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Author: Thomas Dormandy Publisher: Hambledon & London ISBN: Category : Art Languages : en Pages : 434
Book Description
"Donatello, Titian, Hals, Turner, Renoir and Munch, and a surprisingly large number of other major artists, lived to be over seventy-five. Some of their finest and most distinctive works, including Michelangelo's last Pieta, Goya's Black Paintings and Monet's Water Lilies, were done in old age. Whether experimenting with new approaches, adopting new techniques, responding to changed circumstances and debilities, or reacting to the approach of death, the intensity of the late work of many of the greatest artists is striking. Childhood genius has often been studied but, astonishingly, this is the first book to draw attention to a considerably more important artistic phenomenon. Old Masters establishes beyond doubt the frequency with which elderly painters and sculptors reached new heights in their seventies and eighties and suggest why and how they did so."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Thomas Dormandy Publisher: Hambledon & London ISBN: Category : Art Languages : en Pages : 434
Book Description
"Donatello, Titian, Hals, Turner, Renoir and Munch, and a surprisingly large number of other major artists, lived to be over seventy-five. Some of their finest and most distinctive works, including Michelangelo's last Pieta, Goya's Black Paintings and Monet's Water Lilies, were done in old age. Whether experimenting with new approaches, adopting new techniques, responding to changed circumstances and debilities, or reacting to the approach of death, the intensity of the late work of many of the greatest artists is striking. Childhood genius has often been studied but, astonishingly, this is the first book to draw attention to a considerably more important artistic phenomenon. Old Masters establishes beyond doubt the frequency with which elderly painters and sculptors reached new heights in their seventies and eighties and suggest why and how they did so."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: John D. Morse Publisher: New York : Abbeville Press ISBN: Category : Art Languages : en Pages : 320
Book Description
Master Paintings in North America reveals the astonishing variety and quality of North American collections, the results of over one hundred years of inspired collecting by individual collectors and public institutions. It may be no surprise that the Metropolitan Museum and the Frick Collection in New York and the National Gallery in Washington, D.C. have a large number of El Grecos, for example. But how many of us are aware that works by El Greco can also be found in Los Angeles and San Francisco, California; Sarasota, Florida; Glen Falls, New York; and in Ottawa and Montreal? The only guide of its kind,Master Paintings in North America provides a complete and fully captioned listing of every painting in U.S. and Canadian collections by fifty selected old master painters-from the early Renaissance to the mid-nineteenth century. This volume also contains a valuable geographical index which provides vital museum-going information: addresses, hours, and admission fees, as well as listing of other important painters represented in the museums. In addition to helping the reader locate these masterpieces,Master Painting in North America also provides the means for more fully enjoying these great treasures. The author, Mr. John Morse-a noted art historian and critic-provides brief biographical entries for each of the fifty painters, and longer essays analyzing the significance of their work. The book is lavishly illustrated with large full-page color plates as well as over one hundred black-and-white illustrations. This book is not only for the tourist, but also for the armchair traveler who can also enjoy the wonderful treasures in North America's museums. Master Paintings in North America is a beautiful addition to anyone's art-book library, and an indispensable companion for the art-living traveler, for the student and scholar.
Author: Suzanne Brooker Publisher: Watson-Guptill ISBN: 0823008355 Category : Art Languages : en Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Author: Francis Haskell Publisher: Yale University Press ISBN: 9780300085341 Category : Art Languages : en Pages : 268
Book Description
In this illustrated book, an eminent art historian examines the intriguing history and significance of the international art exhibition of the Old Master paintings.
Author: Susanna Avery-Quash Publisher: Bloomsbury Publishing USA ISBN: 1501348159 Category : Art Languages : en Pages : 339
Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Author: Thomas Dormandy
Author: Thomas Dormandy
Author: John D. Morse
Author: Irina Vladimirovna Linnik
Author: Suzanne Brooker
Author: Cynthia Saltzman
Author: Arne Bruun Rasmussen (Firm)
Author: National Gallery of Art (U.S.)
Author: 
Author: Francis Haskell
Author: Susanna Avery-Quash