Partial Portraits PDF Download

Author: Henry James
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 432

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Author: Henry James
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 430

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Contents--Emerson; The Life of George Eliot; Daniel Deronda: A Conversation; Anthony Trollope; Robert Louis Stevenson; Miss Woolson; Alphonse Daudet; Guy de Maupassant; Ivan Turgenieff; George du Maurier; The Art of Fiction.

Author: George Clinton Densmore Odell
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 732

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Author: Harold Davis
Publisher: John Wiley & Sons
ISBN: 1118076184
Category : Photography
Languages : en
Pages : 242

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Book Description
Go beyond the basic rules of photography to capture stunning portraits Portrait photography is a vital topic for photographers of every level of experience, from amateur to professional. Written by renowned photographer Harold Davis, this inspirational book encourages you to define our own photographic style and capture stunning, creative, and unique portraits. You'll discover tips and techniques for "breaking the rules" of basic digital photography so that you can go beyond the fundamentals such as composition, lighting, and exposure in order to create memorable and incomparable portraits. Explores the most common subject of most photographers-people-and explains when, why, and how to forgo the fundamentals to capture memorable portraits Encourages you to define your own unique photographic style and offers information and inspiration to help you do so Delves into a variety of creative techniques that you can use when exploring ways to take lively and stunning portraits Illustrated with Harold Davis's striking portrait photography, Creative Portraits will both inform and inspire you.

Author: Nancy Hopkins Reily
Publisher: Sunstone Press
ISBN: 1611390109
Category : Photography
Languages : en
Pages : 178

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Book Description
“It’s your turn to make a photograph,” states the author on the cover of this detailed handbook destined to become a classic instruction manual on portrait photography. And she shows the reader how by going through the basics of this photographic artform step by step in easy-to-follow instructions that will appeal to all levels of experience. For beginners, a working knowledge of the camera is not even necessary; and for professionals there is more than enough to challenge them to exceed their own present excellence. It has taken the author years of working in the portrait profession to focus and collect her approach to color portraiture and she presents her ideas in a way that will inspire even those who are not photographers. The book is designed for any artist working in any medium. All they have to have is an interest in the human subject. The book covers such wide-ranging subjects as a perspective on the history of the medium, composition, lighting, posing techniques, the portraitist’s “eye,” hints at how to enrich one’s self as a result of exploring the art of portraiture, and much more. “Classic Outdoor Color Portraits” is a vital text for photography schools and workshops, continuing education classes, artist schools and workshops, colleges, amateurs, and professionals in all regions and settings. NANCY REILY is also the author of “My Wisdom That No One Wants,” “Georgia O’Keeffe, A Private Friendship, Part I, Walking the Sun Prairie Land”; Georgia O’Keeffe, A Private Friendship, Part II, Walking the Abiquiu and Ghost Ranch Land”; and “Joseph Imhof, Artist of the Pueblos” with Lucille Enix, all from Sunstone Press.

Author: J. A. Ward
Publisher: UNC Press Books
ISBN: 0807836826
Category : Literary Criticism
Languages : en
Pages : 243

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Book Description
This volume is a study of the structure of certain of James's works, as well as a search for the structural principles that inform James's fiction and lie behind the technical dicta of his essays and prefaces. It also develops the thesis that most of James's structures are determined by logical and spatial, rather than chronological, concepts of relationships. Originally published in 1967. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Author: Max Saunders
Publisher: OUP Oxford
ISBN: 0191614734
Category : Literary Criticism
Languages : en
Pages : 608

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Book Description
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.

Author: Peter Martinus Buitenhuis
Publisher: University of Toronto Press
ISBN: 1442651067
Category : Literary Criticism
Languages : en
Pages : 407

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Book Description
There has been almost no study of the American writings of Henry James, that is, the fiction, essays, and travel literature with an American setting. The great bulk of Jamesian criticism deals with the international novels, particularly his late works. This study places James’s career in a new perspective by discussing its American aspect. It gives the critic an opportunity to come to grips with the evolution of James’s technique from his second short story to his penultimate, unfinished novel, The Ivory Tower.

Author: Jerome Boyd Maunsell
Publisher: Oxford University Press
ISBN: 019878936X
Category : Biography & Autobiography
Languages : en
Pages : 293

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Book Description
In a series of biographical case studies, Portraits from Life examines how seven canonical Modernist writers - Joseph Conrad, Ford Madox Ford, Henry James, Wyndham Lewis, Gertrude Stein, H.G. Wells and Edith Wharton - depicted themselves in their memoirs and autobiographies.

Author: United States. Congress. Senate. Committee on Appropriations
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1688

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