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Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 161911934X Category : Music Languages : en Pages : 68
Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 161911934X Category : Music Languages : en Pages : 68
Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Publisher: Hal Leonard Corporation ISBN: 1476863946 Category : Music Languages : en Pages : 204
Book Description
(Guitar Educational). This book presents 1,001 melodic gems played over dozens of the most important chord progressions heard in jazz. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights.
Author: Joe Riposo Publisher: Alfred Music ISBN: 9781562242848 Category : Music Languages : en Pages : 51
Book Description
Much has been written about the jazz language or the jazz vocabulary. Linguistic references are sensible and proper because, just as we speak in words and phrases derived from the alphabet, so do we improvise jazz in musical phrases derived from notes. In speech, choosing the right words is essential to expressing ourselves properly and making a statement. Likewise, choosing the right notes is essential to properly expressing ourselves and making a musical statement.
Author: Matt Otto Publisher: Lulu.com ISBN: 1304908194 Category : Education Languages : en Pages : 54
Book Description
Modern Jazz Vocabulary Vol. 2Is an in depth study of the classic II-V-I progression found commonly in jazz improvisation.The nearly 300 melodic examples incorporate rhythmic groupings, triad pairs, enclosures, chromatics, synthetic scales, chord substitutions and more.
Author: Mike Steinel Publisher: Hal Leonard Publishing Corporation ISBN: Category : Music Languages : en Pages : 194
Book Description
(Jazz Book). A valuable resource for learning the basics of jazz from Mike Steinel of the University of North Texas. It covers the basics of jazz, how to build effective solos, a comprehensive practice routine, and a jazz vocabulary of the masters.
Author: Mike Steinel Publisher: Hal Leonard Corporation ISBN: 1476863571 Category : Music Languages : en Pages : 0
Book Description
(Jazz Book). A valuable resource for learning the basics of jazz from Mike Steinel of the University of North Texas. It covers the basics of jazz, how to build effective solos, a comprehensive practice routine, and a jazz vocabulary of the masters.
Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 1513469274 Category : Music Languages : en Pages : 112
Book Description
If you’ve ever wondered about the depth of thought vs. pattern playing that goes into jazz guitar improvisation, you’ll find the answer in this book. University of North Texas jazz guitar instructor and stellar musician, Davy Mooney is as fluid in writing about the physical and cerebral processes of jazz guitar improvisation as he is in playing over tunes, chord changes and modulations. Mooney describes the guitar fretboard as “…a labyrinth ruled by shapes and patterns.” He recounts his own journey toward fretboard fluency beginning with the CAGED major scale positions and connecting them with ascending arpeggio shapes. The purpose of his book is to show you a way into the labyrinth, how to navigate it, and find your way out, should you so desire. Five is the magic number in this book. With five jazz chord progressions, fretboard scale and arpeggio diagrams in five positions, and transcribed eighth-note improvisations, Mooney illustrates how five giants of jazz—Miles Davis, Wayne Shorter, Antônio Carlos Jobim, Thelonious Monk, and John Coltrane—might have approached improvisation had they been jazz guitarists. Written in standard notation and fretboard diagrams for the intermediate to advanced guitarist already well-acquainted with jazz scale and chord theory. Includes access to online audio for all 60 etudes, play-along and improv examples.
Author: Patrick L. Williams Publisher: Createspace Independent Publishing Platform ISBN: 9781541324985 Category : Languages : en Pages : 40
Book Description
This pocket essential vocabulary is your ultimate resource in jazz universe. In less than 50 pages, get countless essential jazz terms and slang words right at your fingertips.
Author: Matt Otto Publisher: ISBN: 9781312517271 Category : Art Languages : en Pages : 70
Book Description
Improvising over the minor ii-7, V7, i chord progression can be challenging for both the beginning and advanced jazz musician. This Book contains over 1600 Bars of minor ii-7, V7, i- melodies, licks and patterns in all 12 keys. The material is designed to help one develop an aural, technical and theoretical understanding of this common chord progression in each key. The lines use a variety of rhythmic groupings, chord substitutions, triads, triad pairs, chromatics, approach notes, tensions, chord tones, non chord tones, scales, and both ""inside"" and ""outside"" concepts, all with an emphasis on melody. For more information visit mattotto.org Matt Otto Studied Jazz Performance and Composition at: Indiana University Berklee School of Music The New School for Social Research (BFA) California Institute of the Arts (MFA) He is currently on faculty at the University of Kansas.
Author: John Lowney Publisher: University of Illinois Press ISBN: 0252099931 Category : Literary Criticism Languages : en Pages : 353
Book Description
Jazz emerged during the political and social upheaval of world war, communist revolution, Red Scares, and the Black Migration. The tumult bred disagreements about the cultural significance of jazz that concerned both its African American roots and its international appeal. The questions about what was new or even radical about the music initiated debates that writers recapitulated for decades. Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.
Author: Davy Mooney
Author: Davy Mooney
Author: 
Author: Joe Riposo
Author: Matt Otto
Author: Mike Steinel
Author: Mike Steinel
Author: Davy Mooney
Author: Patrick L. Williams
Author: Matt Otto
Author: John Lowney