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Author: Stuart Allan Publisher: Taylor & Francis ISBN: 113647367X Category : Language Arts & Disciplines Languages : en Pages : 288
Book Description
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
Author: Stuart Allan Publisher: Taylor & Francis ISBN: 113647367X Category : Language Arts & Disciplines Languages : en Pages : 288
Book Description
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
Author: Indra Laenens Publisher: Exhibitions International ISBN: 9789461618443 Category : Black-and-white photography Languages : en Pages : 0
Book Description
Avec cette série, Indra Laenens nous emmène dans un 'voyage imaginaire' à travers la Première Guerre mondiale. Fasciné depuis son jeune âge par la photographie de guerre, il a réalisé de nombreux collages à partir d'autoportraits inspirés des scènes populaires de Bruegel et de photographies documentaires anciennes en noir et blanc. Les photos de la Première Guerre mondiale ont amené l'artiste à travailler de manière réaliste, en s'attachant à l'émotion et au vécu, mais avec un regard personnel sur l'époque orienté par ses lectures et l'aide de spécialistes. Le principe de la duplication de so permet de tester les limites du médium. L'ouvrage se veut en outre un appel fort à la paix, no more war ... Exhibition: Fort Liezele, Puers-Saint-Amand, Belgium (11.11.2022 - 30.03.2023).
Author: Karine Hildenbrand Publisher: Cambridge Scholars Publishing ISBN: 144380827X Category : Art Languages : en Pages : 260
Book Description
Contributors to this volume address the issue of the representation of warfare, in an attempt to assess the veracity or mendacity of war images and their probable impact upon the sequence of events. War images may trigger unfathomable horror or conversely and paradoxically attain sublimity. The margin is sometimes narrow between ethics and aesthetics, let alone the almost irrepressible shift from information to propaganda.
Book Description
Deux des conflits majeurs de la deuxième moitié du XIXe siècle, la guerre de Crimée et la guerre de Sécession, sont pour les photographes les premières occasions d'approcher les champs de bataille. La technique ne permet pas de photographier les combats mais plutôt l'avant et l'après. Avec la Première Guerre mondiale apparaissent la photographie aérienne et les clichés pris par les combattants eux-mêmes.
Author: Beatriz Pichel Publisher: Manchester University Press ISBN: 1526151898 Category : History Languages : en Pages : 270
Book Description
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Author: Stuart Allan
Author: Stuart Allan
Author: Indra Laenens
Author: Matt White
Author: Karine Hildenbrand
Author: Joëlle Bolloch
Author: Caroline Brothers
Author: Anne Tucker
Author: Beatriz Pichel
Author: Robert Capa![Photographies de la Guerre de Libération Nationale. [On the Liberation of Yugoslavia, 1941-44. With a Map. Edited by Savo Orović.]. PDF](https://books.google.com/books/content/images/frontcover/_-D2MgEACAAJ?fife=w80-h100)
Author: PHOTOGRAPHIES.