Filipino Folk Dances PDF Download

Author: Tita Kitkat
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Book Description
Learn about Filipino culture in this illustrated book highlighting some of the most recognizable folk dances of the Philippines.

Author: Mellie Leandicho Lopez
Publisher: UP Press
ISBN: 9789715425148
Category : Folk literature, Philippine
Languages : en
Pages : 526

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Book Description
The voluminous book provides a range of international theories and methodologies in analytical folklore investigations, and a classification scheme based on genre is offered as the system of taxonomy for Philippine traditional materials. Lopez counts on the regional folklorists to refine the classification according to the texts of their respective areas. The different genres, too, are explained and examined in another part of Lopez's study. The reader will definitely find interesting and useful, the illustrative examples for each genre.

Author: Jovita Sison Friese
Publisher:
ISBN:
Category : Performing Arts
Languages : tl
Pages : 230

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Book Description

Author: Eleazar S. Fernandez
Publisher: Wipf and Stock Publishers
ISBN: 1606082361
Category : Religion
Languages : en
Pages : 201

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Book Description
The Theology of Struggle is a genuinely popular Fillipino theology rooted in the history and culture of a people who have endured colonial oppression at the hands of Spain, North America, and Japan, as well as neo-colonialism and home grown dictatorship. Because Christianity has played a role in assisting the history of oppression in the Phillippines, a theology of struggle must include a struggle in theology, to wrest Christian symbols from the hands of the oppressors and return them to the poor. This theology, which is otherwise expressed in articles, poems, art, and action, receives its first systematic treatment in Toward a Theology of Struggle. In Part On, Fernandez establishes the historical and cultural context out of which the Theology of Struggle has emerged. Part Two represents Fernandez's own constructive work, in which he shows how a theology of struggle must address the quest for identity and peoplehood. In Part Three, Fernandez explores the question of theological method, outlining the areas of convergence and distinction between the Theology of struggle and other Third World theologies, as well as setting forth the distinctive challenge that this theology of the Philippines poses to the authority and dominance of Western theology as a whole.

Author: Francisca Reyes Tolentino
Publisher:
ISBN:
Category : Folk dance music, Filipino
Languages : en
Pages : 88

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Book Description

Author: Basilio Esteban S. Villaruz
Publisher: UP Press
ISBN: 9789715425094
Category : Biography & Autobiography
Languages : en
Pages : 562

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Book Description
"This book is a first reader in Philippine dance, observed through forty-five years of viewing, reviewing, and doing. It is one observer's understanding of what, where, or how is dance, and who makes it and why we dance. It attempts to answer these questions, aware that more questions ought to be further asked."--BOOK JACKET.

Author: Cristina Oxtra
Publisher: Picture Window Books
ISBN: 1515883531
Category : Juvenile Fiction
Languages : en
Pages : 33

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Book Description
Lito and his twin sister, Nenita, plan to perform a Filipino folk dance at their school's spring festival, but when snickering classmates threaten to derail his confidence, Lito learns to dig deep and keep dancing.

Author: Reynaldo G. Alejandro
Publisher:
ISBN:
Category : Dance
Languages : es
Pages : 252

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Book Description

Author:
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 140

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Book Description

Author: Clare Parfitt
Publisher: Springer Nature
ISBN: 3030710831
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
This book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterday’s steps to today’s concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures.