Author: Richard Wollheim Publisher: Princeton University Press ISBN: 0691252300 Category : Philosophy Languages : en Pages : 384
Book Description
One of the twentieth century’s most influential texts on philosophical aesthetics Painting as an Art is acclaimed philosopher Richard Wollheim’s encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions—philosophy, psychology, and art—to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving—almost reenacting—the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.
Author: Jamie Camplin Publisher: Getty Publications ISBN: 1606065866 Category : Art Languages : en Pages : 14
Book Description
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society. Featuring over one hundred works by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
Author: James Elkins Publisher: Psychology Press ISBN: 9780415921138 Category : Art Languages : en Pages : 284
Book Description
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
Author: Angela Dalle Vacche Publisher: University of Texas Press ISBN: 9780292715837 Category : Performing Arts Languages : en Pages : 324
Book Description
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Author: Stephen Farthing Publisher: Rizzoli Publications ISBN: 0789318334 Category : Art Languages : en Pages : 565
Book Description
This is the perfect introduction to art history and the art world—rich with information and prolifically illustrated with reproductions of masterpieces from every era and from around the world. Extraordinarily compact yet richly written and extensively illustrated, this remarkable introduction to art traces the evolution of art movement by movement, throughout time and across the world. Filled with classic and iconic masterpieces as well as lesser-known marvels awaiting greater attention, it includes a thorough assessment of artists, movements, concepts, and key works. Among the distinctive features included are the timeline at the foot of each page positioning each work in time and place in relation to other masterpieces and artistic trends. Also included are boxed "focal points" exploring up-close unusual details in the work of art profiled; "artist profiles" allowing the reader to delve deeper into the life and work of key artists; and special in-depth features on related topics, such as how the cost of oil paint affected artistic choices in the Dutch Golden Age, tips on visiting a museum for the first time, or how to start an art collection. Each featured art work appears with detailed analysis explaining everything from signs and symbols in art to visual metaphors and technical innovations. Meant to be a book that can be read from beginning to end or browsed randomly, this will make a treasured gift as well as a wonderful self-indulgence.
Author: Richard Wollheim
Author: Richard Wollheim
Author: Jamie Camplin
Author: James Elkins
Author: James Gurney
Author: Henry Miller
Author: E. John Robinson
Author: Angela Dalle Vacche
Author: Stephen Farthing
Author: Richard Schmid