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Author: Richard Fleischer Publisher: University Press of Kentucky ISBN: 0813172098 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Max Fleischer (1883–1972) was for years considered Walt Disney’s only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope—a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of “Out of the Inkwell” films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer’s pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer’s story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.
Author: Richard Fleischer Publisher: University Press of Kentucky ISBN: 0813172098 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
Max Fleischer (1883–1972) was for years considered Walt Disney’s only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope—a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of “Out of the Inkwell” films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer’s pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer’s story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.
Author: Ray Pointer Publisher: McFarland ISBN: 147666367X Category : Performing Arts Languages : en Pages : 320
Book Description
The history of animated cartoons has for decades been dominated by the accomplishments of Walt Disney, giving the impression that he invented the medium. In reality, it was the work of several pioneers. Max Fleischer--inventor of the Rotoscope technique of tracing animation frame by frame over live-action footage--was one of the most prominent. By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Where Disney reflected a Midwestern sentimentality, Fleischer presented a sophisticated urban attitude with elements of German Expressionism and organic progression. In contrast to Disney's naturalistic animation, Fleischer's violated physical laws, supporting his maxim: "If it can be done in real life, it isn't animation." As a result, Fleischer's cartoons were rough rather than refined, commercial rather than consciously artistic--yet attained a distinctive artistry through Fleischer's innovations. This book covers his life and work and the history of the studio that bore his name, with previously unpublished artwork and photographs.
Author: Leslie Cabarga Publisher: Da Capo Press, Incorporated ISBN: Category : Biography & Autobiography Languages : en Pages : 232
Book Description
The Fleischer brothers, Max and Dave, were animation pioneers. Creators of Betty Boop, Koko the Clown, and the Bouncing Ball, they also brought Popeye the Sailor Man to the screen and produced the first feature-length animated cartoon—on the theory of relativity! Max invented the Rotoscope and for a while the brothers kept pace with Disney in performance and profit. But after 1942 the studio closed and their films vanished. What happened and how they developed are examined for the first time in this work—for many years out of print and a collector's item. It is here, updated and enlarged with hundreds of sketches and storyboard layouts where these classic cartoons can once again receive the attention and adulation they deserve.
Author: Rachel Chlebowski Publisher: Random House Books for Young Readers ISBN: 0593430662 Category : Juvenile Fiction Languages : en Pages : 19
Book Description
Meet Cuphead, Mugman, and the other characters from The Cuphead Show! in this Step 3 Step into Reading leveled reader perfect for readers ages 5 to 8—and a pull-out poster adds to the fun! The Cuphead Show! follows two lovable brothers—Cuphead and Mugman—through their unique misadventures! But no matter what the trouble is, they’ve always got each other’s backs. Fans of the animated series, or the video game that inspired it, will love this Step into Reading Step 3 leveled reader that introduces the charming pair and their friends and foes on the Inkwell Isles—with a bonus pull-out poster! Step 3 readers feature engaging characters in easy-to-follow plots about popular topics for children who are ready to read on their own.
Author: Tim Brown Publisher: Wipf and Stock Publishers ISBN: 1666730394 Category : Fiction Languages : en Pages : 82
Book Description
An unlikely souvenir from the American Revolution becomes the unusual focal point of a spur-of-the-moment fly-fishing trip. The coveted relic, an inkwell, spirals from a casual topic of conversation into a wondrous curiosity, a reason for family introspection and a backdrop for a lifelong struggle with faith. Fly fishing is the shared and spirited high ground for four long-time friends. Their playful banter about those differences runs throughout this tale with good-humored purpose, until a surprising event sends their attention in a new direction, The Inkwell celebrates family connections current and ancestral. If Grandfather Reed hadn’t escaped from British captivity in 1777, this 21st-century tale could not be told.
Author: Joe Meno Publisher: W. W. Norton & Company ISBN: 0393071375 Category : Fiction Languages : en Pages : 416
Book Description
“This ambitious, adventurous writer . . . recalls Anton Chekhov with his amused appreciation of human foibles.”—Wendy Smith, Chicago Tribune The sky is falling for the Caspers, a family of cowards. When the parents decide to separate, this family is forced to appreciate the cloudiness of this modern age.
Author: Nicholas Sammond Publisher: Duke University Press ISBN: 0822375788 Category : Performing Arts Languages : en Pages : 232
Book Description
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Author: Donald Crafton Publisher: University of Chicago Press ISBN: 9780226116679 Category : Comics & Graphic Novels Languages : en Pages : 438
Book Description
This witty and fascinating study reminds us that there was animation before Disney: about thirty years of creativity and experimentation flourishing in such extraordinary work as Girdie the Dinosaur and Felix the Cat. Before Mickey, the first and only in-depth history of animation from 1898-1928, includes accounts of mechanical ingenuity, marketing and art. Crafton is equally adept at explaining techniques of sketching and camera work, evoking characteristic styles of such pioneering animators as Winsor McCay and Ladislas Starevitch, placing work in its social and economic context, and unraveling the aesthetic impact of specific cartoons. "Before Mickey's scholarship is quite lively and its descriptions are evocative and often funny. The history of animation coexisted with that of live-action film but has never been given as much attention."—Tim Hunter, New York Times
Author: Richard Fleischer
Author: Richard Fleischer
Author: Ray Pointer
Author: Leslie Cabarga
Author: Rachel Chlebowski
Author: Tim Brown
Author: Joe Meno
Author: Nicholas Sammond
Author: Donald Crafton
Author: Nelda Rife Knelson
Author: Ryan Bishop