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Author: Dario Gamboni Publisher: University of Chicago Press ISBN: 0226280551 Category : Art Languages : en Pages : 426
Book Description
French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
Author: Dario Gamboni Publisher: University of Chicago Press ISBN: 0226280551 Category : Art Languages : en Pages : 426
Book Description
French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
Author: Odilon Redon Publisher: Courier Corporation ISBN: 0486156451 Category : Art Languages : en Pages : 240
Book Description
A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. 172 lithographs, plus 37 etchings and engravings.
Author: Odilon Redon Publisher: George Braziller ISBN: 9780807611463 Category : Artists' writings Languages : en Pages : 0
Book Description
To Myself is the autobiography of the late nineteenth century French artist Odilon Redon. Composed of his personal notes and journals, which he kept for over sixty years, it is a poignant testament of a self-effacing artist whose life was totally devoted to his self-imposed task. His writings consist of his reflections on being an artist, the creative act, and the struggle to achieve the lofty goals to which the truly committed artist aspires.
Author: Cornelia Homburg Publisher: Nai010 Publishers ISBN: 9789462084223 Category : Art Languages : en Pages : 208
Book Description
Odilon Redon (Bordeaux, 1840 - Paris, 1916) was a painter, lithographer, draughtsman and pastellist, as well as a writer, critic and musician. As so many symbolists he was fascinated by synaesthesia, the idea that an experience can be more intense when several senses are solicited together. Redon was masterful at interweaving the expressive powers of literature, music and the visual arts. By addressing some of Redon's favorite themes, this richly illustrated publication shows how he transposed literary and musical motifs into his own work and how he reinvented such themes over and over again creating new associations and meaning. Next to literary themes and subjects linked to classical drama, Redon chose topics that were inspired by, among others, Richard Wagner's and Robert Schumann's music. With more than 200 illustrations of works largely in private collections and the Kröller-Müller Museum, and with essays by renowned experts on Redon and Symbolism, this book provides extensive insight into the importance of literature and music in Odilon Redon's oeuvre. Exhibition: Kröller-Müller-Museum, Otterlo, The Netherlands (02.06.-09.09.2018) / Ny Carlsberg Glyptotek, Copenhagen, Denmark (11.10.2018-20.01.2019).
Author: Stephen F. Eisenman Publisher: University of Chicago Press ISBN: 9780226195483 Category : Art Languages : en Pages : 322
Book Description
Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there." Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements. Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
Author: Agnès Lacau St Guily Publisher: Bibliotheque des Arts ISBN: 9781556603570 Category : Languages : en Pages : 1581
Book Description
The four-volume publication features 2,657 of Odilon Redon¿s paintings, pastels, watercolors, and drawings. Because Redon (1840¿1916) rarely dated his work, the catalogues are organized thematically to instead highlight significant elements of the artist¿s ¿uvre, and the reiteration of certain motifs. The first volume is dedicated to portraits and figures, while the second deals with myths, legends and Redon¿s overall interest in the fantastic. The third volume gathers Redon¿s still lives and bouquets, as well as his landscapes and marinescapes. The fourth and last volume features Redon¿s sketchbooks and design projects such as paravents, screens, tapisseries, or murals.
Author: Linda Patricia Cleary Publisher: ISBN: 9781320549431 Category : Languages : en Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Dario Gamboni
Author: Dario Gamboni
Author: Odilon Redon
Author: Odilon Redon
Author: Jodi Hauptman
Author: Odilon Redon
Author: Douglas W. Druick
Author: Cornelia Homburg
Author: Stephen F. Eisenman
Author: Agnès Lacau St Guily
Author: Linda Patricia Cleary