Author: Phillip J. Pirages Fine Books & ManuscriptsPublisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 154
Book Description
Phillip J. Pirages Catalogue 39
Author: Phillip J. Pirages Fine Books & ManuscriptsPublisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 154
Book Description
Aspects of Orality and Formularity in Gregorian Chant
Author: Theodore KarpPublisher: Northwestern University Press
ISBN: 9780810112384
Category : Music
Languages : en
Pages : 512
Book Description
A study of medieval monophonic music. The text focuses on its movement away from the concept of chants as products and towards the idea of chants as processes. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chants circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant.
American Book Collector
Author: Medieval Manuscripts in Post-Medieval England
Author: Andrew G. WatsonPublisher: Taylor & Francis
ISBN: 1000946657
Category : History
Languages : en
Pages : 396
Book Description
Two themes uniting the essays in this collection are the provenance and history of medieval manuscripts during the Middle Ages, and the fates that befell them in England in the period after the invention of printing and the 16th-century dissolution of the religious houses and visitations of the universities. The section 'Libraries and collectors' includes papers on seven major English collectors of the 16th and 17th centuries, and the section 'Manuscripts' concerns the fates of five manuscripts or groups of manuscripts from England, Belgium and Italy. Of the other chapters one is concerned with the post-medieval history of the library of All Souls College, Oxford, and another with the provenance of hundreds of manuscripts in the Harleian collection in the British Library. For this volume Andrew Watson has provided extensive additional notes and indexes.
Antiquarian Book Monthly Review
Author: Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 552
Book Description
Studies and Texts
Author: Fine Books & Collections
Author: Printing Music in Renaissance Rome
Author: Jane A. BernsteinPublisher: Oxford University Press
ISBN: 0197669638
Category : Music
Languages : en
Pages : 297
Book Description
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Re-constructing the Book
Author: Maureen BellPublisher: Ashgate Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Literary critics, textual editors and bibliographers, and historians of publishing have hitherto tended to publish their research as if in separate fields of enquiry. The purpose of this volume is to bring together contributions from these fields in a dialogue rooted in the transmission of texts. The book is intended as both an argument for and demonstration of the potential of this realignment of literary criticism, textual criticism and the history of the book. Arranged chronologically, so as to allow the use of individual sections relevant to period literature courses, the book offers students and teachers a set of essays designed to reflect these approaches and to signal their potential for fruitful integration.
Music and Culture in the Middle Ages and Beyond
Author: Benjamin BrandPublisher: Cambridge University Press
ISBN: 131679895X
Category : Music
Languages : en
Pages : 379
Book Description
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.