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Author: Peggy Webling Publisher: Bloomsbury Publishing ISBN: 135037167X Category : Performing Arts Languages : en Pages : 226
Book Description
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Author: Peggy Webling Publisher: Bloomsbury Publishing ISBN: 135037167X Category : Performing Arts Languages : en Pages : 226
Book Description
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Author: Lester D. Friedman Publisher: Rutgers University Press ISBN: 081357370X Category : Performing Arts Languages : en Pages : 379
Book Description
Mary Shelley’s 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth? Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley’s novel from the sixteenth century and analyzing the evolution of the book’s figures and themes into modern productions that range from children’s cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley’s tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
Author: Dorian Gieseler Greenbaum Publisher: ISBN: 9781350371668 Category : English drama Languages : en Pages : 0
Book Description
"The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history"--
Author: Dorian Gieseler Greenbaum Publisher: BRILL ISBN: 9004306218 Category : History Languages : en Pages : 599
Book Description
In The Daimon in Hellenistic Astrology: Origins and Influence, Dorian Gieseler Greenbaum investigates for the first time the concept of the daimon (daemon, demon), normally confined to religion and philosophy, within the theory and practice of ancient western astrology (2nd century BCE – 7th century CE). This multi-disciplinary study covers the daimon within astrology proper as well as the daimon and astrology in wider cultural practices including divination, Gnosticism, Mithraism and Neo-Platonism. It explores relationships between the daimon and fate and Daimon and Tyche (fortune or chance), and the doctrine of lots as exemplified in Plato’s Myth of Er. In finding the impact of Egyptian and Mesopotamian ideas of fate on Hellenistic astrology, it critically examines astrology’s perception as propounding an unalterable destiny.
Author: Peggy Webling Publisher: ISBN: 1350371645 Category : Literary Criticism Languages : en Pages : 0
Book Description
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Author: Nick Dear Publisher: Faber & Faber ISBN: 0571277225 Category : Performing Arts Languages : en Pages : 103
Book Description
Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal.Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.
Author: Steven Earl Forry Publisher: University of Pennsylvania Press ISBN: 1512802034 Category : Literary Criticism Languages : en Pages : 328
Book Description
The Frankenstein we know is not Mary Shelley's creature at all. Rather it is an amalgam of over 200 years of images and dramatizations that range from the ghoulish fiends of nineteenth-century sensation dramas to Boris Karloff's movie monster to Mel Brooks's tap-dancing giant. These versions treat the Frankenstein myth with varying levels of horror, hysteria, and humor, but all of them attest to its enduring power. In Hideous Progenies, Steven Earl Forry offers a historical overview of the legend's transformation over time—beginning with Shelley's original and the earliest popular dramatizations of it (which transformed the myth, adding a burlesque quality and simplifying its moral allegory) and continuing on through the advent of cinema. He also documents this development with actual texts of seven pre-1931 dramatizations, a sampling of cartoons and playbills, and a shooting script for the first cinematic version, Thomas Edison's Frankenstein (1910). Forry's rare materials and interesting survey offer a valuable resource for scholars and students of theater history, literary history, and popular culture.
Author: David Finkelstein Publisher: Psychology Press ISBN: 9780415226585 Category : History Languages : en Pages : 404
Book Description
The editors illustrate how book history studies have evolved into a broad approach which incorporates social and cultural considerations governing the production, dissemination and reception of print and texts.
Author: Dennis Cutchins Publisher: Scarecrow Press ISBN: 0810872978 Category : Performing Arts Languages : en Pages : 206
Book Description
From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating adaptation studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.' This collection of essays focuses on numerous contexts to emphasize why adaptations matter to students of literature. It is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle. Many of the essays show how 'adaptation' as a discipline can be used to prompt reflection on cultural, historical, and political differences. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, the book adopts a pluralistic view of adaptation, showing how its processes vary across different contexts and in different disciplines. Defining new horizons for the teaching of adaptation studies, these essays draw on such disparate sources as Frankenstein, Moby Dick, and South Park. This volume not only provides a resource-book of lesson plans but offers valuable pointers as to why teaching literature and film can help develop students' skills and improve their literacy.
Author: Peggy Webling
Author: Peggy Webling
Author: Lester D. Friedman
Author: Dorian Gieseler Greenbaum
Author: Dorian Gieseler Greenbaum
Author: Peggy Webling
Author: Nick Dear
Author: Steven Earl Forry
Author: David Finkelstein
Author: Jason Cobley
Author: Dennis Cutchins