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Author: Jeanne Chenault Porter Publisher: Brookings Institution Press ISBN: 9780915773060 Category : Art Languages : en Pages : 298
Book Description
Contents 1. Reflections of the Golden Age: The Visitor's Account of Naples Jeanne C. Porter, The Pennsylvania State University 2. Vasari and Naples: The Monteclivetan Order Liana De Girolami Cheney, University of LowelI 3. Caravaggio's "Roman Charity" in the Seven Acts of Mercy Anna Tuck-Scala, The Pennsylvania State University 4. Giovanni Battista Caracciolo and Drawing in 17th Century Naples Alfred Moir, University of Michigan at Ann Arbor 5. The Vita S. Brunonis Cartusianorum Partriarchae and it's Interpretation by Massimo Stanzione in the Certosa di S. Martino Sebastian Schütze, Bibliotheca Hertziana, Rome 6. Fowl Play: Eros and Equivocation in a Neapolitan Portrait Thomas C. Willette, The University of Michigan at Ann Arbor 7. Jusepe de Ribera's Isaac's Benediction of Jacob: Spanish Cross-Currents in 17th Century Naples James Clifton, Rhodes College 8. Female and Male Art: Postille to Garrard's Artemisia Gentileschi George L. Hersey, Yale University 9. Mattia Preti's Madonna of Constantinople and a Marian Cult in 17th Century Naples Michael Tomor, The Pennsylvania State University 10. Pedro of Aragon's Plan of a "Private Port" (darsena) in Naples: Reconstruction and Genesis of a Classical Building Type Elisabeth Sladek, Österreichisches Akademie der Wissenschaften, Rome 11. The Church of the Annunziata in Naples Jörg Garms, Österreichisches Historisches Institut, Rome 12. L'Accademia di Luidi Vanvitelli: Disegni Inediti Antonella Pampalone, Rome, Italy 13. A Drawing by De Mura for the Nunziatella Robert Enggass, Baltimore, Maryland
Author: Jeanne Chenault Porter Publisher: Brookings Institution Press ISBN: 9780915773060 Category : Art Languages : en Pages : 298
Book Description
Contents 1. Reflections of the Golden Age: The Visitor's Account of Naples Jeanne C. Porter, The Pennsylvania State University 2. Vasari and Naples: The Monteclivetan Order Liana De Girolami Cheney, University of LowelI 3. Caravaggio's "Roman Charity" in the Seven Acts of Mercy Anna Tuck-Scala, The Pennsylvania State University 4. Giovanni Battista Caracciolo and Drawing in 17th Century Naples Alfred Moir, University of Michigan at Ann Arbor 5. The Vita S. Brunonis Cartusianorum Partriarchae and it's Interpretation by Massimo Stanzione in the Certosa di S. Martino Sebastian Schütze, Bibliotheca Hertziana, Rome 6. Fowl Play: Eros and Equivocation in a Neapolitan Portrait Thomas C. Willette, The University of Michigan at Ann Arbor 7. Jusepe de Ribera's Isaac's Benediction of Jacob: Spanish Cross-Currents in 17th Century Naples James Clifton, Rhodes College 8. Female and Male Art: Postille to Garrard's Artemisia Gentileschi George L. Hersey, Yale University 9. Mattia Preti's Madonna of Constantinople and a Marian Cult in 17th Century Naples Michael Tomor, The Pennsylvania State University 10. Pedro of Aragon's Plan of a "Private Port" (darsena) in Naples: Reconstruction and Genesis of a Classical Building Type Elisabeth Sladek, Österreichisches Akademie der Wissenschaften, Rome 11. The Church of the Annunziata in Naples Jörg Garms, Österreichisches Historisches Institut, Rome 12. L'Accademia di Luidi Vanvitelli: Disegni Inediti Antonella Pampalone, Rome, Italy 13. A Drawing by De Mura for the Nunziatella Robert Enggass, Baltimore, Maryland
Author: J.Nicholas Napoli Publisher: Routledge ISBN: 1351544780 Category : Art Languages : en Pages : 430
Book Description
The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks? and the artists? expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.
Author: John A. Marino Publisher: JHU Press ISBN: 0801899397 Category : History Languages : en Pages : 358
Book Description
2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival days fostered a unified Neapolitan identity through the assimilation of Aragonese customs, Burgundian models, and Spanish governance. He discusses why the relationship between mythical and religious representations in ritual practices allowed Naples's inhabitants to identify themselves as citizens of an illustrious and powerful sovereignty and explains how this semblance of stability and harmony hid the city's political, cultural, and social fissures. In the process, Marino finds that being and becoming Neapolitan meant manipulating the city's rituals until their original content and meaning were lost. The consequent widening of divisions between rich and poor led Naples's vying castes to turn on one another as the Spanish monarchy weakened. Rich in source material and tightly integrated, this nuanced, synthetic overview of the disciplining of ritual life in early modern Naples digs deep into the construction of Neapolitan identity. Scholars of early modern Italy and of Italian and European history in general will find much to ponder in Marino's keen insights and compelling arguments.
Author: Jutta Gisela Sperling Publisher: Routledge ISBN: 1317098102 Category : History Languages : en Pages : 387
Book Description
The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Author: Gina Siciliano Publisher: Fantagraphics Books ISBN: 1683962117 Category : Art Languages : en Pages : 294
Book Description
In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Amhighlights a fierce artist who stood up to a shameful social status quo.
