Author: W. R. Bion
Publisher: Routledge
ISBN: 1000566854
Category : Psychology
Languages : en
Pages : 249
Book Description
The Complete Works of W. R. Bion is now available in a coherent and corrected format. Comprising sixteen volumes bound in green cloth, this edition has been brought together and edited by Chris Mawson with the assistance of Francesca Bion. Incorporating many corrections to previously published works, it also features previously unpublished papers.
The Complete Works of W.R. Bion
The Complete Works of Francois Rabelais
Author: François Rabelais
Publisher: Univ of California Press
ISBN: 9780520064010
Category : Literary Collections
Languages : en
Pages : 1162
Book Description
Presents the complete works of French writer Francois Rabelais.
Publisher: Univ of California Press
ISBN: 9780520064010
Category : Literary Collections
Languages : en
Pages : 1162
Book Description
Presents the complete works of French writer Francois Rabelais.
A Catalog of Books
Author: Bernard Quaritch
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 460
Book Description
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 460
Book Description
Catalogue of Books in All Classes of Literature
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Catalogue of the Printed Books in the Library of the University of Edinburgh
Author: Edinburgh University Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1424
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1424
Book Description
A Catalogue of Books, in All Classes of Literature, Many of Them Rare, Valuable and Curious
Author: Bernard Quaritch
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 458
Book Description
The Arthur Upson Room
Author: University of Minnesota. Libraries
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 196
Book Description
Catalog of Copyright Entries, Third Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1500
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1500
Book Description
To the Sun
Author: Guy de Maupassant
Publisher: Lulu.com
ISBN: 0955852501
Category : Travel
Languages : en
Pages : 206
Book Description
In July 1881, having established himself as a writer of great pedigree and potential and at the beginning of a ten-year period that would see him become one of the most popular authors of his age, Maupassant embarked on a dangerous journey to the troubled colony of Algeria, believed to be on the verge of an Arab insurrection. In To the Sun Maupassant describes a land and populace vanquished by the twin powers of the sun and French colonialism, he bows down before the former, finding a personal absolution in the light, heat and space of the desert. But he stands up to the latter, pointing out the faults and absurdities of French colonialism, all the while demonstrating his brilliance as a political reporter who came to understand Algeria and its problems in such a short space of time. This is the first complete English translation of Maupassant's travel book Au soleil (1884), including the three Fragments 'At the Spas'; 'In Brittany'; and 'Le Creusot', as well as full critical apparatus.
Publisher: Lulu.com
ISBN: 0955852501
Category : Travel
Languages : en
Pages : 206
Book Description
In July 1881, having established himself as a writer of great pedigree and potential and at the beginning of a ten-year period that would see him become one of the most popular authors of his age, Maupassant embarked on a dangerous journey to the troubled colony of Algeria, believed to be on the verge of an Arab insurrection. In To the Sun Maupassant describes a land and populace vanquished by the twin powers of the sun and French colonialism, he bows down before the former, finding a personal absolution in the light, heat and space of the desert. But he stands up to the latter, pointing out the faults and absurdities of French colonialism, all the while demonstrating his brilliance as a political reporter who came to understand Algeria and its problems in such a short space of time. This is the first complete English translation of Maupassant's travel book Au soleil (1884), including the three Fragments 'At the Spas'; 'In Brittany'; and 'Le Creusot', as well as full critical apparatus.
Supernatural Horror in Literature
Author: H. P. Lovecraft
Publisher: The Palingenesis Project (Wermod and Wermod Publishing Group)
ISBN: 1909606006
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Originally published in 1927 in a small-circulation amateur magazine, spanning the period from antiquity until the 1930s, and covering both the Anglo-American world and Continental Europe, Lovecraft’s essay remains unparallelled as a survey of horror literature in our hemisphere. Said literature’s emergence as a genre coincided with the institutional establishment of liberalism, which represents a diametrically opposed worldview. This would suggest that horror literature, even if inadvertently or subconsciously, represents an attempt at escaping the limitations of the secular, materialist, rationalist Weltanschauung of liberal modernity, as well as a desire for meaning in a world rendered meaningless through ‘liberation’ from hierarchies, folk traditions, the occult, and the supernatural. Also of interest is the fact that the aesthetics of Gothic horror are invariably and luxuriantly beautiful (if in a dark way), whereas the logical extreme of rationality (utilitarianism, standardisation) is inherently anti-aesthetic. Would this not indicate, then, that the Age of Reason marked the beginning of a process that concluded in late modernity with the wholesale destruction of beauty, except where it, or the counterfeiting of it, was dictated by economic necessity? If so, we may view Lovecraft’s essay not merely as a resource for those seeking entertainment within a genre of literature, but also a map for those seeking to escape, and begin to transcend, the despair engendered by a worldview that pronounced itself dead when someone spoke of ‘the end of history’.
Publisher: The Palingenesis Project (Wermod and Wermod Publishing Group)
ISBN: 1909606006
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Originally published in 1927 in a small-circulation amateur magazine, spanning the period from antiquity until the 1930s, and covering both the Anglo-American world and Continental Europe, Lovecraft’s essay remains unparallelled as a survey of horror literature in our hemisphere. Said literature’s emergence as a genre coincided with the institutional establishment of liberalism, which represents a diametrically opposed worldview. This would suggest that horror literature, even if inadvertently or subconsciously, represents an attempt at escaping the limitations of the secular, materialist, rationalist Weltanschauung of liberal modernity, as well as a desire for meaning in a world rendered meaningless through ‘liberation’ from hierarchies, folk traditions, the occult, and the supernatural. Also of interest is the fact that the aesthetics of Gothic horror are invariably and luxuriantly beautiful (if in a dark way), whereas the logical extreme of rationality (utilitarianism, standardisation) is inherently anti-aesthetic. Would this not indicate, then, that the Age of Reason marked the beginning of a process that concluded in late modernity with the wholesale destruction of beauty, except where it, or the counterfeiting of it, was dictated by economic necessity? If so, we may view Lovecraft’s essay not merely as a resource for those seeking entertainment within a genre of literature, but also a map for those seeking to escape, and begin to transcend, the despair engendered by a worldview that pronounced itself dead when someone spoke of ‘the end of history’.