Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Patriotic Envelopes of the Civil War PDF full book. Access full book title Patriotic Envelopes of the Civil War by Steven R. Boyd. Download full books in PDF and EPUB format.
Author: Steven R. Boyd Publisher: LSU Press ISBN: 0807137960 Category : Antiques & Collectibles Languages : en Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Author: Steven R. Boyd Publisher: LSU Press ISBN: 0807137960 Category : Antiques & Collectibles Languages : en Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Author: James W. Milgram Publisher: ISBN: 9780961401849 Category : Postal service Languages : en Pages : 408
Book Description
The purpose of this book is to present the postal usages which were associated with the federal or Union troops and patriotic civilians during the American Civil War 1861-1865. This is in contrast with those postal usages that were associated with the Confederate States of America and its soldiers, a very strongly collected area of specialization. With the production of patriotic stationary, both envelopes and letter paper, the Civil War created a large variety of collectible federal postal objects used by both civilian and military. The postal usages of Union soldiers include special due usages when letters were certified by officers, interesting maritime mail from both coastal as well as inland river locations, hospital and prison mail, and specialized postmarks which are either patriotic or which deal with certain military camps and reoccupied town. Other chapters include slave related stationary, the election of 1860, and federal postage usage in the South during the formation of the Confederacy.
Author: Edward J. Blum Publisher: University of Pennsylvania Press ISBN: 0812299523 Category : History Languages : en Pages : 217
Book Description
During his first inaugural address, Abraham Lincoln expressed hope that the "better angels of our nature" would prevail as war loomed. He was wrong. The better angels did not, but for many Americans, the evil ones did. War Is All Hell peers into the world of devils, demons, Satan, and hell during the era of the American Civil War. It charts how African Americans and abolitionists compared slavery to hell, how Unionists rendered Confederate secession illegal by linking it to Satan, and how many Civil War soldiers came to understand themselves as living in hellish circumstances. War Is All Hell also examines how many Americans used evil to advance their own agendas. Sometimes literally, oftentimes figuratively, the agents of hell and hell itself became central means for many Americans to understand themselves and those around them, to legitimate their viewpoints and actions, and to challenge those of others. Many who opposed emancipation did so by casting Abraham Lincoln as the devil incarnate. Those who wished to pursue harsher war measures encouraged their soldiers to "fight like devils." And finally, after the war, when white men desired to stop genuine justice, they terrorized African Americans by dressing up as demons. A combination of religious, political, cultural, and military history, War Is All Hell illuminates why, after the war, one of its leading generals described it as "all hell."
Author: Robert E. Bonner Publisher: Hill and Wang ISBN: 1429924128 Category : History Languages : en Pages : 274
Book Description
They are all infantrymen; none were commissioned officers. One is a German-speaking artist whose sole record is nineteen stunning watercolors that cover a year's enlistment. Another is a free black from Syracuse, New York. Six are from slave states, one of whom was a Unionist. Drawing from the more than 60,000 documents housed in the privately held Gilder Lehrman Collection, Robert E. Bonner has movingly reconstructed the experiences of sixteen Civil War soldiers, using their own accounts to knit together a ground-level view of the entire conflict. The immediacy of diaries and the intimacy of letters to loved ones accompany the humor of an anonymous cartoonist from Massachusetts, the vivid paintings of Private Henry Berckhoff. All reproduced for the first time in The Soldier's Pen, the documents and images that Bonner weaves together, providing context and explanation as required, powerfully re-create the day-to-day lives of the soldiers who fought and died for Union and Confederacy. Not since the 2000 publication of Robert Sneden's paintings and papers in Eye of the Storm has a collection of original Civil War documents so evocatively captured the war.
Author: David H. Slay Publisher: University of Alabama Press ISBN: 0817317449 Category : History Languages : en Pages : 297
Book Description
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
Author: Sherri McConnell Publisher: C&T Publishing Inc ISBN: 1607056607 Category : Crafts & Hobbies Languages : en Pages : 84
Book Description
“With its diverse selection of fabrics and designs, A Quilting Life is a fine pick for any quilter looking to produce family-oriented keepsake results.” —The Needlecraft Shelf Bring the handmade tradition home with these charming quilts and home accessories. Inspired by a grandmother who loved to sew for her family, quilter and blogger Sherri McConnell gives traditional patterns like hexagons, stars, snowballs, and Dresden Plates a new look featuring fabrics by some of today’s most popular designers. Nineteen cozy projects include pillows, tote bags, table runners, and larger quilts—quick and easy designs that make great gifts. “Sherri’s book is a treasure! It’s full of fun and straight-forward patterns for quilts, table toppers, pillows, bags and more—all the goodies to make a cozy home.” —Thimbleanna “Would you like the opportunity to make tomorrow’s heirlooms in today’s vast selection of prints? . . . If so, this could be the reference book that will get you started. There are 19 projects, mainly focusing on handmade household items but including some larger quilts too.” —Fabrications Quilting for You “Beautiful inspiration if you are a seasoned quilter, but also a great resource with clear and in some cases, simple patterns for newbies as well.” —Diary of a Quilter “Color photos of finished needlework projects accompany step-by-step diagrams and assembly patterns, while at-a-glance sidebars covering materials and cutting allow needleworkers to gauge the complexity of each project.” —The Needlecraft Shelf
Author: Rachel Stephens Publisher: University of Arkansas Press ISBN: 161075798X Category : Art Languages : en Pages : 333
Book Description
In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanization that they faced. In response, proslavery southerners attempted to counter these messages either through idealization or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture, Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealized and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.
Author: Tyler Green Publisher: Univ of California Press ISBN: 0520421434 Category : History Languages : en Pages : 594
Book Description
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.
Author: Gary W. Gallagher Publisher: Harvard University Press ISBN: 0674045629 Category : History Languages : en Pages : 257
Book Description
In a searing analysis of the Civil War North as revealed in contemporary letters, diaries, and documents, Gallagher demonstrates that what motivated the North to go to war and persist in an increasingly bloody effort was primarily preservation of the Union.
Author: Steven R. Boyd
Author: Steven R. Boyd
Author: James W. Milgram
Author: Edward J. Blum
Author: Robert E. Bonner
Author: David H. Slay
Author: Sherri McConnell
Author: Rachel Stephens
Author: Tyler Green
Author: Gary W. Gallagher
Author: