Author: New York Public LibraryPublisher:
ISBN:
Category : Charters
Languages : en
Pages : 402
Book Description
List of Works Relating to City Charters, Ordinances, and Collected Documents
Author: New York Public LibraryPublisher:
ISBN:
Category : Charters
Languages : en
Pages : 402
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Bibliography of American Imprints to 1901: Main part
Author: The Compiled Laws of the State of Michigan
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3382330482
Category : Fiction
Languages : en
Pages : 993
Book Description
Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Compiled Laws of the State of Michigan, 1897
Author: MichiganChampagne Charlie and Pretty Jemima
Author: Gillian M RodgerPublisher: University of Illinois Press
ISBN: 0252098056
Category : Performing Arts
Languages : en
Pages : 298
Book Description
In this rich, imaginative survey of variety musical theater, Gillian M. Rodger masterfully chronicles the social history and class dynamics of the robust, nineteenth-century American theatrical phenomenon that gave way to twentieth-century entertainment forms such as vaudeville and comedy on radio and television. Fresh, bawdy, and unabashedly aimed at the working class, variety honed in on its audience's fascinations, emerging in the 1840s as a vehicle to accentuate class divisions and stoke curiosity about gender and sexuality. Cross-dressing acts were a regular feature of these entertainments, and Rodger profiles key male impersonators Annie Hindle and Ella Wesner while examining how both gender and sexuality gave shape to variety. By the last two decades of the nineteenth century, variety theater developed into a platform for ideas about race and whiteness. As some in the working class moved up into the middling classes, they took their affinity for variety with them, transforming and broadening middle-class values. Champagne Charlie and Pretty Jemima places the saloon keepers, managers, male impersonators, minstrels, acrobats, singers, and dancers of the variety era within economic and social contexts by examining the business models of variety shows and their primarily white, working-class urban audiences. Rodger traces the transformation of variety from sexualized entertainment to more family-friendly fare, a domestication that mirrored efforts to regulate the industry, as well as the adoption of aspects of middle-class culture and values by the shows' performers, managers, and consumers.
Author: Michigan
Author: Michigan
Author: Michigan
Author: Michigan