The British Library General Catalogue of Printed Books to 1975 PDF Download

Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 488

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Author: Giovanna De Lorenzi
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 726

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Author: Daniel Becker
Publisher: transcript Verlag
ISBN: 3839437628
Category : Social Science
Languages : en
Pages : 249

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Book Description
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206

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According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.

Author: Mark Forgy
Publisher: Createspace Independent Publishing Platform
ISBN: 9781470193089
Category : Art forgers
Languages : en
Pages : 0

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In the late 1960s Elmyr (pronounced el-MEER) de Hory was the world's most talented-and most successful art forger-ever. For over 20 years his bogus masterpieces filtered into prestigious collections on five continents. In 1967 his chicanery ended in a scandal that rocked the art world, although this monocle-wearing charmer's artful deception did not end there. He seduced most everyone he met, counting Marilyn Monroe, Liz Taylor, Montgomery Clift, Rita Hayworth, and Orson Welles among his friends. As a young American Midwesterner, I fell under his spell when I met Elmyr in 1969 on the Mediterranean island of Ibiza, becoming his personal assistant while he became my mentor and closest friend. His hilltop villa was my university where, beyond the glamour of the rich and famous, the people I met seemed to spring from the mind of Lewis Carroll, and life appeared LSD-inspired in its strangeness. Elmyr also had deeper secrets than anyone knew.This memoir is a coming-of-age journey of discovery providing the most personal account of this "famously infamous" faker that finally untangles the longstanding mythology about his life. It is a story marked by outrageous humor, tragedy, love, and search for the truth as seen through the eyes of his prot�g�-the Forger's Apprentice.

Author: Tom Keating
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112

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Includes drawings by Keating and drawings imitated by Keating.

Author: Thierry Lenain
Publisher: Reaktion Books
ISBN: 1861899599
Category : Art
Languages : en
Pages : 386

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Book Description
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.

Author: Laney Salisbury
Publisher: Penguin
ISBN: 1101105003
Category : History
Languages : en
Pages : 300

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Book Description
A tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries-many of them still hanging in prominent museums and private collections today Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.

Author: Ian Berry
Publisher: Frances Young Tang Teaching Museum and Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 204

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Book Description
Catalogue produced to accompany the traveling exhibition RICHARD PETTIBONE: A RETROSPECTIVE held at the Institute of Contemporary Art, Philadelphia, from April 30 - August 1, 2005; the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, from November 19, 2005 - February 12, 2006; and at the Laguna Art Museum, Laguna Beach, California, from March - July, 2006.

Author: Horst Bredekamp
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110374706
Category : Art
Languages : de
Pages : 162

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Book Description
Galileo’s O, Volume III, is perhaps without peer in the history of the book. In this work, historians in various fields revise the results they presented in the first two volumes, which focused on the New York copy of Sidereus Nuncius, written in 1610. The analysis of this book was conceived as a uniquely multidisciplinary and cooperative undertaking, and many of its findings remain valid. Yet the subject of analysis proved to be the work of an international group of forgers. Volume III describes the chronology and methods by which the discovery of forgery was made – a veritable watershed moment in the continuing struggle between the ever-more refined methods of forgers and new methods used to apprehend them. Ultimately, the work also provides insight into the psychology of specialists who “research themselves” in order to prevent similar errors in the future.