0230523935 Category : History Languages : en Pages : 275
Book Description
The British, Irish, Russian, American, German and Austrian contributors examine the intricate nature of the mass repression unleashed by the Stalinist leader of the USSR during 1937-38. The first part of the collection deals with annihilation policies against the Soviet elite and the Communist International. The second section of the volume looks at mass operations of the secret police (NKVD) against social outcasts, Poles and other 'hostile' ethnic groups. The final section comprises micro-studies about targeted victim groups among the general population.
Author: Inessa Kouteinikova Publisher: Taylor & Francis ISBN: 1000824950 Category : Photography Languages : en Pages : 222
Book Description
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.
Author: David R. Shearer Publisher: Yale University Press ISBN: 0300156227 Category : Biography & Autobiography Languages : en Pages : 532
Book Description
Policing Stalin's Socialism is one of the first books to emphasize the importance of social order repression by Stalin's Soviet regime in contrast to the traditional emphasis of historians on political repression. Based on extensive examination of new archival materials, David Shearer finds that most repression during the Stalinist dictatorship of the 1930s was against marginal social groups such as petty criminals, deviant youth, sectarians, and the unemployed and unproductive. It was because Soviet leaders regarded social disorder as more of a danger to the state than political opposition that they instituted a new form of class war to defend themselves against this perceived threat. Despite the combined work of the political and civil police the efforts to cleanse society failed; this failure set the stage for the massive purges that decimated the country in the late 1930s.
Author: Denis Skopin
Author: Denis Skopin
Author: David King
Author: David King
Author: Andreĭ Mikhalkov-Konchalovskiĭ
Author: Peter Julicher
Author: B. McLoughlin
Author: James Edward Abbe
Author: Inessa Kouteinikova
Author: 
Author: David R. Shearer