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Author: Allen Lester Farnum Publisher: Schiffer Pub Limited ISBN: 9780887404375 Category : History Languages : en Pages : 126
Book Description
155 pristine negatives recently turned up in some forgotten storage. They were taken while the Wild West show was on tour between 1900 and 1905 by cowboy/amateur photographer Harry Bock. This is a photo documentary without parallel and offers western, historical, and tent show buffs a visual look back in time with exceptional detail and clarity.
Author: Allen Lester Farnum Publisher: Schiffer Pub Limited ISBN: 9780887404375 Category : History Languages : en Pages : 126
Book Description
155 pristine negatives recently turned up in some forgotten storage. They were taken while the Wild West show was on tour between 1900 and 1905 by cowboy/amateur photographer Harry Bock. This is a photo documentary without parallel and offers western, historical, and tent show buffs a visual look back in time with exceptional detail and clarity.
Author: Joy S. Kasson Publisher: Macmillan + ORM ISBN: 1466895373 Category : History Languages : en Pages : 459
Book Description
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
Author: Michelle Delaney Publisher: Harper Collins ISBN: 0062045350 Category : History Languages : en Pages : 179
Book Description
A visual pleasure and a unique insight into American history For the first time ever, here is renowned photographer Gertrude Käsebier's haunting collection of photographs of Native American performers from Buffalo Bill's Wild West show at the turn of the century. One hundred years later, Käsebier's portraits remain significant visual records into the lives of these Sioux performers and their nation. Her striking photographs capture the strength and character of each individual, documenting the complexity of true warriors playing a staged version of themselves. In 1898, Käsebier wrote to William F. Cody requesting to photograph Indians performing in his Wild West show at Madison Square Garden. Her photographs proved poignant. Her studio had no elaborate backdrops, and she removed Indian regalia to depict her subjects as "raw" individuals, with strong personalities and experiences that blurred the distinction between traditional life and contemporary times. Käsebier developed long relationships with several of the Indians, corresponding with a few for many years. Examples of these letters appear in the volume, as well as drawings done by Indians waiting in her studio, photographs of Dakota Sioux on their reservation, little-known historical background, and Wild West show memorabilia, including rare pages from Buffalo Bill's original route book. Käsebier's photographs are preserved at the National Museum of American History's Photographic History Collection at the Smithsonian Institution.
Author: Stephanie Grace Whitson Publisher: Createspace Independent Publishing Platform ISBN: 9781542889568 Category : Women rodeo performers Languages : en Pages : 0
Book Description
The only child of wealthy parents, Irmagard Friedrich is determined to become famous as Liberty Belle, trick rider for Buffalo Bill's Wild West. Irma's fiercely controlling mother is just as determined to stop her. But then Irma gets the chance to live her dream when her father arranges an audition with his old friend, William F. (Buffalo Bill) Cody. As Liberty Belle, Irma enters the magical world of the Wild West. Friendship awaits-and so does Shep Sterling, the King of the Cowboys. Unbeknownst to Irma, her parents' marriage has been on the verge of imploding for years, and disagreement over their only child's future may prove to be the very thing that destroys it. What will Liberty Belle-and others-be forced to sacrifice so that she can live her dream?
Author: Ellsworth Collings Publisher: University of Oklahoma Press ISBN: 9780806110479 Category : History Languages : en Pages : 334
Book Description
In the first third of the twentieth century, the 101 Real Wild West Show was known halfway round the world. It featured such headliners as Bill Pickett, the African-American inventor of bulldogging, and the future Hollywood film stars Tom Mix, Buck Jones, and Hoot Gibson. What was not so well known abroad was that the show stemmed from a real, working ranch that rivaled the fabled XIT Ranch in the folklore of the West.
Author: Julia Bricklin Publisher: University of Oklahoma Press ISBN: 0806158018 Category : History Languages : en Pages : 225
Book Description
Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.
Author: William F. Cody Publisher: U of Nebraska Press ISBN: 0803244665 Category : History Languages : en Pages : 253
Book Description
Army scout, frontiersman, and hero of the American West, William F. “Buffalo Bill” Cody was also a shrewd self-promoter, showman, and entrepreneur. In 1888 he published The Story of the Wild West, a collection of biographies of four well-known American frontier figures: Daniel Boone, Davy Crockett, Kit Carson, and himself. Cody contributed an abridged version of his 1879 autobiography with an addendum titled The Wild West in England, now available in this stand-alone annotated edition, including all the illustrations from the original text along with photographs of Cody and promotional materials. Here Cody describes his Wild West exhibition, the show that offered audiences a mythic experience of the American frontier. Focusing on the show’s first season of performances in England, Cody includes excerpts of numerous laudatory descriptions of his show from the English press as well as stories of his time spent with British nobility—from private performances for Queen Victoria and the Prince and Princess of Wales to dinners and teas with the elite of London society. He depicts himself as an ambassador of American culture, proclaiming that he and his Wild West show prompted the British to “know more of the mighty nation beyond the Atlantic and . . . to esteem us better than at any time within the limits of modern history.”
Author: Michelle Delaney Publisher: University of Oklahoma Press ISBN: 080616512X Category : Art Languages : en Pages : 249
Book Description
William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.
Author: Allen Lester Farnum
Author: Allen Lester Farnum
Author: Joy S. Kasson
Author: Michelle Delaney
Author: Buffalo Bill's Wild West Company
Author: Glenn Shirley
Author: Stephanie Grace Whitson
Author: Ellsworth Collings
Author: Julia Bricklin
Author: William F. Cody
Author: Michelle Delaney