A Selection of Shape-note Folk Hymns PDF Download

Author: David W. Music
Publisher: A-R Editions, Inc.
ISBN: 0895795752
Category : Music
Languages : en
Pages : 154

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Book Description
xiv + 172 pp., includes facsimile pages

Author: James Peter Burkholder
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572

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Book Description
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.

Author: Alice Hammel
Publisher: Oxford University Press
ISBN: 0190201622
Category : Education
Languages : en
Pages : 345

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Book Description
Winding it Back: Teaching to Individual Differences in Music Classroom and Ensemble Settings provides multiple access points and adequate learning conditions while honoring the individual needs of all students in music classrooms.

Author: Brian Hart
Publisher: Indiana University Press
ISBN: 0253067545
Category : History
Languages : en
Pages : 1039

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Book Description
Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges. In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony in Europe from its origins into the 20th century. In Volume V, Brown's former students and colleagues continue his vision by turning to the symphony in the Western Hemisphere. It examines the work of numerous symphonists active from the early 1800s to the present day and the unique challenges they faced in contributing to the European symphonic tradition. The research adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This much-anticipated fifth volume of The Symphonic Repertoire: The Symphony in the Americas offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.

Author: Michael V Pisani
Publisher: Yale University Press
ISBN: 0300130732
Category : Music
Languages : en
Pages : 438

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Book Description
This book offers a comprehensive look at musical representations of native America from the pre colonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this “Indian music,” which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.

Author: Taylor A. Greer
Publisher: Indiana University Press
ISBN: 0253069300
Category : Music
Languages : en
Pages : 276

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Book Description
At the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice. As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences. With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.

Author: Peter Vogl
Publisher: Watch & Learn
ISBN: 9781893907447
Category : Music
Languages : en
Pages : 88

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Book Description
A complete scale encyclopedia for guitar with over 400 scales and modes. It contains scale diagrams with notation and tablature for each scale and tips on how and when to use each scale. Our ScaleFinder System, using icons and letters, makes scale finding easy. It also contains outside jazz scales, exotic scales, Peter's own CrossStringing scales, and easy to understand explanation of scales and modes. This is the only scale book you'll ever need.

Author: Louise Bradford
Publisher: Alfred Music
ISBN: 9781457409059
Category : Music
Languages : en
Pages : 156

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Book Description
A collection of 220 folk songs representing different parts of the United States, some with foreign roots. The songs are based on pentatonic scales making it easy for children to learn the melodies. All of the songs are playable on Orff instruments. These songs can be used as a springboard for discussing other states and cultures.

Author: Simon Frith
Publisher: Psychology Press
ISBN: 9780415332699
Category : Music
Languages : en
Pages : 432

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Book Description
Popular music studies is a rapidly expanding field with changing emphases and agenda. This is a multi-volume resource for this area of study

Author: Adriana Ponce
Publisher: CRC Press
ISBN: 1040002218
Category : Music
Languages : en
Pages : 427

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Book Description
Venezuelan music has remained largely unnoticed in the academic English literature. Boasting a tremendous wealth of traditions, it displays influences from the Spanish, indigenous, and enslaved African communities that populated the territory from the “conquest” on and offers a tremendous diversity of genres and styles that vary by region, occasion, time, and sometimes ethnic influences. This book presents critical discussions of some of these traditions in connection with the issue of identity. The discussions capture country and city life, illustrate foundational myths, bring secular traditions closer to Christianity, explore surviving cultural strategies, et cetera. They also analyze the interface between Venezuelan identity and European classical music. The book displays diversity of perspectives in terms of (a) subject matter, as it includes traditional and concert musics; (b) disciplines on which the inquiries are grounded, as it includes essays by scholars and artists from musicology, performance, composition, history, cultural history, and education; and (c) epistemological approaches, as it includes critical, historical, and ethnographic research.