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Author: Adam Spry Publisher: SUNY Press ISBN: 1438468814 Category : History Languages : en Pages : 256
Book Description
Explores a little-known history of exchange between Anishinaabe and American writers, showing how literature has long been an important venue for debates over settler colonial policy and indigenous rights. For the Anishinaabegthe indigenous peoples of the Great Lakesliterary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange,Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each others work across the boundaries of nation, culture, and time. By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptionsabout authenticity, identity, and nationhood itselfthat have become common wisdom in both Native American and US literary studies.
Author: Adam Spry Publisher: SUNY Press ISBN: 1438468814 Category : History Languages : en Pages : 256
Book Description
Explores a little-known history of exchange between Anishinaabe and American writers, showing how literature has long been an important venue for debates over settler colonial policy and indigenous rights. For the Anishinaabegthe indigenous peoples of the Great Lakesliterary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange,Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each others work across the boundaries of nation, culture, and time. By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptionsabout authenticity, identity, and nationhood itselfthat have become common wisdom in both Native American and US literary studies.
Author: Adam Spry Publisher: State University of New York Press ISBN: 1438468830 Category : Literary Criticism Languages : en Pages : 256
Book Description
For the Anishinaabeg—the indigenous peoples of the Great Lakes—literary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange, Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each other's work across the boundaries of nation, culture, and time. By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers' Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptions—about authenticity, identity, and nationhood itself—that have become common wisdom in both Native American and US literary studies.
Author: Gordon Henry Jr. Publisher: State University of New York Press ISBN: 143848254X Category : Literary Criticism Languages : en Pages : 306
Book Description
A celebration of Anishinaabe intellectual tradition. Enduring Critical Poses examines the stories, poems, plays, and histories centered in the Great Lakes region of North America, where the Anishinaabeg live in a space Basil Johnston referred to as "Maazikamikwe," a maternal earth. The Anishinaabeg are a confederacy of many communities, including the Odawa, Saulteaux, Ojibwe, Potawatomi, Oji-Cree, and Algonquin peoples, who share cultural practices and related languages. Bringing together senior scholars and new voices on the Anishinaabe intellectual landscape, this volume specifically explores Ojibwe, Odawa, and Potawatomi culture, language, and literary heritage. Through a tribal-centric framework, the contributors connect various branches of Native American literary studies and celebrate Anishinaabe narrative diversity to offer a single, overarching story of Anishinaabe survival and endurance. Gordon Henry Jr. is an enrolled member of the White Earth Anishinaabe Nation in Minnesota and Professor of American Indian Literature, Creative Writing, and American Indian Studies at Michigan State University. His books include Afterlives of Indigenous Archives: Essays in Honor of the Occom Circle (coedited with Ivy Schweitzer) and The Light People. Margaret Noodin is Professor of English and American Indian Studies and Director of the Electa Quinney Institute for American Indian Education at the University of Wisconsin–Milwaukee. Her books include Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature. David Stirrup is Professor of American Literature and Indigenous Studies at the University of Kent, United Kingdom. His books include Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature.
Author: Ariel Zatarain Tumbaga Publisher: University of Arizona Press ISBN: 0816538344 Category : Social Science Languages : en Pages : 225
Book Description
The Yaqui warrior is a persistent trope of the Mexican nation. But using fresh eyes to examine Yoeme indigeneity constructs, appropriations, and efforts at reclamation in twentieth- and twenty-first-century Mexican and Chicana/o literature provides important and vivid new opportunities for understanding. In Yaqui Indigeneity, Ariel Zatarain Tumbaga offers an interdisciplinary approach to examining representations of the transborder Yaqui nation as interpreted through the Mexican and Chicana/o imaginary. Tumbaga examines colonial documents and nineteenth-century political literature that produce a Yaqui warrior mystique and reexamines the Mexican Revolution through indigenous culture. He delves into literary depictions of Yaqui battalions by writers like Martín Luis Guzmán and Carlos Fuentes and concludes that they conceal Yaqui politics and stigmatize Yaqui warriorhood, as well as misrepresent frequently performed deer dances as isolated exotic events. Yaqui Indigeneity draws attention to a community of Chicana/o writers of Yaqui descent: Chicano-Yaqui authors such as Luis Valdez, Alma Luz Villanueva, Miguel Méndez, Alfredo Véa Jr., and Michael Nava, who possess a diaspora-based indigenous identity. Their writings rebut prior colonial and Mexican depictions of Yaquis—in particular, Véa’s La Maravilla exemplifies the new literary tradition that looks to indigenous oral tradition, religion, and history to address questions of cultural memory and immigration. Using indigenous forms of knowledge, Tumbaga shows the important and growing body of literary work on Yaqui culture and history that demonstrates the historical and contemporary importance of the Yaqui nation in Mexican and Chicana/o history, politics, and culture.
