Author: Hans Peter Hahn
Publisher:
ISBN: 1789258154
Category : Social Science
Languages : en
Pages : 273
Book Description
Values and Revaluations
Author: Hans Peter Hahn
Publisher:
ISBN: 1789258154
Category : Social Science
Languages : en
Pages : 273
Book Description
Publisher:
ISBN: 1789258154
Category : Social Science
Languages : en
Pages : 273
Book Description
Antiquities and Souvenirs of the Grand Tour, Wednesday 4 November 1992 at 10.30 A.m. Precisely
An Introduction to Nineteenth-Century Art
Author: Michelle Facos
Publisher: Taylor & Francis
ISBN: 1136840710
Category : Art
Languages : en
Pages : 465
Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Publisher: Taylor & Francis
ISBN: 1136840710
Category : Art
Languages : en
Pages : 465
Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Modern Antiques
Author: Barrett Kalter
Publisher: Bucknell University Press
ISBN: 1611483794
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The recovery and reinvention of the past were fundamental to the conception of the modern in England during the long eighteenth century. Scholars then forged connections between linear time and empirical evidence that transformed historical consciousness. Chronologers, textual critics, and antiquaries constructed the notion of a material past, which spread through the cultures of print and consumption to a broader public, offering powerful—and for that reason, contested—ways of perceiving temporality and change, the historicity of objects, and the relation between fact and imagination. But even as these innovative ideas won acceptance, they also generated rival forms of historical meaning. The regular progression of chronological time accentuated the deviance of anachronism and ephemerality, while the opposition of unique artifacts to ubiquitous commodities exoticized things that straddled this divide. Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
Publisher: Bucknell University Press
ISBN: 1611483794
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The recovery and reinvention of the past were fundamental to the conception of the modern in England during the long eighteenth century. Scholars then forged connections between linear time and empirical evidence that transformed historical consciousness. Chronologers, textual critics, and antiquaries constructed the notion of a material past, which spread through the cultures of print and consumption to a broader public, offering powerful—and for that reason, contested—ways of perceiving temporality and change, the historicity of objects, and the relation between fact and imagination. But even as these innovative ideas won acceptance, they also generated rival forms of historical meaning. The regular progression of chronological time accentuated the deviance of anachronism and ephemerality, while the opposition of unique artifacts to ubiquitous commodities exoticized things that straddled this divide. Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
The Grove Encyclopedia of Decorative Arts
Author: Gordon Campbell
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Alexa Hampton
Author: Alexa Hampton
Publisher: Clarkson Potter
ISBN: 0593578651
Category : Architecture
Languages : en
Pages : 257
Book Description
From Alexa Hampton, one of today’s greatest interior designers and owner of Mark Hampton LLC, comes a beautifully photographed memoir about her journey into design and the inspirations that shaped her iconic style. The anatomies of my chosen surrounding are rich with meaning, authentic and borrowed, and are a snapshot (or many snapshots) of a lifetime spent in the world of design. In her newest book, Alexa Hampton takes you on a journey through her life’s work: her beautifully appointed pre-war apartment on 59th street in Manhattan. She highlights the art, textiles, and objects in her spaces, along with the design and fashion tastemakers who inspired their use. In doing so, she acknowledges some of the big movements, auctions, and people that rocked the world of design and made an indelible mark on her. An intimate look into Alexa’s personal design process, including the countless updates and redecorations of her own home, this book is a personal history of interior design and a love letter to an iconic home.
Publisher: Clarkson Potter
ISBN: 0593578651
Category : Architecture
Languages : en
Pages : 257
Book Description
From Alexa Hampton, one of today’s greatest interior designers and owner of Mark Hampton LLC, comes a beautifully photographed memoir about her journey into design and the inspirations that shaped her iconic style. The anatomies of my chosen surrounding are rich with meaning, authentic and borrowed, and are a snapshot (or many snapshots) of a lifetime spent in the world of design. In her newest book, Alexa Hampton takes you on a journey through her life’s work: her beautifully appointed pre-war apartment on 59th street in Manhattan. She highlights the art, textiles, and objects in her spaces, along with the design and fashion tastemakers who inspired their use. In doing so, she acknowledges some of the big movements, auctions, and people that rocked the world of design and made an indelible mark on her. An intimate look into Alexa’s personal design process, including the countless updates and redecorations of her own home, this book is a personal history of interior design and a love letter to an iconic home.
CUET UG Tourism Code [329] Question Bank Book Chapter Wise 2000 MCQ With Explanations
Author: DIWAKAR EDUCATION HUB
Publisher: DIWAKAR EDUCATION HUB
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 258
Book Description
CUET-UG Tourism Question Bank 2000+ Chapter wise question With Explanations As per Updated Syllabus [ cover all 8 Units] Chapters Are- Unit 1 – Introduction to Travel & Tour Operations Business Unit 2 – Operations of Travel Agency Unit 3 – Transport Network Unit 4 – Itinerary Planning Unit 5 – Tour Packaging & Programming Unit 6 – Package Tour Costing Unit 7 – Government and Professional Bodies Unit 8 – Global Distribution System
Publisher: DIWAKAR EDUCATION HUB
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 258
Book Description
CUET-UG Tourism Question Bank 2000+ Chapter wise question With Explanations As per Updated Syllabus [ cover all 8 Units] Chapters Are- Unit 1 – Introduction to Travel & Tour Operations Business Unit 2 – Operations of Travel Agency Unit 3 – Transport Network Unit 4 – Itinerary Planning Unit 5 – Tour Packaging & Programming Unit 6 – Package Tour Costing Unit 7 – Government and Professional Bodies Unit 8 – Global Distribution System
Art & Auction
Souvenirs of the Grand Tour
Author: Wildenstein & Co. (London, England)
Publisher:
ISBN:
Category : Art objects, European
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Art objects, European
Languages : en
Pages : 96
Book Description
British Models of Art Collecting and the American Response
Author: Dr Inge Reist
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243806X
Category : Art
Languages : en
Pages : 289
Book Description
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243806X
Category : Art
Languages : en
Pages : 289
Book Description
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.