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Author: Richard-Gabriel Rummonds Publisher: ISBN: Category : Hand presses Languages : en Pages : 536
Book Description
Examines of printing techniques from the late-seventeenth-century through the nineteenth-century. Using selected readings from printers' manuals - beginning with Joseph Moxon's Mechanick Exercises on the Whole Art of Printing, 1683, and culminating with John Southward's Practical Printing, 1900.
Author: Richard-Gabriel Rummonds Publisher: ISBN: Category : Hand presses Languages : en Pages : 536
Book Description
Examines of printing techniques from the late-seventeenth-century through the nineteenth-century. Using selected readings from printers' manuals - beginning with Joseph Moxon's Mechanick Exercises on the Whole Art of Printing, 1683, and culminating with John Southward's Practical Printing, 1900.
Author: Richard-Gabriel Rummonds Publisher: ISBN: Category : Hand presses Languages : en Pages : 600
Book Description
Examines of printing techniques from the late-seventeenth-century through the nineteenth-century. Using selected readings from printers' manuals - beginning with Joseph Moxon's Mechanick Exercises on the Whole Art of Printing, 1683, and culminating with John Southward's Practical Printing, 1900.
Author: Elizabeth M. Harris Publisher: David R. Godine Publisher ISBN: 9781567922684 Category : History Languages : en Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
Author: Joseph A. Dane Publisher: University of Pennsylvania Press ISBN: 0812208692 Category : Literary Criticism Languages : en Pages : 228
Book Description
"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
Author: Scott E. Casper Publisher: Univ of North Carolina Press ISBN: 0807830852 Category : Business & Economics Languages : en Pages : 560
Book Description
V. 1. The colonial book in the Atlantic world: This book carries the interrelated stories of publishing, writing, and reading from the beginning of the colonial period in America up to 1790. v. 2 An Extensive Republic: This volume documents the development of a distinctive culture of print in the new American republic. v. 3. The industrial book 1840-1880: This volume covers the creation, distribution, and uses of print and books in the mid-nineteenth century, when a truly national book trade emerged. v. 4. Print in Motion: In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. v. 5. The Enduring Book: This volume addresses the economic, social, and cultural shifts affecting print culture from Word War II to the present.
Author: Frances Robertson Publisher: Routledge ISBN: 0415574161 Category : Art Languages : en Pages : 178
Book Description
With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. This book charts the elements involved in such claims through a method that examines the iconography of materials, marks and processes of print, and in this sense acknowledges McLuhan's notion of the medium as the bearer of meaning.
Author: David Atkinson Publisher: Cambridge Scholars Publishing ISBN: 1527502759 Category : History Languages : en Pages : 387
Book Description
For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant peak in the nineteenth, street literature was on sale everywhere – in urban streets and alleyways, at country fairs and markets, at major sporting events and holiday gatherings, and under the gallows at public executions. For this very reason, it was often despised and denigrated by the educated classes, but remained enduringly popular with the ordinary people. Anything and everything was grist to the printers’ mill, if it would sell. A penny could buy you a celebrity scandal, a report of a gruesome murder, the last dying speech of a condemned criminal, wonder tales, riddles and conundrums, a moral tale of religious danger and redemption, a comic tale of drunken husbands and shrewish wives, a temperance tract or an ode to beer, a satire on dandies, an alphabet or “reed-a-ma-daisy” (reading made easy) to teach your children, an illustrated chapbook of nursery rhymes, or the adventures of Robin Hood and Jack the Giant Killer. Street literature long held its own by catering directly for the ordinary people, at a price they could afford, but, by the end of the Victorian era, it was in terminal decline and was rapidly being replaced by a host of new printed materials in the shape of cheap newspapers and magazines, penny dreadful novels, music hall songbooks, and so on, all aimed squarely at the burgeoning mass market. Fascinating today for the unique light it shines on the lives of the ordinary people of the age, street literature has long been neglected as a historical resource, and this collection of essays is the first general book on the trade for over forty years.
Author: Richard-Gabriel Rummonds
Author: Richard-Gabriel Rummonds
Author: Richard-Gabriel Rummonds
Author: 
Author: Richard-Gabriel Rummonds
Author: Elizabeth M. Harris
Author: Joseph A. Dane
Author: Laurel Brake
Author: Scott E. Casper
Author: Frances Robertson
Author: David Atkinson