Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 426
Book Description
Biennial Exhibition
On Exhibit, 1997
Author: Patti L. Sowalsky
Publisher:
ISBN: 9780963365057
Category :
Languages : en
Pages : 512
Book Description
Publisher:
ISBN: 9780963365057
Category :
Languages : en
Pages : 512
Book Description
Read My Pins
Author: Madeleine Albright
Publisher: Harper Collins
ISBN: 0061938491
Category : Political Science
Languages : en
Pages : 182
Book Description
“Jewelry isn’t ordinarily a tool of political persuasion, but in this beautiful book, Madeleine Albright, American ambassador to the United Nations and then the nation’s first female secretary of state, tells the compelling story of how these small objects became part of her ‘personal diplomatic arsenal.’” — The Chicago Tribune From New York Times bestselling author and former secretary of state Madeleine Albright, Read My Pins is a story and celebration of how one woman’s jewelry collection was used to make diplomatic history. Part illustrated memoir, part social history, Read My Pins provides an intimate look at Albright's life through the brooches she wore. Her collection is both international and democratic—dime-store pins share pride of place with designer creations and family heirlooms. Included are the antique eagle purchased to celebrate Albright's appointment as secretary of state, the zebra pin she wore when meeting Nelson Mandela, and the Valentine's Day heart forged by Albright's five-year-old daughter. Read My Pins features more than 200 photographs, along with compelling and often humorous stories about jewelry, global politics, and the life of one of America's most accomplished and fascinating diplomats.
Publisher: Harper Collins
ISBN: 0061938491
Category : Political Science
Languages : en
Pages : 182
Book Description
“Jewelry isn’t ordinarily a tool of political persuasion, but in this beautiful book, Madeleine Albright, American ambassador to the United Nations and then the nation’s first female secretary of state, tells the compelling story of how these small objects became part of her ‘personal diplomatic arsenal.’” — The Chicago Tribune From New York Times bestselling author and former secretary of state Madeleine Albright, Read My Pins is a story and celebration of how one woman’s jewelry collection was used to make diplomatic history. Part illustrated memoir, part social history, Read My Pins provides an intimate look at Albright's life through the brooches she wore. Her collection is both international and democratic—dime-store pins share pride of place with designer creations and family heirlooms. Included are the antique eagle purchased to celebrate Albright's appointment as secretary of state, the zebra pin she wore when meeting Nelson Mandela, and the Valentine's Day heart forged by Albright's five-year-old daughter. Read My Pins features more than 200 photographs, along with compelling and often humorous stories about jewelry, global politics, and the life of one of America's most accomplished and fascinating diplomats.
˜Theœ Seasons
Artyear 1997
Author:
Publisher: Hopeful Monster
ISBN: 9788877570680
Category : Art
Languages : en
Pages : 434
Book Description
Publisher: Hopeful Monster
ISBN: 9788877570680
Category : Art
Languages : en
Pages : 434
Book Description
Traveler's Guide to Art Museum Exhibitions 1997
Northbrook Property & Casualty Insurance Company V. Westchester Fire Insurance Company, Transportation Joint Argeement
Neuberger Museum of Art 1997 Biennial Exhibition of Public Art
Exhibitions 1997
Author: Mornington Peninsula Regional Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Wright on Exhibit
Author: Kathryn Smith
Publisher: Princeton University Press
ISBN: 0691246416
Category : Architecture
Languages : en
Pages : 292
Book Description
The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Publisher: Princeton University Press
ISBN: 0691246416
Category : Architecture
Languages : en
Pages : 292
Book Description
The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.