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Author: Mary May Robertson Publisher: Cambridge Scholars Publishing ISBN: 1527531287 Category : Music Languages : en Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Author: Mary May Robertson Publisher: Cambridge Scholars Publishing ISBN: 1527531287 Category : Music Languages : en Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Author: N. Groom Publisher: Springer Science & Business Media ISBN: 9780751404036 Category : Science Languages : en Pages : 460
Book Description
The first edition of this unique book established itself as an unparalleled source of information on perfume. Although it is primarily aimed at perfumers and others in the perfume industry, it has also found substantial sales among a wide range of others including aromatherapists, botanists, and many others who wanted to learn more about this faceted subject. The new edition is now aimed squarely at perfumery marketing specialists and others in the industry world-wide and covers in particular the needs of publicity/advertising teams and journalists, together with sales people and consultants at the counters who like to have a wide range of information at their fingertips. Changes include: an expansion of the number of profiles of the perfume houses, and of the 50 or so new perfumes worthy of record which have been launched since the previous edition. There is also increased coverage of the essences and the plants and other material from which they are derived. Coverage of perfume containers is substantially expanded and linked to other parts of the book.
Author: Lizzie Ostrom Publisher: Simon and Schuster ISBN: 1681772892 Category : Art Languages : en Pages : 355
Book Description
Join Lizzie Ostrom on an olfactory adventure as she explores the trends and crazes that have shaped the way we’ve spritzed. One hundred perfumes and scents in all their fragrant glory reveal a fascinating social history of the past century. From the belle epoque through the swinging sixties, to the naughty nineties and beyond, Ostrom brings intelligence and wit to this most ravishing of subjects.There was the patriotic impact of English Lavender during World War I and perfumes that captured the Egyptomania of the 1920s. Estee Lauder created "Youth Dew" and with it, distilled the essence of 1950's suburbia. Patchouli oil—the "anti-perfume" of the 1960s—was sure to keep money out of the hands of corporations and "the man." And who could forget the fervor created by the grunge androgyny of CK One? Scent is truly the passport to memory, making Perfume both a lush treat and an insightful examination of the twentieth century through the most mysterious of the five sense.
Author: Kyle Husfloen Publisher: Penguin ISBN: 1440219141 Category : Antiques & Collectibles Languages : en Pages : 569
Book Description
A precious commodity since ancient times, the powerful presence of perfume lies not in the fragrance alone, as you'll discover after spending just a few minutes with the beautiful new reference to the regal world of antique and vintage perfume bottles. Each of the bottles in this book (which includes commercial successes such as Avon and Coty, and high-end spectacles including Chanel No. 5 and Lalique) is represented in a stunning color photos, accompanies by recent auction and realized pricing, plus, production information to assist the accurate identification of these containers.
Author: Gabe Oppenheim Publisher: Independently Published ISBN: Category : Languages : en Pages : 258
Book Description
This is the story of a genius and a fraud. For more than half a century, Olivier Creed, heir to a French fashion empire but out to conquer an adjacent field by himself, created the most compelling and costly perfumes in the world - scents so successful - artistically and commercially - that the world's largest asset manager bought his small olfactory enterprise for nearly $1 billion in 2020. One could arguably have called him the world's most capable perfumer. Except Olivier Creed never authored the scents for which he has long received acclaim and lucre. Gabe Oppenheim reveals the heretofore untold story behind this supposed-cologne colossus of a man - and the eponymous company that became a social media sensation: That scents were authored by someone else entirely - a brilliant ghostwriter - a hidden, scholarly figure with a great passion for Proust and an unfortunate tendency to doubt the quality of his own compositions. How these two figures met and the arrangement was struck - how they circled each other warily for the next 40 years - how lies, told often enough, became truths - Gabe Oppenheim examines as he journeys into the heart of an industry mystifying and fanciful, enormous and intimate, sensuous and yet so-damn-insubstantial. It's an expedition that takes him to a Creed shop in Dubai and the castle in Normandy where the Ghost resides, having left behind a Parisian world that, in some sense, never acknowledged him. And yet, he's a legend in a certain section of the scented demimonde for a few achievements so innovative he wouldn't yield them even to a charismatic manipulator. Oppenheim explores issues of attribution and artistry, credit and craftsmanship, ingenuity and disingenuousness. "The Ghost Perfumer" is the story of a genius and a fraud. And perhaps the greatest con in the history of luxury retail.
Author: Steve Van Toller Publisher: Springer Science & Business Media ISBN: 9401725586 Category : Science Languages : en Pages : 281
Book Description
THE SENSE OF SMELL The nose is normally mistakenly assumed to be the organ of smell reception. It is not. The primary function of the nose is to regulate the temperature and humidity of inspired air, thereby protecting the delicate linings of the lungs. This is achieved by the breathed air passing through narrow passageways formed by three nasal turbinates in each nostril. The turbinates are covered by spongy vascular cells which can expand or contract to open or close the nasal pathways. The olfactory receptors, innervated by the 1st cranial nerve, are located at the top of the nose. There are about 50 million smell receptors in the human olfactory epithelia, the total size of which, in humans, is about that of a small postage stamp, with half being at the top of the left and half at the top of the right nostril. The receptive surfaces of olfactory cells are ciliated and extend into a covering layer of mucus. There is a constant turnover of olfactory cells. Their average active life has been estimated to be about 28 days.
Author: Mary May Robertson
Author: Mary May Robertson
Author: N. Groom
Author: Lizzie Ostrom
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Author: Michael Edwards
Author: Richard Howard Stamelman
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Author: Kyle Husfloen
Author: Gabe Oppenheim
Author: Steve Van Toller