Overt Theatricality and the Theatrum Mundi Metaphor in Spanish and English Drama, 1570-1640 PDF Download

Author: Katarzyna Mroczkowska-Brand
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 176

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Author: Jorge Braga Riera
Publisher: John Benjamins Publishing
ISBN: 9027224293
Category : Language Arts & Disciplines
Languages : en
Pages : 351

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Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session

Author: Piers Baker-Bates
Publisher: Routledge
ISBN: 1317015002
Category : Art
Languages : en
Pages : 334

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The sixteenth century was a critical period both for Spain’s formation and for the imperial dominance of her Crown. Spanish monarchs ruled far and wide, spreading agents and culture across Europe and the wider world. Yet in Italy they encountered another culture whose achievements were even prouder and whose aspirations often even grander than their own. Italians, the nominally subaltern group, did not readily accept Spanish dominance and exercised considerable agency over how imperial Spanish identity developed within their borders. In the end Italians’ views sometimes even shaped how their Spanish colonizers eventually came to see themselves. The essays collected here evaluate the broad range of contexts in which Spaniards were present in early modern Italy. They consider diplomacy, sanctity, art, politics and even popular verse. Each essay excavates how Italians who came into contact with the Spanish crown’s power perceived and interacted with the wider range of identities brought amongst them by its servants and subjects. Together they demonstrate what influenced and what determined Italians’ responses to Spain; they show Spanish Italy in its full transcultural glory and how its inhabitants projected its culture - throughout the sixteenth century and beyond.

Author:
Publisher: John Benjamins Publishing
ISBN: 9027278202
Category : Language Arts & Disciplines
Languages : en
Pages : 358

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Metaphor, though not now the scholarly “mania” it once was, remains a topic of great interest in many disciplines albeit with interesting shifts in emphasis. Warren Shibles' Metaphor: An Annotated Bibliography and History (Bloomington, Ind. 1971) recorded the initial interest. Then Metaphor: A Bibliography of Post-1970 Publications, published by John Benjamins, continued the record through the mania years up to 1985 when writings proliferated as metaphor was seen to be a fundamental category in human thought and language. Five years later, there is a need for a report on the newest thinking and tendencies in the field. This need is fulfilled by Metaphor II which offers a comprehensive view of information which would otherwise remain scattered throughout a numbing plethora of resources, including many sometimes-hard-to-find publications from Eastern Europe. Metaphor II systematically collects references of books, articles and papers published between 1985 and May 1990, and includes for completeness corrections and additions to the earlier bibliographies. Abstracts are given for many of the titles, while four indices (disciplines, semantic fields, metaphor theory and names) multiply the number of access points to the information.

Author: Elaine M. Canning
Publisher: Tamesis Books
ISBN: 9781855660304
Category : Drama
Languages : en
Pages : 174

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Lope's use of self-reverential devices in Lo fingido verdadero and La buena guarda serves to highlight the illusory nature of life and the relationship between lo verdadero and lo divino which lie at the heart of the theocentric world view of seventeenth-century Spain. The conflicting imperatives of human and divine love and the issue of identity are features of all of the plays. Furthermore, it is illustrated that the interplay between illusion and reality and the relationship between playwright and audience are crucial to Lope's dramatic output."--Jacket.

Author: Björn Quiring
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110343932
Category : Literary Criticism
Languages : en
Pages : 246

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To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early modern times, especially in England. Old and new applications of the “theatrum mundi” topos pervaded discourses, often allegorizing the deceitfulness and impermanence of this world as well as the futility of earthly strife. It was frequently woven into arguments against worldly amusements such as the stage: Commercial theatre was declared an undesirable competitor of God’s well-ordered world drama. Early modern dramatists often reacted to this development by appropriating the metaphor, and in an ingenious twist, some playwrights even appropriated its anti-theatrical impetus: Early modern theatre seemed to discover a denial of its own theatricality at its very core. Drama was found to succeed best when it staged itself as a great unmasking. To investigate the reasons and effects of these developments, the anthology examines the metaphorical uses of theatre in plays, pamphlets, epics, treatises, legal proclamations and other sources.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 548

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Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 704

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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.

Author:
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 1086

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Author: Comediantes
Publisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 720

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