Author: Frederic George Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Notes by F. G. Stephens on a Collection of Drawings and Woodcuts by Thomas Bewick
Author: Frederic George Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Notes ... on a Collection of Drawings and Woodcuts by Thomas Bewick, Exhibited at the Fine Art Society's Rooms, 1880. Also, a Complete List of All Works Illustrated by Thomas and John Bewick, with Their Various Editions
Author: Frederic George Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Notes ... on Thomas Bewick, Illustrating a Loan Collection of His Drawings and Woodcuts ; Also Catalogue of Etchings by Bracquemond and Others, Shown at the Fine Art Society's Galleries
Author: Frederic George Stephens
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
Book Description
Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
Catalogue
Author: Sotheby, Wilkinson & Hodge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1022
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1022
Book Description
Sale
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
Book Description
Ex bibliotheca Samuel Ashton Thompson Yates, a selection from that part of his library embodied under the heads of books of emblems and general literature [by J. Sampson].
Jean-François Millet
Author: Jean François Millet
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
Book Description
"Marketing Art in the British Isles, 1700 to the Present "
Author: Charlotte Gould
Publisher: Routledge
ISBN: 1351559117
Category : Art
Languages : en
Pages : 472
Book Description
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.
Publisher: Routledge
ISBN: 1351559117
Category : Art
Languages : en
Pages : 472
Book Description
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.