Author: John DowlandPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Now, O now I needs must part University Music Editions
Author: John DowlandNow, O Now I Needs Must Part
Author: John DowlandSchool of Music, Theatre & Dance (University of Michigan) Publications
Author: University of Michigan. School of Music, Theatre & DancePublisher: UM Libraries
ISBN:
Category :
Languages : en
Pages :
Book Description
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Guide to the Tuba Repertoire, Second Edition
Author: R. Winston MorrisPublisher: Indiana University Press
ISBN: 0253112257
Category : Music
Languages : en
Pages : 688
Book Description
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
... Now, O Now, I Needs Must Part
Author: Percy GraingerThe Traditional Tunes of the Child Ballads, Volume 2
Author: Bertrand Harris BronsonPublisher: Princeton University Press
ISBN: 1400874823
Category : Music
Languages : en
Pages : 586
Book Description
Continuing the monumental work begun in Volume I, Bertrand Bronson presents here the words and music for Child Ballads 54 through 113. The texts are those established in the famous Child canon of English and Scottish ballads. To them, Mr. Bronson has added more than a thousand variant tunes grouped to show their melodic kinship, and the characteristic variations developed in the course of traditional singing and oral transmission. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Music, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 714
Book Description
The Imperial Dictionary of Universal Biography
Author: John Francis WallerThe Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
Dowland
Author: K. Dawn GrapesPublisher: Oxford University Press
ISBN: 0197558879
Category : Music
Languages : en
Pages : 281
Book Description
Dowland celebrates the story of one of the most important composers to emerge from early modern England. This book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). It provides a window into life as a musician in the Elizabethan-Jacobean era, illuminating the importance of social, courtly, and academic connections as it closely explores the composer's musical compositions. During his lifetime, Dowland was well-known for his prowess as a performing lutenist who established a reputation not only in England, but also in the German and Italian lands, Denmark, and beyond. His lute solos and duos survive in manuscripts collected across Europe. He also issued four books of lute song-ayres, including the most successful secular music anthology of the era, one collection of consort music, and a theoretical translation, all printed in London. In these publications, Dowland utilized innovative print formats and set new standards for contemporary genres. Collectively, Dowland's compositions and writings present the self-styled image of a man always seeking more. This book places these activities within a biographical timeline of ongoing artistic, commercial, and reputational pursuits. As a complete record, Dowland captures the entrepreneurial resourcefulness of the foremost musician of his day, a performing composer who understood expected conventions, seized opportunities, and created a musical legacy that still stands firm 400 years after his death.