Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Oriental Music in European Notation
Singing the Classical, Voicing the Modern
Author: Amanda J. Weidman
Publisher: Duke University Press
ISBN: 9780822336204
Category : Music
Languages : en
Pages : 372
Book Description
DIVAn ethnographic history and critique of the emergence of South Indian carnatic music as a "classical" music in the 20th century./div
Publisher: Duke University Press
ISBN: 9780822336204
Category : Music
Languages : en
Pages : 372
Book Description
DIVAn ethnographic history and critique of the emergence of South Indian carnatic music as a "classical" music in the 20th century./div
The Theosophist
The Making of European Music in the Long Eighteenth Century
Author: D. R. M. Irving
Publisher: Oxford University Press
ISBN: 0197632203
Category : Music
Languages : en
Pages : 353
Book Description
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
Publisher: Oxford University Press
ISBN: 0197632203
Category : Music
Languages : en
Pages : 353
Book Description
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
Ganesh
Author: Robert L. Brown
Publisher: SUNY Press
ISBN: 9780791406564
Category : Religion
Languages : en
Pages : 372
Book Description
This book examines the complete Ganesh for the first time. Here is the God in his multiple forms from the different geographical areas in Asia. Particularly important are chapters that deal with his Buddhist and Tantric forms. The controversial question of his origins is also thoroughly discussed.
Publisher: SUNY Press
ISBN: 9780791406564
Category : Religion
Languages : en
Pages : 372
Book Description
This book examines the complete Ganesh for the first time. Here is the God in his multiple forms from the different geographical areas in Asia. Particularly important are chapters that deal with his Buddhist and Tantric forms. The controversial question of his origins is also thoroughly discussed.
Tyāgarāja
Author: William J. Jackson
Publisher: Wipf and Stock Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 419
Book Description
Tyāgarāa (1767-1847) is undoubtedly South India’s most celebrated singer-saint. This book attempts to deepen our understanding of Tyāgarāa’s life and music with fresh insights. It explores Tyāgarāa’s philosophy of music and provides excellent English translations of a hundred and sixty of his greatest lyrics. For the first time in Tyāgarāa scholarship, the saint’s life and works have been contextualized in a sociohistorical framework. The author provides an exhaustive sociological analysis of Tyāgarāa’s Thanjavur and establishes links between Tyāgarāa’s works and the troubled history of his time. He analyses the making of saints in different religions and draws parallels between legends of saints built over decades.
Publisher: Wipf and Stock Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 419
Book Description
Tyāgarāa (1767-1847) is undoubtedly South India’s most celebrated singer-saint. This book attempts to deepen our understanding of Tyāgarāa’s life and music with fresh insights. It explores Tyāgarāa’s philosophy of music and provides excellent English translations of a hundred and sixty of his greatest lyrics. For the first time in Tyāgarāa scholarship, the saint’s life and works have been contextualized in a sociohistorical framework. The author provides an exhaustive sociological analysis of Tyāgarāa’s Thanjavur and establishes links between Tyāgarāa’s works and the troubled history of his time. He analyses the making of saints in different religions and draws parallels between legends of saints built over decades.
Journal of the Straits Branch of the Royal Asiatic Society
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Indian Culture Previous Question Papers NET JRF
Author: Mocktime Publication
Publisher: by Mocktime Publication
ISBN:
Category : Study Aids
Languages : en
Pages : 212
Book Description
Indian Culture Previous Question Papers NET JRF UGC CBSE Net Jrf previous year solved papers, net jrf paper 1 and paper 2, net jrf paper – I and paper-II, teaching and research aptitude paper -1, paper – I,net jrf exam guide manual books, net jrf previous year questions mcq
Publisher: by Mocktime Publication
ISBN:
Category : Study Aids
Languages : en
Pages : 212
Book Description
Indian Culture Previous Question Papers NET JRF UGC CBSE Net Jrf previous year solved papers, net jrf paper 1 and paper 2, net jrf paper – I and paper-II, teaching and research aptitude paper -1, paper – I,net jrf exam guide manual books, net jrf previous year questions mcq
From the Tanjore Court to the Madras Music Academy
Author: Lakshmi Subramanian
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 216
Book Description
"In moving from the quiet courtyards of Tanjore to the concert halls of Madras, the social context of music and performance underwent a striking transformation. Traditional music was also used in the freedom movement as an emblem of India's uniqueness and independent identity. Departing from conventional scholarship on the subject, Lakshmi Subramnian presents a distinctive account of the making of a modern classical tradition." "Subramanian traces the changes in traditional music in south India as it adapted to the necessities of colonial and postcolonial social realities. Her engaging narrative of the production of knowledge about music and the related institution- building process raise larger questions of identify and imagination. She also discusses the influence of nationalism in the creation of an auditory habit."--BOOK JACKET.
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 216
Book Description
"In moving from the quiet courtyards of Tanjore to the concert halls of Madras, the social context of music and performance underwent a striking transformation. Traditional music was also used in the freedom movement as an emblem of India's uniqueness and independent identity. Departing from conventional scholarship on the subject, Lakshmi Subramnian presents a distinctive account of the making of a modern classical tradition." "Subramanian traces the changes in traditional music in south India as it adapted to the necessities of colonial and postcolonial social realities. Her engaging narrative of the production of knowledge about music and the related institution- building process raise larger questions of identify and imagination. She also discusses the influence of nationalism in the creation of an auditory habit."--BOOK JACKET.