Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Imaginative Realism
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Realism After Modernism
Author: Devin Fore
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
Realism
Author: Linda Nochlin
Publisher: CUP Archive
ISBN:
Category : Art, Modern
Languages : en
Pages : 360
Book Description
Publisher: CUP Archive
ISBN:
Category : Art, Modern
Languages : en
Pages : 360
Book Description
The Limits of Realism
Author: Tim Button
Publisher:
ISBN: 0199672172
Category : Mathematics
Languages : en
Pages : 277
Book Description
Tim Button explores the relationship between minds, words, and world. He argues that the two main strands of scepticism are deeply related and can be overcome, but that there is a limit to how much we can show. We must position ourselves somewhere between internal realism and external realism, and we cannot hope to say exactly where.
Publisher:
ISBN: 0199672172
Category : Mathematics
Languages : en
Pages : 277
Book Description
Tim Button explores the relationship between minds, words, and world. He argues that the two main strands of scepticism are deeply related and can be overcome, but that there is a limit to how much we can show. We must position ourselves somewhere between internal realism and external realism, and we cannot hope to say exactly where.
The Antinomies Of Realism
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1781681910
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.
Publisher: Verso Books
ISBN: 1781681910
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.
Socialist Realism
Author: Trisha Low
Publisher: Coffee House Press
ISBN: 1566895596
Category : Literary Collections
Languages : en
Pages : 153
Book Description
When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find. Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?
Publisher: Coffee House Press
ISBN: 1566895596
Category : Literary Collections
Languages : en
Pages : 153
Book Description
When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find. Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?
Teleological Realism
Author: Scott Robert Sehon
Publisher: Bradford Books
ISBN:
Category : Philosophy
Languages : en
Pages : 272
Book Description
A non-reductionist account of mind and agency claiming that common-sense psychological explanations are teleological and not causal. Using the language of common-sense psychology (CSP), we explain human behavior by citing its reason or purpose, and this is central to our understanding of human beings as agents. On the other hand, since human beings are physical objects, human behavior should also be explicable in the language of physical science, in which causal accounts cast human beings as collections of physical particles. CSP talk of mind and agency, however, does not seem to mesh well with the language of physical science. In Teleological Realism, Scott Sehon argues that CSP explanations are not causal but teleological--that they cite the purpose or goal of the behavior in question rather than an antecedent state that caused the behavior. CSP explanations of behavior, Sehon claims, are answering a question different from that answered by physical science explanations, and, accordingly, CSP explanations and physical science explanations are independent of one another. Common-sense facts about mind and agency can thus be independent of the physical facts about human beings, and, contrary to the views of most philosophers of mind in recent decades, common-sense psychology will not be subsumed by physical science. Sehon defends his non-reductionist account of mind and agency in clear and nontechnical language. He carefully distinguishes his view from forms of "strong naturalism" that would seem to preclude it. And he evaluates key objections to teleological realism, including those posed by Donald Davidson's influential article "Actions, Reasons and Causes" and some put forth by more recent proponents of causal theories of action. CSP, Sehon argues, has a different realm than does physical science; the normative notions that are central to CSP are not reducible to physical facts and laws.
Publisher: Bradford Books
ISBN:
Category : Philosophy
Languages : en
Pages : 272
Book Description
A non-reductionist account of mind and agency claiming that common-sense psychological explanations are teleological and not causal. Using the language of common-sense psychology (CSP), we explain human behavior by citing its reason or purpose, and this is central to our understanding of human beings as agents. On the other hand, since human beings are physical objects, human behavior should also be explicable in the language of physical science, in which causal accounts cast human beings as collections of physical particles. CSP talk of mind and agency, however, does not seem to mesh well with the language of physical science. In Teleological Realism, Scott Sehon argues that CSP explanations are not causal but teleological--that they cite the purpose or goal of the behavior in question rather than an antecedent state that caused the behavior. CSP explanations of behavior, Sehon claims, are answering a question different from that answered by physical science explanations, and, accordingly, CSP explanations and physical science explanations are independent of one another. Common-sense facts about mind and agency can thus be independent of the physical facts about human beings, and, contrary to the views of most philosophers of mind in recent decades, common-sense psychology will not be subsumed by physical science. Sehon defends his non-reductionist account of mind and agency in clear and nontechnical language. He carefully distinguishes his view from forms of "strong naturalism" that would seem to preclude it. And he evaluates key objections to teleological realism, including those posed by Donald Davidson's influential article "Actions, Reasons and Causes" and some put forth by more recent proponents of causal theories of action. CSP, Sehon argues, has a different realm than does physical science; the normative notions that are central to CSP are not reducible to physical facts and laws.
Ethical Realism
Author: Anatol Lieven
Publisher: Vintage
ISBN: 0307495337
Category : Political Science
Languages : en
Pages : 226
Book Description
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
Publisher: Vintage
ISBN: 0307495337
Category : Political Science
Languages : en
Pages : 226
Book Description
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
Degenerative Realism
Author: Christy Wampole
Publisher: Columbia University Press
ISBN: 0231546033
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt. Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.
Publisher: Columbia University Press
ISBN: 0231546033
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt. Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.
Realism in Practice
Author: J. R. Avgustin
Publisher:
ISBN: 9781910814376
Category : Political Science
Languages : en
Pages : 186
Book Description
This book appraises the current relevance and validity of realism as an interpretative tool in contemporary International Relations. Overall, the collection shows that, in spite of its many shortcomings, realism still offers a multifaceted understanding of world politics and enlightens the increasing challenges of world politics.
Publisher:
ISBN: 9781910814376
Category : Political Science
Languages : en
Pages : 186
Book Description
This book appraises the current relevance and validity of realism as an interpretative tool in contemporary International Relations. Overall, the collection shows that, in spite of its many shortcomings, realism still offers a multifaceted understanding of world politics and enlightens the increasing challenges of world politics.