Author: William Warren VernonPublisher:
ISBN:
Category :
Languages : en
Pages : 628
Book Description
Readings on the Paradiso of Dante
Author: William Warren VernonPublisher:
ISBN:
Category :
Languages : en
Pages : 628
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 568
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright OfficePublisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1602
Book Description
Singing to the Lyre in Renaissance Italy
Author: Blake WilsonPublisher: Cambridge University Press
ISBN: 1108488072
Category : History
Languages : en
Pages : 487
Book Description
The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.
Staging 'Euridice'
Author: Tim CarterPublisher: Cambridge University Press
ISBN: 1316515400
Category : Music
Languages : en
Pages : 283
Book Description
Newly-discovered evidence underpins this comprehensive account of the creation and staging of the earliest surviving 'opera', Euridice.
Composing for the Cinema
Author: Ennio MorriconePublisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311
Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Titian Remade
Author: Maria H. LohPublisher: Getty Publications
ISBN: 089236873X
Category : Imitation in art
Languages : en
Pages : 218
Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
The Modern Language Review
Author: Readings on the Paradiso of Dante, Chiefly Based on the Commentary of Benvenuto Da Imola
Author: William Warren VernonPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
Vertical Readings in Dante's Comedy
Author: George CorbettPublisher: Open Book Publishers
ISBN: 1783742569
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.