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Author: James Gurney Publisher: Andrews McMeel Publishing ISBN: 0740797719 Category : Art Languages : en Pages : 226
Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Author: James Gurney Publisher: Andrews McMeel Publishing ISBN: 0740797719 Category : Art Languages : en Pages : 226
Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Author: Piotr Stalmaszczyk Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110391147 Category : Philosophy Languages : en Pages : 182
Book Description
Papers in the collection concentrate on different issues relevant for contemporary research within semantics, such as the linguistic and philosophical status of representations, reference theory and indexicals, situation semantics, formal semantics, normativity of meaning and speech acts, and different approaches to context and contextualism. The authors investigate the links between semantics and syntax, and between semantics, pragmatics, and speech act theory, and demonstrate that it is possible to integrate findings from different disciplines. Recent studies often advocate a ‘pragmatic turn’ in the study of meaning and context; however, the papers in the volume show that semantics and meaning remain in the center of research carried out within contemporary linguistics and philosophy, especially the philosophy of language. The volume includes contributions by: Brian Ball (St Anne’s College, Oxford), John Collins (University of East Anglia), Luis Fernández Moreno (Complutense University of Madrid), Chris Fox (University of Essex), Filip Kawczyński (University of Warsaw), Katarzyna Kijania-Placek (Jagiellonian University), Joanna Klimczyk (Polish Academy of Sciences), Paul Livingston (University of New Mexico), Mark Pinder (University of Bristol), Ernesto Perini-Santos (Universidade Federal de Minas Gerais), Tabea Reiner (Ludwig-Maximilians-Universität, Munich), Stefan Riegelnik (University of Zurich), Arthur Sullivan (Memorial University of Newfoundland), Massimiliano Vignolo (University of Genoa), and Marián Zouhar (Slovak Academy of Sciences). The volume should be of interest to linguists, philosophers of language, and philosophers in general.
Author: Shari Tishman Publisher: Routledge ISBN: 1315283794 Category : Education Languages : en Pages : 166
Book Description
Slow Looking provides a robust argument for the importance of slow looking in learning environments both general and specialized, formal and informal, and its connection to major concepts in teaching, learning, and knowledge. A museum-originated practice increasingly seen as holding wide educational benefits, slow looking contends that patient, immersive attention to content can produce active cognitive opportunities for meaning-making and critical thinking that may not be possible though high-speed means of information delivery. Addressing the multi-disciplinary applications of this purposeful behavioral practice, this book draws examples from the visual arts, literature, science, and everyday life, using original, real-world scenarios to illustrate the complexities and rewards of slow looking.
Author: Paul J.E. Dekker Publisher: Springer Science & Business Media ISBN: 9400748698 Category : Language Arts & Disciplines Languages : en Pages : 129
Book Description
The integrated theory of dynamic interpretation set out here will be a surprise to advanced researchers in linguistics. It combines classical formal semantics and modern dynamic semantics without altering the fundamental paradigm. At the book’s core lies a pragmatically motivated notion of a dynamic conjunction of meanings, an idea that is worked out in full formal detail. This is applied to linguistic phenomena that involve anaphora, quantification and modality. The author demonstrates that in each area of application existing data can be neatly combined with new dynamic insights, but more importantly, there is a genuine further pay-off: the work generates treatments of phenomena that were not initially intended, with functional readings of pronouns and quantifiers, ‘Hob-Nob’ sentences, and insights into what we now call ‘Pierce’s Puzzle’. The outcome of a decade of work by the Amsterdam School of dynamic semantics, this volume condenses and reflects upon a vital body of research.
Author: Joseph Goguen Publisher: Imprint Academic ISBN: 9780907845454 Category : Art Languages : en Pages : 214
Book Description
Science of art - commentary on Ramachandran and Hirstein - Art and the Brain - The Emergence of Art and Language in the Human Brain - Cave Art, autism, and the evolution of the human mind - On aesthetic perception
Author: Georg Wilhelm Friedrich Hegel Publisher: ISBN: 0199694826 Category : Art Languages : en Pages : 523
Book Description
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
Author: Haim Gordon Publisher: Waxmann Verlag ISBN: 3830971753 Category : Education Languages : en Pages : 162
Book Description
This book has two aims. The first aim is a modest attempt to help to overcome the neglect to which German expressionist paintings have been condemned by historians and art critics. The second aim is more difficult from an educational perspective. The book points out that a moving beauty and worthy truths call out from many German expressionist paintings. At times, this beauty and these truths may be comprehended straightforwardly. To complement the direct encounter with these paintings, the book suggests learning from concepts, ideas, and insights presented by existentialist philosophers. The book shows that these concepts, ideas, and insights can assist in harkening to the call of beauty and truth that calls out from the paintings of the six German expressionist painters which are discussed here: Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, Otto Mueller, Karl Schmidt-Rottluff, and Erich Heckel. Thus, they can assist the educator in showing the grandeur of the works of the six painters. The book points to the educational value of the personal and existential encounter with the beauty and truths that call out from the paintings of these artists. Haim Gordon is professor emeritus at Ben Gurion University of the Negev in Israel. He has published, at times in collaboration with colleagues, 26 books and more than 150 papers in professional journals and books on philosophical, educational and political topics. He resides with his wife in Eilat, Israel.
Author: JoAnn Bortles Publisher: Motorbooks ISBN: 1610592077 Category : Transportation Languages : en Pages : 160
Book Description
Whatever the vehicle--from classic hot rod to pick-up to chopper--a custom paint job sets it apart. But not all paint jobs are created equal, so how can you tell which style, technique, or scheme will suit the unique demands of your vehicle and budget? Before making a big investment--whether you’re hiring a painter or doing the job yourself--turn to this book for a clear idea of what works and what doesn’t. Drawing on years of experience running her own custom painting shop, JoAnn Bortles reviews the full array of options for paints, graphics, and effects. In an easygoing and engaging manner, and with photographs to illustrate her points, she explains the tools and techniques that apply in various paint schemes and shows what might work especially well in certain situations and for particular vehicles. Whether you’re looking for inspiration, considering color combinations or graphics, or simply wondering what to look for in a local paint shop, this book will answer your questions--and help you get the custom paint job that’s perfect for you.
Author: Julian Bell Publisher: Thames & Hudson ISBN: 0500774064 Category : Art Languages : en Pages : 343
Book Description
At the turn of the twenty-first century, many felt sceptical or confused about paintings on-going cultural relevance. In this context, Julian Bells What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalized any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual arts dominance and the proliferation of experiments with the physical limits of painting. He also clarifies general concepts such as expression and representation. Fully revised to provide a fresh look at the situation of painting, this new edition maintains the objective of lucid, historically informative explanation that earned the original edition its status as a text of lasting value. The book provides a general readers introduction to theories of painting that is not only reliable, but also stimulating and amusing to read.
Author: James Gurney
Author: James Gurney
Author: Piotr Stalmaszczyk
Author: Shari Tishman
Author: Paul J.E. Dekker
Author: Joseph Goguen
Author: Georg Wilhelm Friedrich Hegel
Author: 
Author: Haim Gordon
Author: JoAnn Bortles
Author: Julian Bell