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Author: Catherine Whistler Publisher: ISBN: Category : Art Languages : en Pages : 30
Book Description
A masterpiece of the early Renaissance, Paolo Uccello's (1397-1475) 'Hunt in the Forest' is a magical and enigmatic picture. The painting clearly belongs to the last decade of Uccello's career, and stylistic comparisons with the narrative scenes that he painted in the late 1460s in Urbino suggest that 'The Hunt' must date from soon after that. Uccello's lifelong interest in geometry and perspective, together with his skill in depicting animals and landscape, combine in this swansong, a jewel-like painting designed to please a sophisticated audience. The Hunt in the Forest is a rare and tantalising survivor of a particular type of secular painting. A spalliera painting (from spalla, meaning shoulder), it would have been set into the panelling of a room at shoulder height. Scenes from ancient history and mythology, or from medieval romance, were common in spalliera paintings, and many have come down to us. However, the fact that a hunting scene with figures in contemporary dress is elaborately and playfully depicted by a major artist makes this panel virtually unique in Florentine domestic painting of the fifteenth century. Clearly the patron who ordered this picture was a discerning one, familiar with Uccello's distinctive artistic talents. The painting has been in thc collection of the Ashrnolean Museum since 1850.
Author: Catherine Whistler Publisher: ISBN: Category : Art Languages : en Pages : 30
Book Description
A masterpiece of the early Renaissance, Paolo Uccello's (1397-1475) 'Hunt in the Forest' is a magical and enigmatic picture. The painting clearly belongs to the last decade of Uccello's career, and stylistic comparisons with the narrative scenes that he painted in the late 1460s in Urbino suggest that 'The Hunt' must date from soon after that. Uccello's lifelong interest in geometry and perspective, together with his skill in depicting animals and landscape, combine in this swansong, a jewel-like painting designed to please a sophisticated audience. The Hunt in the Forest is a rare and tantalising survivor of a particular type of secular painting. A spalliera painting (from spalla, meaning shoulder), it would have been set into the panelling of a room at shoulder height. Scenes from ancient history and mythology, or from medieval romance, were common in spalliera paintings, and many have come down to us. However, the fact that a hunting scene with figures in contemporary dress is elaborately and playfully depicted by a major artist makes this panel virtually unique in Florentine domestic painting of the fifteenth century. Clearly the patron who ordered this picture was a discerning one, familiar with Uccello's distinctive artistic talents. The painting has been in thc collection of the Ashrnolean Museum since 1850.
Author: Elizabeth Hand Publisher: Small Beer Press ISBN: 1618730312 Category : Fiction Languages : en Pages : 285
Book Description
Praise for Elizabeth Hand: "Fiercely frightening yet hauntingly beautiful."—Tess Gerritsen, author of The Silent Girl "A sinful pleasure."—Katherine Dunn, author of Geek Love No one is innocent, no one unexamined in award-winner Elizabeth Hand's new collection. From the summer isles to the mysterious people next door all the way to the odd guy one cubicle over, Hand teases apart the dark strangenesses of everyday life to show us the impossibilities, broken dreams, and improbable dreams that surely can never come true. Elizabeth Hand's novels include Shirley Jackson Award–winner Generation Loss, Mortal Love, and Available Dark.
Author: Caroline Elam Publisher: Paul Holberton publishing ISBN: 9781912168088 Category : Art criticism Languages : en Pages : 0
Book Description
Roger Fry (1866-1934) is best known as a champion of Post-Impressionism and a pioneer of Modernist art criticism. But his fi rst love was early Italian painting, on which he became a recognized authority, publishing a monograph on Giovanni Bellini in 1899. Even after the Post-Impressionist exhibitions in 1910 and 1912 and the foundation of the Omega Workshops, Fry continued to write and lecture on Italianart right up until his death. He looked at modernism through Quattrocento eyes rather than the other way around, as is often wrongly assumed. It is impossible not to be struck by how fresh and immediately readable his writings are, how pioneering in some ways his approach remains. His work on Italian art modifi es the received view of him as a pure formalist. Apart from a famous article on Giotto which Fry republished in Vision and Design (1920), the writings on Italian art are relatively little known, and a selection of the best of them is republished here, thus introducing an important aspect of Fry's many-sided work to a new audience. The fi rst part of the book sets Fry's writing on Italian art into context by combining intellectual biography with the history of art history, art criticism and art institutions. It draws on new documentary material, including Fry's travel notebooks, which contain sketches and brilliant observations taken down in front of works of art. By exploring the whole range of Fry's published and unpublished writings, theauthor is able to refute erroneous received ideas - that he was uninterested in colour, for example. The infl uence of his Italian lectures and publications on such fi gures as E.M. Forster, Kenneth Clark and Michael Baxandall is also examined. The second part consists of writings by Fry - each with an introductory text by the author and fully illustrated in colour. Included in this volume are some of the unpublished lectures that his biographer Virginia Woolf suggested would make a fascinating book of extracts. Four long pieces are of outstanding interest - on Uccello, Piero della Francesca, Baldovinetti and Piero di Cosimo, all artists whose critical status was radically re-examined in the twentieth century. Fry had a close and lifelong connection with The Burlington Magazine, as cofounder, contributor, saviour-fundraiser, editor (1909-1919) and adviser. Roger Fry and Italian Art is appropriately the fi rst in a series of books on art history to be published by The Burlington Magazine and Ad Ilissvm in association - to be announced in due course.
Author: Arie Wallert Publisher: Getty Publications ISBN: 0892363223 Category : Art Languages : en Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Eva Ritter Publisher: Springer Science & Business Media ISBN: 9400711506 Category : Science Languages : en Pages : 255
Book Description
The aim of this book is to elucidate the role of forests as part of a landscape in the life of people. Most landscapes today are cultural landscapes that are influenced by human activity and that in turn have a profound effect on our understanding of and identification with a place. The book proposes that a better understanding of the bond between people and forests as integrated part of a landscape may be helpful in landscape planning, and may contribute to the discussion of changes in forest cover which has been motivated by land use changes, rural development and the global climate debate. To this end, people’s perception of forest landscapes, the reasons for different perceptions, and future perspectives are discussed. Given the wide range of forest landscapes, and cultural perspectives which exist across the world, the book focuses on Europe as a test case to explore the various relationships between society, culture, forests and landscapes. It looks at historical evidence of the impacts of people on forests and vice versa, explores the current factors affecting people’s physical and emotional comfort in forest landscapes, and looks ahead to how changes in forest cover may alter the present relationships of people to forests. Drawing together a diverse literature and combining the expertise of natural and social scientists, this book will form a valuable reference for students and researchers working in the fields of landscape ecology and landscape architecture, geography, social science, environmental psychology or environmental history. It will also be of interest to researchers, government agencies and practitioners with an interest in issues such as sustainable forest management, sustainable tourism, reserve management, urban planning and environmental interpretation.
Author: Catherine Whistler
Author: Catherine Whistler
Author: Paolo Uccello
Author: Elizabeth Hand
Author: Caroline Elam
Author: Peter Galassi (Museumskurator.)
Author: Arie Wallert
Author: Boston, Mass. Isabella Stewart Gardner Museum
Author: Evelyn March Phillipps
Author: Harold Speed
Author: Eva Ritter