Author:
Publisher:
ISBN:
Category : Ithaca (N.Y.)
Languages : en
Pages : 522
Book Description
Norton & Hartford's Ithaca City Directory
Norton & Hartford's Ithaca City Directory
Directory
Yesterday There Was Glory
Author: Gerald Andrew Howell
Publisher: University of North Texas Press
ISBN: 1574417045
Category : History
Languages : en
Pages : 357
Book Description
In 1946, World War I veteran and self-described “buck private in the rear rank” Gerald Andrew Howell finished a memoir of the experiences of his squad from the 39th Infantry Regiment, 4th Division, and their “moments of horror, tragedy, humor, amour, [and] promiscuity” in Europe. This was “the old Army as it used to be,” Howell explains—the saga of the “down-trodden doughboy.” A few months later Howell was dead, his manuscript unpublished. Jeffrey Patrick discovered the memoir and the author’s correspondence with publishers and took on the task of bringing it to publication at last. Yesterday There Was Glory is an unpretentious account of men at war, from training camp to the occupation of Germany. It includes graphic descriptions of the battlefield, of shell fire, gas attacks, and lice. “Between the attacks the men would lay in their wet holes and pray for relief. But no relief came,” Howell remembers. He recalls much more than the horrors of combat, however, chronicling the diverse collection of heroes, professional warriors, shirkers, and braggarts that made up the American Expeditionary Forces. Howell and his comrades longed for wounds that would allow them to escape the war, but resolutely engaged the Germans in hand-to-hand combat. They poked fun at their comrades, but were willing to share their last can of food. They endured difficult marches, pursued “mademoiselles” and “frauleins,” and even staged a “strike” to protest mistreatment by their officers. They were as “ribald as any soldiery in any army,” Howell admits, but “underneath this veneer, they were really patriotic, steadfast and sincere.” Patrick provides an editor’s introduction and annotations to explain terms and sources in the memoir. Howell’s account preserves the flavor of army life with conversations and banter in soldier language, including the uncensored doughboy profanity often heard but seldom recorded.
Publisher: University of North Texas Press
ISBN: 1574417045
Category : History
Languages : en
Pages : 357
Book Description
In 1946, World War I veteran and self-described “buck private in the rear rank” Gerald Andrew Howell finished a memoir of the experiences of his squad from the 39th Infantry Regiment, 4th Division, and their “moments of horror, tragedy, humor, amour, [and] promiscuity” in Europe. This was “the old Army as it used to be,” Howell explains—the saga of the “down-trodden doughboy.” A few months later Howell was dead, his manuscript unpublished. Jeffrey Patrick discovered the memoir and the author’s correspondence with publishers and took on the task of bringing it to publication at last. Yesterday There Was Glory is an unpretentious account of men at war, from training camp to the occupation of Germany. It includes graphic descriptions of the battlefield, of shell fire, gas attacks, and lice. “Between the attacks the men would lay in their wet holes and pray for relief. But no relief came,” Howell remembers. He recalls much more than the horrors of combat, however, chronicling the diverse collection of heroes, professional warriors, shirkers, and braggarts that made up the American Expeditionary Forces. Howell and his comrades longed for wounds that would allow them to escape the war, but resolutely engaged the Germans in hand-to-hand combat. They poked fun at their comrades, but were willing to share their last can of food. They endured difficult marches, pursued “mademoiselles” and “frauleins,” and even staged a “strike” to protest mistreatment by their officers. They were as “ribald as any soldiery in any army,” Howell admits, but “underneath this veneer, they were really patriotic, steadfast and sincere.” Patrick provides an editor’s introduction and annotations to explain terms and sources in the memoir. Howell’s account preserves the flavor of army life with conversations and banter in soldier language, including the uncensored doughboy profanity often heard but seldom recorded.
The Naturalist's Directory
The Naturalists' Directory
The Naturalists' Universal Directory
Directory of the Alumni ...
Author: New York Medical College
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
The Scientist's International Directory
Central to Their Lives
Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn