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Author: Dolora A. Wojciehowski Publisher: Stanford University Press ISBN: 9780804723862 Category : Philosophy Languages : en Pages : 292
Book Description
The encounter - sometimes conflict - between traditional Renaissance studies and poststructuralism occasions this book. In it, the author analyzes "old masteries," certain notions of freedom, individualism, and control long associated with the Renaissance, in relation to the ideologies of non-mastery that recur in theory today. This book has a dual purpose. First, it recontextualizes the debates on freedom and determinism presented by five "masters" - Petrarch, Luther, Loyola, Teresa of Avila, and Galileo - by showing that their paradigmatic discourses on will share a distinct rhetorical strategy. Second, it argues that the dominant critical paradigms of the late twentieth century, while ostensibly rejecting and transcending early modern ideas of subjecthood, actually recast Renaissance debates on freedom and power. In many ways, the early modern functions as the unconscious of critical theory.
Author: Dolora A. Wojciehowski Publisher: Stanford University Press ISBN: 9780804723862 Category : Philosophy Languages : en Pages : 292
Book Description
The encounter - sometimes conflict - between traditional Renaissance studies and poststructuralism occasions this book. In it, the author analyzes "old masteries," certain notions of freedom, individualism, and control long associated with the Renaissance, in relation to the ideologies of non-mastery that recur in theory today. This book has a dual purpose. First, it recontextualizes the debates on freedom and determinism presented by five "masters" - Petrarch, Luther, Loyola, Teresa of Avila, and Galileo - by showing that their paradigmatic discourses on will share a distinct rhetorical strategy. Second, it argues that the dominant critical paradigms of the late twentieth century, while ostensibly rejecting and transcending early modern ideas of subjecthood, actually recast Renaissance debates on freedom and power. In many ways, the early modern functions as the unconscious of critical theory.
Author: Thomas Bernhard Publisher: University of Chicago Press ISBN: 022607434X Category : Fiction Languages : en Pages : 161
Book Description
In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher—who fears Reger's plans to kill himself—gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating. "Bernhard's . . . most enjoyable novel."—Robert Craft, New York Review of Books. "Bernhard is one of the masters of contemporary European fiction."—George Steiner
Author: David W. Galenson Publisher: Princeton University Press ISBN: 9780691121093 Category : Art Languages : en Pages : 268
Book Description
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Author: Thomas Dormandy Publisher: Hambledon & London ISBN: Category : Art Languages : en Pages : 434
Book Description
"Donatello, Titian, Hals, Turner, Renoir and Munch, and a surprisingly large number of other major artists, lived to be over seventy-five. Some of their finest and most distinctive works, including Michelangelo's last Pieta, Goya's Black Paintings and Monet's Water Lilies, were done in old age. Whether experimenting with new approaches, adopting new techniques, responding to changed circumstances and debilities, or reacting to the approach of death, the intensity of the late work of many of the greatest artists is striking. Childhood genius has often been studied but, astonishingly, this is the first book to draw attention to a considerably more important artistic phenomenon. Old Masters establishes beyond doubt the frequency with which elderly painters and sculptors reached new heights in their seventies and eighties and suggest why and how they did so."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: James Spero Publisher: Courier Corporation ISBN: 0486263649 Category : Art Languages : en Pages : 50
Book Description
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
Author: Michael Eissenhauer Publisher: Hatje Cantz Verlag ISBN: 3775749098 Category : Art Languages : en Pages : 114
Book Description
Berlin's Gemäldegalerie is known for its outstanding collection of European paintings from the thirteenth to eighteenth century. Each chapter in this book is dedicated to one painting from the collection. In the breadth of this idiosyncratic selection, painting, as it discovers itself becomes a medium for the formulation of modern subjectivity. Each painting in focus unfolds its own making and its artistic concerns as they reflect contemporary issues, today. What are the paradoxes within which art is made by women? How does the primordial drive to destroy works of art affect today's art discourse? Where did the modern struggle of painting against the picture begin? Why does the Wild Man from early German Renaissance still haunt us? And why doesn't it matter whether Jan Vermeer used an optical device for his paintings? Twelve Paintings highlights the currentness of the Old Masters.
Author: Matthew Collings Publisher: Weidenfeld & Nicolson ISBN: 9780297646716 Category : Architecture Languages : en Pages : 240
Book Description
Welcome to an alarming book. In it Matthew Collings, known for his TV programmes and books about new art, tells you how to look at the old masters. Of course you can look at them however you like. But this book gives you some art historical facts as the context for what you're looking at - Collings gives you the resources you need, in order to make sense of what you're seeing. And he gets you to think for yourself. In art culture today all you hear about are literal meanings, about subject matter and ideas. Matt Collings objects to the droning repetition of that stuff. He looks to the past for a different model of art, one where the surface, the form, the look of something, is part of the idea, maybe even the main thing. We can't have the past back as a complete package, of course. That would be mad. But we can find critical principles in it that we can use to make something better out of our own time. The key figures he has chosen are Titian, Rubens, Velasquez and Hogarth. The first three stand for the highest that painting can go - rich, free, flowing, grand. In art historical terms, this is the 'painterly' stream of art. The last one didn't punch quite so high, but in him Collings sees a principle of adapting your understanding and admiration for what seems higher and greater than yourself - the achievements of the past - to your own sense of what is alive and real.Matthew Collings' new book gives a unique approach to the paintings of the past.
Author: Elizabeth Prettejohn Publisher: Association of Human Rights Institutes series ISBN: 9780300222753 Category : Art Languages : en Pages : 0
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Author: Dolora A. Wojciehowski
Author: Dolora A. Wojciehowski
Author: Cynthia Saltzman
Author: Thomas Bernhard
Author: David W. Galenson
Author: Thomas Dormandy
Author: Robert Beverly Hale
Author: James Spero
Author: Michael Eissenhauer
Author: Matthew Collings
Author: Elizabeth Prettejohn