Encyclopedia of Literary Translation Into English: A-L PDF Download

Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930

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Author: Heinrich von Kleist
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 150

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Provides a kind of handbook to this [German Romantic] movement...All the varieties are here: magical, musical, political and aesthetic...[An] excellent translation.--TLS. "These tales are hard to find in translation and this is a thoughtful grouping...one of the great strengths of these tales is their lack of inhibition: they risk gesture, idealism, passion and freely subvert the demands of naturalism. The power of the mind is compellingly dramatized."--Literary Review. "Will be of interest to students of Romanticism and philosophy in any language. General readers may also appreciate the fiction-writing skill of these 3 authors."--Academic Library Book Review. "Ably translated."--Small Press. "A nice compilation of representative German Romantic short fiction. It is eminently suitable for general readers and for undergraduate classroom use."--Choice.

Author: Marc Falkenberg
Publisher: Peter Lang
ISBN: 9783039102846
Category : Foreign Language Study
Languages : en
Pages : 268

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Book Description
This stimulating new book challenges Freud's definition of the uncanny, prevalent in the study of Gothic and Romantic fiction, by reviving the importance of uncertainty in the uncanny. Literary criticism views the uncanny as an expression of the return of the repressed. Falkenberg's expanded definition includes, but is not limited to, the psychoanalytic and instead redefines the uncanny as a cognitive and aesthetic phenomenon. Beyond offering a survey of what David Punter has called «The Theory of the Uncanny», this study places the uncanny in the context of the poetological and philosophical background of the Romantic period. In close readings of two stories that have stood at the center of the debate about the uncanny - E.T.A. Hoffmann's «Sandman» and Ludwig Tieck's «Blond Eckbert» - the author shows how these texts are constructed as uncanny phenomena in themselves. The study traces fairytale elements, framing techniques, and interdependencies between the fictional productions of the protagonists and their «dark fates» to expose how these texts confront the reader with paradoxical decoding instructions. This expanded and revised uncanny not only yields new readings of two classic German short stories, it also leads to a better understanding of the cultural soil that nourished the Romantic Movement.

Author: Birgit Röder
Publisher: Boydell & Brewer
ISBN: 1571132716
Category : Literary Criticism
Languages : en
Pages : 209

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Book Description
Analysis of the novellas of the German Romantic writer and composer, focusing on the issues of art and the artist. The German Romantic writer and composer E. T. A. Hoffmann (1776-1822) -- perhaps best known to the English-speaking world through his Nutcracker and through Jacques Offenbach's opera Tales of Hoffmann -- struggled toconvince his predominantly bourgeois public of the merits of art and literature. Not surprisingly, many of his most important novellas are bound up with the dilemmas of art and the challenges faced by the Romantic artist, and itis these Künstlernovellen that are the focus of this study. Birgit Röderargues that Hoffmann's artists are not simply individuals who create works of art, but rather figures through whom the author explores the predicamentof those who reject the conventional world of bourgeois reality and seek to assert the claims of the imagination in a world dominated by prosaic rationalism. Contrary to previous scholars however, Röder demonstrates that Hoffmann's novellas clearly warn against a view of art as an autonomous aesthetic realm cut off from the world of reality. This is particularly apparent in Röder's analysis of gender relations in Hoffmann's oeuvre -- especially the relationship between (male) artist and (female) muse -- which underlines the extent to which art, literature, and the imagination are inseparably bound up with the prevailing social reality. The novellas that are given extensive consideration are Das Fräulein von Scuderi, Der Sandmann, Die Jesuiterkirche in G., Die Fermate, Der Artushof, Don Juan, Das Sanctus, and Rat Krespel. Birgit Röder teaches German language and literature at the University of Reading, UK.

Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521652025
Category : Drama
Languages : en
Pages : 344

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Comparative Criticism addresses itself to the questions of literary theory and criticism, to comparative studies in terms of theme, genre movement and influence, and to interdisciplinary perspectives. This new volume takes 'Myth and mythologies' as its central theme. Articles include: the Shadow of Ulysses beyond 2001; Genesis: a tale of a heel and a hip; Myths of 'High' and 'Low': the Lyrical Ballads 1798-1998 and Myths of the Indies: Jane Austen and the British Empire. The winning entries in the 1997/8 BCLA/BCLT translation competition are published, as well as a special bibliography on the works of H. G. Adler.

Author: Dwight Klett
Publisher: Routledge
ISBN: 1000768066
Category : Poetry
Languages : en
Pages : 172

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When originally published in 1993, this was the first bibliography of the secondary literature on Tieck. Given as much secondary literature surrounding Tieck’s life and works has been generated outside of his native Germany as within, this bibliography focuses particularly on his life and work from an international perspective. In order to make the information surrounding Tieck accessible, the book provides a detailed table of contents, with corresponding text divisions, rather than a subject index. It therefore highlights Tieck’s achievements in their various national contexts so that not only students of German can get an accurate feel for Tieck’s versatility and range.

Author: Linda Kaljundi
Publisher: Suomalaisen Kirjallisuuden Seura
ISBN: 9522227463
Category : History
Languages : en
Pages : 346

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This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.

Author: Gerald Ernest Paul Gillespie
Publisher: John Benjamins Publishing
ISBN: 9789027234568
Category : Literary Criticism
Languages : en
Pages : 772

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Book Description
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Author: Ernst Theodor Amadeus Hoffmann
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 3061

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Hoffmann's stories highly influenced 19th-century literature, and he is one of the major authors of the Romantic movement. Hoffmann is one of the best-known representatives of German Romanticism, and a pioneer of the fantasy genre, with a taste for the macabre combined with realism that influenced such authors as Edgar Allan Poe, Nikolai Gogol, Charles Dickens, Charles Baudelaire, Fyodor Dostoevsky, Franz Kafka and Alfred Hitchcock. Hoffmann's work makes a considerable contribution to our understanding of the emergence of scientific knowledge in the early years of the nineteenth century and to the conflict between science and magic, centred mainly on the 'truths' available to the advocates of either practice. The Novels: 1. The Devil’s Elixirs 2. Little Zaches 3. Master Flea The Tales: 4. The Serapion Brethren 5. Weird Tales 6. Miscellaneous Tales

Author: John MacAuslan
Publisher: Cambridge University Press
ISBN: 1316558878
Category : Music
Languages : en
Pages : 297

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Four of Schumann's great masterpieces of the 1830s - Carnaval, Fantasiestücke, Kreisleriana and Nachtstücke - are connected to the fiction of E. T. A. Hoffmann. In this book, John MacAuslan traces Schumann's stylistic shifts during this period to offer insights into the expressive musical patterns that give shape, energy and individuality to each work. MacAuslan also relates the works to Schumann's reception of Bach, Beethoven, Novalis and Jean Paul, and focuses on primary sources in his wide-ranging discussion of the broader intellectual and aesthetic contexts. Uncovering lines of influence from Schumann's reading to his writings, and reflecting on how the aesthetic concepts involved might be used today, this book transforms the way Schumann's music and its literary connections can be understood and will be essential reading for musicologists, performers and listeners with an interest in Schumann, early nineteenth-century music and German Romantic culture.