Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1348
Book Description
Athenaeum and Literary Chronicle
The Athenaeum
Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
Book Description
Art & Auction
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Athenaeum
Francis Calley Gray and Art Collecting for America
Author: Marjorie B. Cohn
Publisher: Harvard Art Museums
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
Francis Calley Gray (1790-1856) is remembered today primarily as the donor to Harvard of an exceptional collection of prints, which later formed the nucleus of the Fogg Art Museum collection. Yet he led one of the most cultivated and remarkable lives of early nineteenth-century America. Son of a wealthy merchant from Salem, Massachusetts, he was educated at Harvard, practiced law with Daniel Webster, and served as a state legislator. He was founder or board member of nearly every important cultural institution in Boston, including the Linnaean Society of New England, the Boston Athenaeum, and Harvard University. As a young man he spent two years in St. Petersburg as an assistant to John Quincy Adams (then ambassador to the Russian court), visited retired President Jefferson at Monticello, and later was a close friend of such Boston luminaries as Henry Wadsworth Longfellow, Edward Everett, Nathaniel Bowditch, and Louis Agassiz. His polymathic mind led him to assemble a systematic collection of shells, to publish scholarly articles on economic theory, ancient Italian burial customs, and the "Gloucester sea serpent," to direct a major effort for American penal reform, and to become the nation's first great print connoisseur and collector. Gray's role as a print collector forms the centerpiece of this first biography of the archetypal Boston intellectual. In exploring Gray's vision for America and the role art was destined to play in it, Marjorie B. Cohn presents a vivid and fascinating picture of the developing ideas, tastes, and cultural aspirations of the young nation.
Publisher: Harvard Art Museums
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
Francis Calley Gray (1790-1856) is remembered today primarily as the donor to Harvard of an exceptional collection of prints, which later formed the nucleus of the Fogg Art Museum collection. Yet he led one of the most cultivated and remarkable lives of early nineteenth-century America. Son of a wealthy merchant from Salem, Massachusetts, he was educated at Harvard, practiced law with Daniel Webster, and served as a state legislator. He was founder or board member of nearly every important cultural institution in Boston, including the Linnaean Society of New England, the Boston Athenaeum, and Harvard University. As a young man he spent two years in St. Petersburg as an assistant to John Quincy Adams (then ambassador to the Russian court), visited retired President Jefferson at Monticello, and later was a close friend of such Boston luminaries as Henry Wadsworth Longfellow, Edward Everett, Nathaniel Bowditch, and Louis Agassiz. His polymathic mind led him to assemble a systematic collection of shells, to publish scholarly articles on economic theory, ancient Italian burial customs, and the "Gloucester sea serpent," to direct a major effort for American penal reform, and to become the nation's first great print connoisseur and collector. Gray's role as a print collector forms the centerpiece of this first biography of the archetypal Boston intellectual. In exploring Gray's vision for America and the role art was destined to play in it, Marjorie B. Cohn presents a vivid and fascinating picture of the developing ideas, tastes, and cultural aspirations of the young nation.
Art-Union
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 840
Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 840
Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
European Drawings
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description