Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Orfeo Ed Euridice; Orpheus and Eurydice; an Opera in the Grecian Taste
Orfeo Ed Euridice; Orpheus and Eurydice; An Opera in the Grecian Taste. as Performed at the King's-Theatre in the Hay-Market, the Music by Signor Gluch, and Several Eminent Composers
Author: RANIERI DE. CALZABIGI
Publisher: Gale Ecco, Print Editions
ISBN: 9781385805763
Category :
Languages : en
Pages : 44
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T043415 Parallel English and Italian texts. With a final page of advertisements for maps sold by Bottarelli and for music printed and sold by R. Bremner. London: printed for W. Griffin, 1771. 39, [1]p.; 4°
Publisher: Gale Ecco, Print Editions
ISBN: 9781385805763
Category :
Languages : en
Pages : 44
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T043415 Parallel English and Italian texts. With a final page of advertisements for maps sold by Bottarelli and for music printed and sold by R. Bremner. London: printed for W. Griffin, 1771. 39, [1]p.; 4°
Orfeo Ed Euridice
Author: Christoph Willibald Ritter von Gluck
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 39
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 39
Book Description
Orfeo Ed Euridice, Orpheus and Eurydice; an Opera, in the Grecian Taste. As Perform'd at the King's-Theatre in the Hay-Market. The Music by Signor Gluch, Signor Bach Has Condescended to Add His Own New Composition
Author: Ranieri De Calzabigi
Publisher: Gale Ecco, Print Editions
ISBN: 9781385564608
Category :
Languages : en
Pages : 40
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T043414 Parallel English and Italian texts. With a final page of advertisements for maps sold by Bottarelli and for music printed and sold by R. Bremner. London: printed by W. Griffin, 1770. 35, [1]p.; 8°
Publisher: Gale Ecco, Print Editions
ISBN: 9781385564608
Category :
Languages : en
Pages : 40
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T043414 Parallel English and Italian texts. With a final page of advertisements for maps sold by Bottarelli and for music printed and sold by R. Bremner. London: printed by W. Griffin, 1770. 35, [1]p.; 8°
Orfeo Ed Euridice ; Orpheus and Eurydice ; an Opera in the Grecian Taste
Author: Ranieri de Calzabigi
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 39
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 39
Book Description
Orfeo Ed Euridice
Orfeo ed Euridice, Orpheus and Eurydice; an opera ... The poetry is from Signor Calzabigi, with additions by G. G. Bottarelli, etc. With an English translation by F. Bottarelli. Ital. & Eng. MS. note
Author: Ranieri de'. CALSABIGI
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Orfeo Ed Euridice; Orpheus and Eurydice; an Opera in One Act. As Performed at the King's Theatre in the Hay-Market. The Music by Mr. Gluch. The Poetry by Signor Calzabigi. The Translation by Bottarelli, Jun.
Author: Ranieri De Calzabigi
Publisher: Gale Ecco, Print Editions
ISBN: 9781379881353
Category :
Languages : en
Pages : 30
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T069486 The libretto only. Parallel Italian text and English prose translation. London: printed for W. Griffin, 1773. 23, [1]p.; 8°
Publisher: Gale Ecco, Print Editions
ISBN: 9781379881353
Category :
Languages : en
Pages : 30
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T069486 The libretto only. Parallel Italian text and English prose translation. London: printed for W. Griffin, 1773. 23, [1]p.; 8°
Orfeo Ed Euridice/Orphée Et Eurydice
Author: Christoph Willibald Gluck
Publisher: Jiahu Books
ISBN: 9781784350147
Category :
Languages : en
Pages : 54
Book Description
Orfeo ed Euridice is an opera composed by Christoph W. Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline.
Publisher: Jiahu Books
ISBN: 9781784350147
Category :
Languages : en
Pages : 54
Book Description
Orfeo ed Euridice is an opera composed by Christoph W. Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline.