Author: Frederick James Furnivall
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 646
Book Description
Originals and analogues of some of Chaucer's Canterbury tales, ed. by F.J. Furnivall, E. Brock, and W.A. Clouston
Author: Frederick James Furnivall
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 646
Book Description
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 646
Book Description
Originals and Analogues of Some of Chaucer's Canterbury Tales
Author: Frederick James Furnivall
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 690
Book Description
Originals and analogues on: Man of Law's tale -- Reeve's tale -- Friar's tale -- Prioress's tale -- Nun's Priest's tale -- Pardonner's tale -- Summoner's tale -- Clerk's tale -- Merchant's tale -- Second Nun's tale -- Franklin's tale -- Manciple's tale -- Wife of Bath's tale.
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 690
Book Description
Originals and analogues on: Man of Law's tale -- Reeve's tale -- Friar's tale -- Prioress's tale -- Nun's Priest's tale -- Pardonner's tale -- Summoner's tale -- Clerk's tale -- Merchant's tale -- Second Nun's tale -- Franklin's tale -- Manciple's tale -- Wife of Bath's tale.
Originals and Analogues of Some of Chaucer's Canterbury Tales
Author: Frederick James Furnivall
Publisher: Legare Street Press
ISBN: 9781019582503
Category :
Languages : en
Pages : 0
Book Description
This book presents a collection of works that served as inspiration for some of Chaucer's famous Canterbury Tales. From medieval fables to classical legends, readers will discover the influences that shaped one of the greatest works of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781019582503
Category :
Languages : en
Pages : 0
Book Description
This book presents a collection of works that served as inspiration for some of Chaucer's famous Canterbury Tales. From medieval fables to classical legends, readers will discover the influences that shaped one of the greatest works of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Originals and Analogues of Some of Chaucer's Canterbury Tales
Author: Frederick James Furnivall
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
Book Description
Originals and Analogues of Some of Chaucer's Canterbury Tales
Originals and analogues of some of Chaucer's Canterbury Tales
Originals and Analogues of Some of Chaucer's Cantebury Tales
Father Chaucer
Author: Samantha Katz Seal
Publisher: Oxford University Press
ISBN: 0192568493
Category : Poetry
Languages : en
Pages : 272
Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. When Geoffrey Chaucer is named the 'Father of English poetry', an inherent assumption about paternity is transmitted. Chaucer's 'fatherhood' is presented as a means of poetic legitimization, a stable mode of authority that connects the medieval author with all the successive generations of English writers. This book argues, however, that for Chaucer himself, paternity was a far more fraught ambition, one capable of devastating male identity as surely as it could enshrine it. Moving away from anachronistic assumptions about reproduction and authority, this book argues that Chaucer profoundly struggled with his own desire to create something that would last past his own death. For Chaucer also believed that men were the humble, mortal playthings of an all too distant God. Medieval Christianity taught that the earth was but a temporary, sorrowful abode for corrupted men, and that the fall from grace was reborn within each generation of Adam's sons. Chaucer knew that God had set sharp limits upon man's ability to create with certainty, and to determine his own posterity. Yet, what could be more human than the longing to wrest some small authority from one's own mortal flesh? This book argues that this essential intellectual, ethical, and religious crisis lies at the very heart of Chaucer's Canterbury Tales. Within this masterpiece of English literature, Chaucer boldly confronts the impossibility of his own aching wish to see his offspring, biological and poetic, last beyond his own death, to claim the authority simultaneously promised and denied by the very act of creation.
Publisher: Oxford University Press
ISBN: 0192568493
Category : Poetry
Languages : en
Pages : 272
Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. When Geoffrey Chaucer is named the 'Father of English poetry', an inherent assumption about paternity is transmitted. Chaucer's 'fatherhood' is presented as a means of poetic legitimization, a stable mode of authority that connects the medieval author with all the successive generations of English writers. This book argues, however, that for Chaucer himself, paternity was a far more fraught ambition, one capable of devastating male identity as surely as it could enshrine it. Moving away from anachronistic assumptions about reproduction and authority, this book argues that Chaucer profoundly struggled with his own desire to create something that would last past his own death. For Chaucer also believed that men were the humble, mortal playthings of an all too distant God. Medieval Christianity taught that the earth was but a temporary, sorrowful abode for corrupted men, and that the fall from grace was reborn within each generation of Adam's sons. Chaucer knew that God had set sharp limits upon man's ability to create with certainty, and to determine his own posterity. Yet, what could be more human than the longing to wrest some small authority from one's own mortal flesh? This book argues that this essential intellectual, ethical, and religious crisis lies at the very heart of Chaucer's Canterbury Tales. Within this masterpiece of English literature, Chaucer boldly confronts the impossibility of his own aching wish to see his offspring, biological and poetic, last beyond his own death, to claim the authority simultaneously promised and denied by the very act of creation.