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Author: National Gallery of Art (U.S.) Publisher: Princeton University Press ISBN: Category : Art Languages : en Pages : 454
Book Description
The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.
Author: National Gallery of Art (U.S.) Publisher: Princeton University Press ISBN: Category : Art Languages : en Pages : 454
Book Description
The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.
Author: Margaretta M. Lovell Publisher: University of Pennsylvania Press ISBN: 0812219910 Category : Art Languages : en Pages : 351
Book Description
"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"
Author: Gwendolyn DuBois Shaw Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 188
Book Description
Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.
Author: John Walker Publisher: New York : Abrams ISBN: Category : Art Languages : en Pages : 298
Book Description
Portraiture is a mirror of all mankind, and since its earliest beginnings has been a major art form. Almost every first-rate artist has produced at least one fine example; almost every prominent person has had his or her features immortalized in paint or stone. In this endlessly intriguing volume John Walker writes with humor and charm about the men, women, and children -- even a few animals -- who have sat for the portraits in this book. The 301 magnificent illustrations in this book allow comparisons among various stylistically different forms of portraiture, from the profound psychological interpretations of the Hellenistic Greeks, of Rembrandt, Cézanne, and the Expressionists, to the grand "society" portraits of the imperial Romans, Velázquez, Renoir, and Sargent, to the warm, informal likenesses of Hogarth, Delacroix, and Augustus John. From an Egyptian statuette of an early pharaoh to the bronze bust of a contemporary cowboy, they prove that for 50 centuries, human appearance has been the starting point for works of art that embody the heights of human emotion and intelligence. -- From publisher's description.
Author: National Gallery of Art (U.S.)
Author: National Gallery of Art (U.S.)
Author: William H. Gerdts
Author: Thomas Benedict Clarke
Author: Thomas Benedict Clarke
Author: 
Author: Margaretta M. Lovell
Author: New York Public Library
Author: Jennifer L. Roberts
Author: Gwendolyn DuBois Shaw
Author: John Walker