Author: Bianca de Divitiis Publisher: BRILL ISBN: 9004526374 Category : History Languages : en Pages : 799
Book Description
A Companion to the Renaissance in Southern Italy offers readers unfamiliar with Southern Italy an introduction to different aspects of the fifteenth- and sixteenth-century history and culture of this vast and significant area of Europe, situated at the center of the Mediterranean. Commonly regarded as a backward, rural region untouched by the Italian Renaissance, the essays in this volume paint a rather different picture. The expert-written contributions present a general survey of the most recent research on the centers of southern Italy, as well as insight into the ground-breaking debates on wider themes, such as the definition of the city, continuity and discontinuity at the turn of the sixteenth century, and the effects of dynastic changes from the Angevin and Aragonese Kingdom to the Spanish Viceroyalty. Taken together, they form an essential resource on an important, yet all too often overlooked or misunderstood part of Renaissance Italy. Contributors: Giancarlo Abbamonte, David Abulafia, Guido Cappelli, Chiara De Caprio, Bianca de Divitiis, Fulvio Delle Donne, Teresa D’Urso, Dinko Fabris, Guido Giglioni, Antonietta Iacono, Fulvio Lenzo, Lorenzo Miletti, Francesco Montuori, Pasquale Palmieri, Eleni Sakellariou, Francesco Senatore, Francesco Storti, Pierluigi Terenzi, Carlo Vecce, Giuliana Vitale, and Andrea Zezza.
Author: Christopher R. Marshall Publisher: Princeton University Press ISBN: 0691258015 Category : Art Languages : en Pages : 312
Book Description
A new account of the renowned Baroque painter, revealing how her astute professional decisions shaped her career, style, and legacy Art has long been viewed as a calling—a quasi-religious vocation that drives artists to seek answers to humanity’s deepest questions. Yet the art world is a risky, competitive business that requires artists to make strategic decisions, especially if the artist is a woman. In Artemisia Gentileschi and the Business of Art, Christopher Marshall presents a new account of the life, work, and legacy of the Italian Baroque painter, revealing how she built a successful four-decade career in a male-dominated field—and how her business acumen has even influenced the resurrection of her reputation today, when she has been transformed from a footnote of art history to a globally famous artist and feminist icon. Combining the most recent research with detailed analyses of newly attributed paintings, the book highlights the business considerations behind Gentileschi’s development of a trademark style as she marketed herself to the public across a range of Italian artistic centers. The disguised self-portraits in her early Florentine paintings are reevaluated as an effort to make a celebrity brand of her own image. And, challenging the common perception that Gentileschi’s only masterpieces are her early Caravaggesque paintings, the book emphasizes the importance of her neglected late Neapolitan works, which are reinterpreted as innovative responses to the conventional practices of Baroque workshops. Artemisia Gentileschi and the Business of Art shows that Gentileschi’s remarkable success as a painter was due not only to her enormous talent but also to her ability to respond creatively to the continuously evolving trends and challenges of the Italian Baroque art world.
Author: Mary D. Garrard Publisher: Univ of California Press ISBN: 0520228413 Category : Art Languages : en Pages : 212
Book Description
"In this admirable work, at once passionately argued and lucidly written, Professor Garrard effectively considers the social, psychological, and formal complexity of the shaping and reshaping not only of the artist's feminine and feminist identity in the misogynistic society of the seventeenth century, but also of that identity in the discipline of art history today."—Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection "Mary Garrard's detailed investigation into attribution problems in two Artemisia Gentileschi paintings brilliantly interweaves connoisseurship, constructions of gender and artistic identity, and historical analysis. The result is a richer and more nuanced vision of the best-known female artist in western history before the modern era, and an important contribution to feminist studies." —Whitney Chadwick, author of Women, Art, and Society "In her new book, Garrard has taken two bold steps that challenge much received opinion in the 'discipline' of art history. Analyzing two of Gentileschi's least violent but most moving images, Garrard argues that the painter's personality is discernible no less in the subjects and their interpretation than in the 'style' of the works; consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and her authorship. Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a 'good woman painter,' was one of the major visual thinkers of her time."—Irving Lavin, co-author with Marilyn Aronberg Lavin, of La Liturgia d'Amore: Immagini dal Canto dei Cantici nell'arte di Cimabue, Michelangelo, e Rembrandt (Modena, 2000) "Developing her earlier methodologies and revising some conclusions, Garrard clarifies her distinct theoretical approach and voice among feminist critiques of art history. In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history."—Hilary Robinson, editor of Visibly Female: Feminism and Art Today "One of our most distinguished feminist art historians brings contemporary gender studies to bear on traditional paintings connoisseurship to show how attributions to female artists have often been governed by tacit cultural assumptions about the limitations of women. Her case makes compelling reading for anyone interested in early modern society, culture, women and art in Italy, and in the problematics of feminism and art history."—Kathleen Weil-Garris Brandt, author of Leonardo e la Scultura "By revealing a great woman painter's ways of expressing uniqueness while negotiating expectations, Mary Garrard helps each of us with the subtleties of remaining authentic while living in the world. Artemisia Gentileschi around 1622 is art history to live by."—Gloria Steinem
Author: Jeanne Chenault Porter
Author: Jeanne Chenault Porter
Author: Susan C. Scott
Author: J.Nicholas Napoli
Author: John A. Marino
Author: Jutta Gisela Sperling
Author: Gina Siciliano
Author: Bianca de Divitiis
Author: R. Ward Bissell
Author: Christopher R. Marshall
Author: Mary D. Garrard