Author: Andreas Braddan
Publisher: iUniverse
ISBN: 1491725621
Category : Drama
Languages : en
Pages : 163
Book Description
The Velvet Machine is a unique blend of thought-provoking essays, humorous anecdotes and real-life adventures as told by two of today's most bold and candid authors. In Part One, D.J. Blue (The Good Life Chronicles) features sociological food for thought in his Velvet Communique series. He tackles a variety of issues, including the root of all sociological evil, a hypothetical explanation of the sleep mechanism from a mathematical perspective, the meaning of dreams, as well as opinions on education, marriage, baseball, and glazed doughnut selection. In Part Two, newcomer S.K. Black paints a colorful, honest and sometimes amusing portrait of Midwestern culture. He also pushes the boundaries of decency with some eyebrow-raising poetry. But the cornerstone of Black's piece is his droll yet insightful narrative of a trip through America's heartland, where everything from Kansas cowgirls to Texas State Troopers is experienced and discussed. The Velvet Machine is a cerebral, boldly provocative, and sometimes amusing book which will make an impression on the reader and will not soon be forgotten.
R&JA Bowery Tale
Author: Andreas Braddan
Publisher: iUniverse
ISBN: 1491725621
Category : Drama
Languages : en
Pages : 163
Book Description
The Velvet Machine is a unique blend of thought-provoking essays, humorous anecdotes and real-life adventures as told by two of today's most bold and candid authors. In Part One, D.J. Blue (The Good Life Chronicles) features sociological food for thought in his Velvet Communique series. He tackles a variety of issues, including the root of all sociological evil, a hypothetical explanation of the sleep mechanism from a mathematical perspective, the meaning of dreams, as well as opinions on education, marriage, baseball, and glazed doughnut selection. In Part Two, newcomer S.K. Black paints a colorful, honest and sometimes amusing portrait of Midwestern culture. He also pushes the boundaries of decency with some eyebrow-raising poetry. But the cornerstone of Black's piece is his droll yet insightful narrative of a trip through America's heartland, where everything from Kansas cowgirls to Texas State Troopers is experienced and discussed. The Velvet Machine is a cerebral, boldly provocative, and sometimes amusing book which will make an impression on the reader and will not soon be forgotten.
Publisher: iUniverse
ISBN: 1491725621
Category : Drama
Languages : en
Pages : 163
Book Description
The Velvet Machine is a unique blend of thought-provoking essays, humorous anecdotes and real-life adventures as told by two of today's most bold and candid authors. In Part One, D.J. Blue (The Good Life Chronicles) features sociological food for thought in his Velvet Communique series. He tackles a variety of issues, including the root of all sociological evil, a hypothetical explanation of the sleep mechanism from a mathematical perspective, the meaning of dreams, as well as opinions on education, marriage, baseball, and glazed doughnut selection. In Part Two, newcomer S.K. Black paints a colorful, honest and sometimes amusing portrait of Midwestern culture. He also pushes the boundaries of decency with some eyebrow-raising poetry. But the cornerstone of Black's piece is his droll yet insightful narrative of a trip through America's heartland, where everything from Kansas cowgirls to Texas State Troopers is experienced and discussed. The Velvet Machine is a cerebral, boldly provocative, and sometimes amusing book which will make an impression on the reader and will not soon be forgotten.
The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810058
Category : Music
Languages : en
Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Publisher: Univ. Press of Mississippi
ISBN: 1496810058
Category : Music
Languages : en
Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
American
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 524
Book Description
Poetic Sighs
Author: R. D. McManes
Publisher: iUniverse
ISBN: 0595212883
Category : Poetry
Languages : en
Pages : 166
Book Description
The poetry contained within these pages has been written about everyday life as seen by the author. There are a large variety of subjects, romance, sorrow, philosophy, and more than a sprinkling of nature related poem as the author¡_s rural home setting provides a source of extra inspiration.
Publisher: iUniverse
ISBN: 0595212883
Category : Poetry
Languages : en
Pages : 166
Book Description
The poetry contained within these pages has been written about everyday life as seen by the author. There are a large variety of subjects, romance, sorrow, philosophy, and more than a sprinkling of nature related poem as the author¡_s rural home setting provides a source of extra inspiration.
Real Fire Stories From Engine 7
Author: Charles Erlandson
Publisher: Christian Faith Publishing, Inc.
ISBN: 164492756X
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
This book is a series of incidents recalled at random from my twenty-seven-year career as a city of Austin's professional firefighter. I worked at many fire stations with many different crews. I started out at Station 8, and in less than three months I was transferred to Station 1, the Central Station, or headquarters. I worked there for seven years. While at Central Station, I worked relief at every station in the city. After serving seven years at Central Station, I was transferred to Station 7. For fifteen years I was there, it was the busiest station in the city. Most of the incidents come from seven's territory. I spent the remainder of my career at crash fire rescue, protecting lives and aircraft. Every day firefighters put their lives on the line. These stories are incidents that all firefighters experience all around the world. The stories are real and true; I lived them.
Publisher: Christian Faith Publishing, Inc.
ISBN: 164492756X
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
This book is a series of incidents recalled at random from my twenty-seven-year career as a city of Austin's professional firefighter. I worked at many fire stations with many different crews. I started out at Station 8, and in less than three months I was transferred to Station 1, the Central Station, or headquarters. I worked there for seven years. While at Central Station, I worked relief at every station in the city. After serving seven years at Central Station, I was transferred to Station 7. For fifteen years I was there, it was the busiest station in the city. Most of the incidents come from seven's territory. I spent the remainder of my career at crash fire rescue, protecting lives and aircraft. Every day firefighters put their lives on the line. These stories are incidents that all firefighters experience all around the world. The stories are real and true; I lived them.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1428
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1428
Book Description
Perfection City
Author: Adela E. Orpen
Publisher: BoD – Books on Demand
ISBN: 3387303483
Category : Fiction
Languages : en
Pages : 334
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Publisher: BoD – Books on Demand
ISBN: 3387303483
Category : Fiction
Languages : en
Pages : 334
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.