Oriental Art PDF Download

Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6

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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.

Author: Ning Yeh
Publisher:
ISBN: 9780961830588
Category :
Languages : en
Pages :

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Book Description
A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.

Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434

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Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Author: Ananda K. Coomaraswamy
Publisher: Pickle Partners Publishing
ISBN: 1787208486
Category : Art
Languages : en
Pages : 195

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Book Description
The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artist; they analyze the role of traditional culture in enriching art; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures.

Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 194

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Book Description

Author: Hugo Munsterberg
Publisher: Tuttle Publishing
ISBN: 1462904327
Category : Religion
Languages : en
Pages : 160

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Book Description
Zen & Oriental Art is an indispensable, beautifully illustrated introduction to the influences of Zen Buddhism on Oriental painting, folk art, and architecture, with a special section on the role of Zen in twentieth-century art and architecture in the West. Author, Dr. Munsterberg quite naturally begins with an explanation of Zen Buddhism itself, and the historical development of Zen in India and China. Zen's particularly rapid adoption in Japan is covered in the next chapter, which is followed by sections on the Zen art of ink painting in both China and Japan. Also described are the influences of Zen on Japanese architecture, and the intimate connection of the religion with the Japanese tea ceremony. Of particular interest to Western readers is the chapter on Zen and twentieth-century Western art. "A knowledgeable and affable guide." —The Japan Times "There is a peacefulness that comes over one just leafing through this book." --Antiquarian Bookman

Author: Charles Alfred Speed Williams
Publisher: Courier Corporation
ISBN: 9780486233727
Category : Social Science
Languages : en
Pages : 520

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Book Description
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature

Author: Titus Burckhardt
Publisher: World Wisdom, Inc
ISBN: 1933316721
Category : Art
Languages : en
Pages : 150

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Book Description
This fascinating edited collection of art historian Titus Burckhardt's most important writings on Hindu, Buddhist, and Taoist art is lavishly illustrated with 140 superb examples of Oriental art, architecture, statuary, and painting.

Author: Du Ying
Publisher: Cypi Press
ISBN: 9781908175052
Category : Art
Languages : en
Pages : 191

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Book Description
More and more people are getting tattoos these days. Whether these are complex traditional symbols or uniquely significant words, tattoos are an expression of the wearer's feelings and desires. As the tattoo profession grows, tattoo artists are perfecting their art, and attracting the attention of an increasing amount of dedicated enthusiasts. In this rising trend, Asian tattoo art, especially that of China and Japan, has gained admirers around the world. Through interviews with artists and the presentation of their work, Oriental Tattoo Art puts the charm of contemporary oriental tattoo art on full display. In addition, Oriental Tattoo Art contains an appendix with nearly 150 traditional oriental symbols and written characters with clear explanations of their unique cultural meanings for the appreciation and use of the reader. Let us pierce the veil of this ancient and alluring profession and learn about the spiritual and artistic worlds of contemporary tattoo artists in China and Japan.

Author: Markéta Hánová
Publisher: Leuven University Press
ISBN: 9462703787
Category : Art
Languages : en
Pages : 273

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Book Description
Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.