Author: Kirby Brown Publisher: University of Oklahoma Press ISBN: 0806161833 Category : Literary Criticism Languages : en Pages : 313
Book Description
The years between Oklahoma statehood in 1907 and the 1971 reemergence of the Cherokee Nation are often seen as an intellectual, political, and literary “dark age” in Cherokee history. In Stoking the Fire, Kirby Brown brings to light a rich array of writing that counters this view. A critical reading of the work of several twentieth-century Cherokee writers, this book reveals the complicated ways their writings reimagined, enacted, and bore witness to Cherokee nationhood in the absence of a functioning Cherokee state. Historian Rachel Caroline Eaton (1869–1938), novelist John Milton Oskison (1874–1947), educator Ruth Muskrat Bronson (1897–1982), and playwright Rollie Lynn Riggs (1899–1954) are among the writers Brown considers within the Cherokee national and transnational contexts that informed their lives and work. Facing the devastating effects on Cherokee communities of allotment and assimilation policies that ultimately dissolved the Cherokee government, these writers turned to tribal histories and biographies, novels and plays, and editorials and public addresses as alternative sites for resistance, critique, and the ongoing cultivation of Cherokee nationhood. Stoking the Fire shows how these writers—through fiction, drama, historiography, or Cherokee diplomacy—inscribed a Cherokee national presence in the twentieth century within popular and academic discourses that have often understood the “Indian nation” as a contradiction in terms. Avoiding the pitfalls of both assimilationist resignation and accommodationist ambivalence, Stoking the Fire recovers this period as a rich archive of Cherokee national memory. More broadly, the book expands how we think today about Indigenous nationhood and identity, our relationships with writers and texts from previous eras, and the paradigms that shape the fields of American Indian and Indigenous studies.
Author: Patrick D. Hart Publisher: Rad Press Publishing ISBN: 9780692936078 Category : Languages : en Pages :
Book Description
I needed a bed to tuck the monsters underneath. I found myself expelling every crippling thing onto paper, like I was feeding my soul with ink. That's why I started writing. I guess I could have learned how to fold paper cranes, or attended another seminar on how to stop using thumbtacks to control my anger, but I digress. Do you know what it's like to feel so unclean that you try all the wrong things to get a smidge closer to "purity"? If you do, then you can connect to the poems and prose that you're about to read. This book is my distillery. Was my distillery? It is, and was, and always will be. It's my everything and nothing. Oh, along my journey I also wrote some positive pieces and placed them in here, for there is always a silver lining.
Author: Katherine Kirkpatrick Publisher: ISBN: 9781718089211 Category : Juvenile Fiction Languages : en Pages : 34
Book Description
When the American Revolution arrives in Thomas Strong's sleepy Long Island village, his life is turned upside down. His church becomes a fort for the British, and a company of Redcoats are quartered in his family's home. But worst of all, his father is arrested as a traitor and taken away. It's no wonder that Thomas's mother seems to have been affected in the head. She washes and rewashes handkerchiefs and petticoats so that her clothesline is continually full of laundry. The errands on which she sends Thomas are not only peculiar but dangerous, since they take him right past a Redcoat encampment. At first Thomas doesn't know what to make of his mother's behavior, but as he keeps his eyes and ears open, he begins to suspect that things are not necessarily as they seem. Katherine Kirkpatrick's captivating story is based on the Culper Spy Ring, which operated on Long Island and in Connecticut from 1778 - 1783. Its purpose was to send messages to General George Washington about the activities of the British Army in New York City. Ronald Himler's dramatic watercolor illustrations bring this pivotal period of U.S. history to life for contemporary readers. Katherine Kirkpatrick grew up near Setauket in Stony Brook, New York. She first learned of Anna (Nancy) Strong's role in the Culper Spy Ring from Strong's great-great-granddaughter, Kate Strong, whom she interviewed for a fourth-grade project. Kirkpatrick has published eight books for children and young adults, both fiction and nonfiction. She lives in Seattle, Washington. Visit her at http: //katherinekirkpatrick.com . Ronald Himler has illustrated over a hundred books for children. His paintings also appear in art galleries throughout the Southwest, where he is highly acclaimed for his portraits of the Plains Indians. He lives in Tucson, Arizona. To find out more about his work, visit http: //www.ronhimler.com/.
Author: Adam Spry
Author: Adam Spry
Author: Adam Spry
Author: Gordon Henry Jr.
Author: Ariel Zatarain Tumbaga
Author: Kirby Brown
Author: Patrick D. Hart
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Author: 
Author: Lorettus Sutton Metcalf
Author: Katherine Kirkpatrick